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NEW YORK DAWN™ > Blog > Entertainment > 5 revealing tales that demythify ‘SNL’ creator Lorne Michaels
5 revealing tales that demythify ‘SNL’ creator Lorne Michaels
Entertainment

5 revealing tales that demythify ‘SNL’ creator Lorne Michaels

Last updated: February 18, 2025 11:19 am
Editorial Board Published February 18, 2025
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On the Shelf

Lorne: The Man Who Invented Saturday Evening Reside

By Susan MorrisonRandom Home: 656 pages, $36

When you purchase books linked on our website, The Instances could earn a fee from Bookshop.org, whose charges assist impartial bookstores.

There’s an opportunity you’ve heard that is the fiftieth anniversary of “Saturday Night Live.” Sunday introduced the reside anniversary particular (and friends galore) on NBC. It arrived on the heels of the documentary “Ladies & Gentlemen… 50 Years of SNL Music” and the 2024 function movie “Saturday Night” — a fictional re-creation of the 90 minutes main as much as the very first episode. Throw within the sheer tonnage of assume items and appreciations and different navel-gazing and also you’d be forgiven for asking: Will we additionally want a e-book about Lorne Michaels?

Someway, regardless of all the above, Susan Morrison’s “Lorne: The Man Who Invented Saturday Night Live” — out Tuesday — emerges as indispensable, particularly for “SNL” completists. Morrison, an editor for the New Yorker, brings that journal’s mixture of entry, reporting and fluid evaluation to a topic who, regardless of his excessive visibility, has usually performed it near the vest.

The e-book has too many good Michaels tales to rely, however we picked 5 of essentially the most revealing tidbits that may assist you higher perceive the person behind the present.

Reside from New York

Michaels made his first journey to New York from Toronto within the winter of 1961 when he was 17. He was immediately smitten. Crashing with a buddy at an older good friend’s condominium in Greenwich Village, he stared agog on the beatnik environment and took in a single play after one other, together with Neil Simon’s first present, “Come Blow Your Horn,” Paddy Chayefsky’s “The Tenth Man” and Henrik Ibsen’s “Ghosts.” A solid member of that present was courting a author for “The Tonight Show” and Michaels, already a budding networker, organized for tickets to go see Jack Paar in motion. As Morrison writes, that author, “a preppy young man named Dick Cavett, came down from the studio to give the boys their tickets.” Among the many friends that evening: Betty White.

Go dwelling, Mick!

One in all Michaels’ first hires for the present then known as “Saturday Night” was writer-comedian Tom Schiller, who would usually crash on Michaels’ couch on the Osborne in New York. Besides generally it took some time to hunker down at evening. Michaels’ new good friend Paul Simon would usually be over, smoking a joint along with his host and gabbing away till the wee small hours of the morning. One other frequent couch denizen was Mick Jagger. “I kept praying that Mick Jagger would leave so I could go to sleep on that couch,” Schiller recalled.

Michaels quickly employed his cousin, Neil Levy. As Morrison writes, “Now it was his turn to be kept up at night, waiting for Mick Jagger to stop talking and smoking pot and go home; he remembers the singer holding forth about architecture. He recalled asking himself, ‘How does a guy like Lorne, with okay credits, but not famous — a nobody — how does he pick up with Mick Jagger and suddenly be friends?’ The answer, he figured, was a combination of charisma and an ability to intuit what a person wants to talk about. ‘He always had an innate intelligence about reading people and guessing right,’ he said.”

Lorne Michaels stands in one of the "Saturday Night Live" offices.

Susan Morrison’s biography on Lorne Michaels is indispensable, particularly for “Saturday Night Live” completists.

(Rosalind O’Connor / NBCU Photograph Financial institution through Getty Pictures)

4 faces of Lorne

Although the “SNL” buck stops with Michaels, he has what Morrison calls “four chief deputies, each of whom embodies a different facet of his personality.” One is Erik Kenward, “a calm ‘Harvard Lampoon’ alum with a neatly trimmed beard. He has worked at the show since 2001 and has absorbed the boss’s unflappable steadiness, with a tinge of the long-suffering.” Then there’s the one the general public is aware of: Colin Jost, co-host of “Weekend Update” (with Michael Che). As Morrison writes, Jost “was also a ‘Harvard Lampoon’ editor,” and “is, like Michaels, demonstrably well-read and au courant about politics. He is married to Scarlett Johansson, which lends him a Hollywood shimmer that Michaels appreciates.”

Absolute energy

That mentioned, there’s no mistaking who’s in cost right here. “Michaels rules ‘SNL’ with detached but absolute power,” Morrison writes. “He harbors no illusions that his Canadian tendency toward self-deprecation is taken seriously by anyone. One talent agent routinely tells clients auditioning for Michaels to remember that he is the real star of the show. He is the alpha in most of his employees’ lives. To those people, and to the wider comedy world, he is, not accidentally, a mythic figure, a mysterious object of obsession.” As former solid member (and fellow Canadian) Mike Myers says, “He is aware of his own Lorne-ness.”

… However that doesn’t imply he wins each battle

Within the mid-‘90s, as the show’s rankings tumbled and critics received out their knives frequently, Michaels confronted a revolt from the manager suites. Don Ohlmeyer, then president of NBC’s West Coast division, wished a whole “SNL” overhaul, and he wished Michaels to fireside two of the present’s greatest stars, Chris Farley and Adam Sandler. Michaels quietly resisted and went into his frequent strategic stance of ready out his adversaries till he emerged victorious. However the warmth wouldn’t cease, and the potential of the present’s cancellation appeared fairly actual. Ultimately, it seems like Farley and Sandler weren’t fairly fired, however their exit wasn’t precisely amicable. It’s unusual to assume {that a} present with a historical past of seeing its huge expertise depart to make films truly pushed two of its greatest stars out the door.

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