1000’s of Tyler, the Creator followers gathered Saturday night time at Dodger Stadium to mark 10 years of the rapper’s taste-making pageant, Camp Flog Gnaw. The 2-day, L.A.-centric smorgasboard of hip-hop and R&B kicked off with a carnival of daring sounds from main groundbreaking artists like Doechii, Kaytranada, Sampha, Vince Staples, Faculty Boy Q and lots of extra. This 12 months’s Camp Flog can also be a celebration of Tyler’s newest chart-topping album, “Chromakopia,” which was born from the eccentric artistry and insanity that continues to encourage the long-running pageant. Beneath are a number of highlights of one of the best stuff we noticed from Day 1.
Doechii performs at Camp Flog Gnaw on Saturday.
(Michael Blackshire / Los Angeles Occasions)
Doechii
By the point Doechii introduced out SZA to carry out the remix of “Persuasive” on Saturday afternoon, one of many darlings of L.A. hip-hop label High Dawg Leisure already had a decent grip on her viewers. Recent off the tour of her critically acclaimed “Alligator Bites Never Heal” mixtape — which made her essentially the most nominated feminine rapper for the 2025 Grammy awards — the “Swamp Princess” who hails from Tampa opened up her high-energy set with the standout “Boom Bap.” With the assistance of her equally turned up DJ, Miss Milan — whom she carried out a number of dance routines with — Doechii ran by a number of different album favorites together with “Catfish” and “Boiled Peanuts,” together with the 2019-deep lower “Spookie Coochie” and 2022’s “Crazy.”
All through her set, the fiery rapper additionally sprinkled in a number of breath work workout routines for the viewers to do and optimistic affirmations like “I’m that bitch” and “I’m serving face.”
Miss Milan rushed to take off Doechii’s burgundy designer heels, simply in time for “Nissan Altima” so she might bounce across the stage freely in her Miu Miu set (a collared shirt and olive inexperienced sizzling shorts). It’s the right ending because the tune’s lyrics completely characterize Doechii’s place within the rap dialog proper now: “I’m the new hip-hop Madonna / I’m the trap Grace Jones / I don’t know what type of motherf— crack they on.” — Kailyn Brown
Omar Apollo
Along with his function in Luca Guadagnino’s “Queer” on the horizon, Omar Apollo has currently been paying extra consideration to his burgeoning movie profession than to his music. However he completed his Flog Gnaw set with a pair of show-stopping ballads that dared anybody not to consider him as a high-level pop romantic: first “Evergreen (You Didn’t Deserve Me At All),” his viral TikTok hit with echoes of Smokey Robinson, then the downright Celine Dion-ish “Glow,” which additionally closes Apollo’s wonderful 2024 album, “God Said No.” — Mikael Wooden
Sampha performs at Camp Flog Gnaw on Saturday.
(Michael Blackshire / Los Angeles Occasions)
Sampha
From the second British crooner, pianist and producer Sampha joined his four-person band onstage to carry out “Plastic 100°C” off his 2017-project “Process,” he ushered the viewers in like a seasoned choir director.
Garbed in a monochromatic cream outfit, he danced energetically and grinned vast whereas he sang deeply emotional and reflective songs like “Suspended” off his 2023-album “Lahai” — “I was in and out, but drowning more and more / Sipping on red wine, I spilled it on the floor / Then I find myself, all washed up by the shore.” On “Spirit 2.0,” he will get much more introspective: “Waves will catch you / Light will catch you / Love will catch you / Spirit gon’ catch you, yeah.”
His electro-infused R&B set, which blended collectively seamlessly, included extra tracks from “Lahai,” a handful from “Process,” and snippets from tracks he’s been featured on together with Kendrick Lamar’s “Father Time” and Solange’s “Don’t Touch My Hair.” The Grammy-nominated singer gave a grasp class on breath management and effortlessly reminded attendees why he’s nonetheless one of the vital refreshing and susceptible singer-songwriters in music at the moment. — Okay.B.
