Over the course of her singularly unpredictable three-decade profession, Kathryn Hahn has introduced her signature wit to a plethora of genres: crime procedurals (“Crossing Jordan”), horror (“The Visit”), ensemble comedies (“Step Brothers,” “Bad Moms”) and existential dramedies (“Tiny Beautiful Things,” “Mrs. Fletcher”).
However within the Disney+ collection “Agatha All Along,” Hahn pulls from all of the disparate strands of her physique of labor to play the perfidious, power-hungry witch Agatha Harkness. It’s a task that finds Hahn — currently identified for portraying messy antiheroines — on the top of her powers.
“By the end of the show, I would go into hair and makeup at the end of the day and be like, ‘Well, this is my last acting job,’ because I felt like I had a chance to do it all. But it really just reopened my hunger and love for performing,” Hahn says in a latest interview. “I do feel like this is exactly the part I’m supposed to play at this period of my life.”
Although she had watched live-action Marvel films along with her two youngsters and voiced Doc Ock in “Spider-Man: Into the Spiderverse,” Hahn by no means anticipated to affix the MCU full-time. However in 2019, quickly after a common assembly with Marvel executives, Hahn was pitched the high-concept restricted collection “WandaVision,” predecessor to “Agatha All Along.” In “WandaVision,” she would play Agatha, the nosy neighbor of Wanda Maximoff (Elizabeth Olsen) and Imaginative and prescient (Paul Bettany). Agatha, it’s finally revealed, has a secret identification.
Kathryn Hahn says she and “Agatha All Along” creator Jac Schaeffer needed to take care of the “acerbic, sarcastic, self-involved” demeanor of her “WandaVision” character within the Disney+ spinoff collection.
(Chuck Zlotnick/Marvel)
“WandaVision” creator Jac Schaeffer’s want to pay homage to traditional sitcoms in a meditation on grief intrigued Hahn, who acknowledged elements of her scrappy, naturally performative youthful self in Agatha. And who wouldn’t wish to play a shape-shifting, centuries-old witch?
Very similar to her character, Hahn has grown into her energy over time. In her 20s and early 30s, Hahn remembers being instructed that the roles she was being provided would progressively dwindle — if not by the point she turned a mom, then by the point she reached center age. That angle towards feminine performers has begun to shift lately, with Hahn becoming a member of a rising variety of ladies who at the moment are producing and starring in their very own initiatives.
“I feel like the work that I’ve been able to do post having children and post my 40s has been the most fulfilling since I was doing theater back in the day. I’ve felt the most relaxed and excited and not so fearful of doing something wrong but being really confident in the choices I’m making,” says Hahn, who believes ladies’s lives really get richer with age. “I think the audience wants to see juicy, complicated, not-young women all the time — no offense to the amazing young women in our business.”
In the summertime of 2021, a couple of months after “WandaVision” premiered to acclaim, Hahn discovered that Schaeffer was creating a continuation of Agatha’s story. Of their earliest conversations, Hahn and Schaeffer knew they needed to take care of the character’s “acerbic, sarcastic, self-involved” demeanor whereas putting her able the place she begrudgingly must type a coven to journey the fabled “Witches’ Road” and reclaim the ability that Wanda had stripped of her on the finish of “WandaVision.”
(Emil Ravelo/For The Instances)
Within the course of, “Agatha” serves as an origin story of kinds for the depraved witch. The present reveals that Agatha’s nihilistic malevolence stems from her tortured relationship along with her mom, who instructed her she was inherently and irredeemably evil and tried to kill her along with her personal coven. She additionally feels super disgrace and guilt over being unable to save lots of her son, Nicky, whose life she had tried to increase by killing different witches. A grasp of speaking internal turmoil with a single freighted look, Hahn is ready to provide gripping, albeit fleeting, home windows into Agatha’s vulnerability.
Not too long ago persuaded by her teen daughter, Mae, to affix social media, Hahn abstains from studying the feedback. So, aside from the posts she is distributed or finds on her timeline, she is “blessedly” unaware of how followers have reacted. “But I do know how proud we are of it and how subversive and radical it felt to have an ending, especially a big Marvel show, be that small and tender and have this little beating heart,” she says.
Talking once more by telephone a couple of days after the “Agatha” finale — which ends with Agatha sacrificing her life and agreeing to behave as a form of non secular information to Wanda’s son, Billy a.ok.a. Wiccan (Joe Locke), as he searches for his lacking twin brother — Hahn insists that she has but to have any conversations about her future within the MCU.
“Even though obviously now Billy/Wiccan is not her son, there is some sort of hope for her that she’s able to maybe do for him what she couldn’t do for Nicky. I think they do make a great team. Of course, I love this part and I love Joe Locke madly, and we’ll see what the future holds,” Hahn says. “In my mind, this was a beautiful and satisfying way to say goodbye to this incredible character I had to play.”