Vince Staples
Vince Staples requested the viewers of 1000’s in entrance of him in the event that they’d come for “real n— s—,” acquired a solution that urged that they had, then paused to contemplate the ramifications. “A bunch of white people saying they like real n— s—,” he mentioned. “It’s perplexing.” The closest factor hip-hop can declare to a Larry David determine, Staples thrives in these awkward moments; his music is all about peeling again the veneer of social custom to disclose the ugliness that lurks beneath. (So too is his nice Netflix comedy, “The Vince Staples Show,” which premiered in February and was not too long ago renewed for a second season.) Right here the Lengthy Seaside MC doled out fan favorites like “Norf Norf” and “Magic” whereas the disembodied head of a grinning minstrel-show performer alternately mocked and egged him on from the enormous video display screen behind him. Mentioned Staples: “Y’all did come to have fun, right?” — M.W.
Kaytranada
As we launch into Grammys season once more, be aware of one dance music artist that has as soon as once more captured the academy’s consideration. Kaytranada, the Canadian deep-house and membership music savant, has already gained two Grammys (for dance/digital album and dance recording, each in 2021). Subsequent 12 months, he’ll be up for 3, bringing his nomination whole to eight.
Clearly, one thing about his savvy with deconstructing R&B vocals and evocative, just-at-the-edge-of-underground productions remains to be resonating with the trade extra broadly.
On stage, Kaytranada’s units stroll a decent line between the Black, queer membership avant-garde and the dramatic ebbs and flows of pageant dance music; he performed a first-rate Coachella set in 2023 and opened for the Weeknd’s 2022 stadium tour. At Flog Gnaw, famed for its open-minded viewers (so long as you’re not Drake), Kaytra lower free with a set that straddled his pop impulses (a remix of Rihanna’s “Kiss It Better”), nods to his omnivorous style (his edit of “Waitin” by “Kelela” and a slice of his genre-agnostic 90-minute mixtape “0.001%”) and his personal globalist writing (the afrobeats-inspired “Vex Oh”). “Call U Up,” a humorous and brash single off his LP “Timeless,” was simply saucy sufficient to show heads all around the grounds.
Kaytranada’s at a potent level in his profession — primed for foremost stage superstardom whereas nonetheless cultivating his underground roots. As dance music and nightclub tradition twists into new types postpandemic, Kaytranada’s polyglot imaginative and prescient appears to be taking the lead. — August Brown
Mase performs at Camp Flog Gnaw on Saturday.
(Michael Blackshire / Los Angeles Occasions)
Mase
If the horrific allegations made in opposition to Sean “Diddy” Combs in current months imply that the person himself is now not welcome in common music, should we additionally reject the songs on which the producer and rapper constructed his celeb? Not if Mase has something to say about it: Greatest recognized for the years he spent within the late Nineties as Diddy’s jovial sidekick, the now-49-year-old MC drew a small however appreciative crowd who rapped together with him as he cycled shortly by a group of hook-riddled hits that included “Lookin’ at Me,” “Can’t Nobody Hold Me Down” and “Been Around the World.” Wearing inexperienced leather-based pants and an identical inexperienced cardigan, Mase was providing a easy answer to a sophisticated drawback. — M.W.
Daniel Caesar performs at Camp Flog Gnaw on Saturday.
(Michael Blackshire / Los Angeles Occasions)
Daniel Caesar
As Daniel Caesar carried out a stripped-down model of “Loose” from his debut 2017 album “Freudian” on the piano, a sudden hush washed over the gang on Saturday night time — maybe the quietest it had been all day.
Recent off his shining collaboration with Tyler, the Creator on “Chromakopia,” it was solely proper for Daniel Caesar to not solely be included on the pageant lineup, however to be the headlining act on the principle stage, proper earlier than Tyler. (The truth is, Caesar later returned to the stage to carry out “Balloon” with Tyler, the Creator and Doechii.)
Backed by a band, Caesar swapped between enjoying a piano and guitar, and dug deep into his catalog, performing tracks like “Japanese Denim” (2015), “Who Hurt You?” (2018), “Open Up” (2019), the reggae-inspired “Cyanide” and some songs from his 2023 album “Never Enough.” The gang changed into a healthful karaoke session with folks swaying left to proper and holding up their lighters when Caesar carried out certainly one of his most beloved songs, “Best Part,” that includes H.E.R. who sadly wasn’t there stay for the duet; regardless of that, the tune nonetheless slayed. — Okay.B.
Faculty Boy Q performs at Camp Flog Gnaw on Saturday.
(Michael Blackshire / Los Angeles Occasions)
Schoolboy Q
Is it doable to have had a No. 1 LP, three high 10 albums on essentially the most acclaimed rap label in fashionable L.A. historical past, be a member of a supergroup with Kendrick Lamar, and but nonetheless be form of underrated?
Schoolboy Q rattled Flog Gnaw on Saturday with a lot ability and conviction that it ought to put native rap followers on discover — should you’ve ever let him slip from thoughts within the decade since his TDE landmark “Oxymoron” got here out, pay contemporary consideration, as a result of proper now this dude is on the high his sport.
“Blue Lips,” his sixth and most up-to-date LP, shook off any midcareer stasis. It by no means as soon as succumbed to late 30s consolation or malaise, and as a substitute delivered a chaotic cost of restlessness and structural invention. As a substitute, the album is L.A. social gathering rap run by a buzzsaw of remorse and dread and cackling humor and completely contemporary musicality.
The rapper displayed assured looseness on Saturday that solely a veteran can actually inhabit on a stage in entrance of 1000’s of festivalgoers. Bouncing throughout the stage, limber and in whole management, he sounded higher than ever as a performer. With “Cooties,” he took inventory of his life in a “big-ass kitchen, a runway here / My kids playin’ soccer, all while “Mass shootings, when will they stop it? Hmm / Another kid gone for unlimited profits.” On “Blueslides,” he was much more candid: “Been a prisoner in my own house, I don’t know if they noticed / I done broke down so many times, next time, it’s gonna catch me.” Traces about preserving sanity within the glare of fame have been jarring however thought-about — “We was screamin’, ‘Mental health,’ and now we wanna kill ‘em all / Lord, please forgive me for the day I finally fall apart.”
Those tracks from “Blue Lips” were statements of purpose for 2024, but he also had hits for the L.A. canon: “Collard Greens” will go down as an era-defining track for SoCal rap, and at this 10-year anniversary edition of Flog Gnaw, you could start to see the history taking shape. — A.B.
Tyler, the Creator
Tyler, the Creator had much to celebrate as he closed Night 1 of his annual Camp Flog Gnaw festival late Saturday: Not only had he put together (and sold out tickets for) the 10th edition of the hometown show — a real feat in an era when festivals are struggling across the live-music industry — but he’d simply logged a 3rd week at No. 1 together with his newest album, “Chromakopia,” which this month scored the largest chart opening of any rap LP launched this 12 months.
“What the f— is going on?” he requested about midway by his headlining set. “This is crazy.”
To mark the event, Tyler carried out a great chunk of “Chromakopia” — on which the 33-year-old ponders all of the ways in which wealth and energy have formed his perspective towards rising up — whereas sporting a masks and a army uniform and prowling the highest of a inexperienced transport container. “Noid” was dense and menacing, Tyler’s move someplace between a growl and a yowl; “Darling, I” was mild and kooky however nearly painfully craving too.
Sexyy Purple turned up for a rowdy tackle the marching-band jam “Sticky” and playfully spanked Tyler after he did the identical to her; Tyler took successful from his bronchial asthma inhaler after that one. Doechii and Daniel Caesar additionally popped out to do their components from “Chromakopia,” as did Schoolboy Q, who caught round onstage after his verse in “Thought I Was Dead” simply to observe Tyler, his face slick with sweat, rap his strains a cappella, every slower and extra vehement than the final. (The second had some critical “Def Poetry Jam” power.)
A veteran pageant act who simply headlined Coachella this previous April, Tyler knew he needed to pepper the brand new stuff with a handful of outdated hits: a swaggering “Lumberjack,” a winsome “Earfquake,” a still-acrid “Yonkers” that made you surprise how on the planet it had been 13 years since that tune got here out. However in an inversion of what usually occurs in any such atmosphere, the gang appeared longing for Tyler to return to “Chromakopia.” His followers already knew each phrase. — M.W.
