Again in October, the Nigerian singer Tems locked eyes with a good-looking fella within the entrance rows on the Greek Theatre in L.A.
“This guy is winking at me. At least you’re confident,” she laughed as she clambered over the railing to sing on to the dude, who stated his identify was Toby. “I’m gonna make this special,” Tems informed the gang. “I’m gonna try to freestyle with your name but you have to look me in my eyes.”
She crooned his identify in a coquettish melisma, inviting him to “tell me how you want me, you look like you want it” whereas he melted right into a puddle. Instantly conscious of her powers, she cracked up. “Now I’m shy,” she stated. “I’m not good at freestyling.”
Toby would beg to vary. However the second was emblematic of a world that’s fallen for Tems.
With placing appearances on singles like Wizkid’s “Essence” and the Grammy-winning “Wait For U” with Future and Drake, Tems grew to become one of the essential voices in trendy African music, traversing regional sounds, R&B, hip-hop and pop. “Born in the Wild,” her 2024 debut LP, was sprawling but deeply private, masking her broad influences with incisive, emotional songwriting.
Up for 3 Grammys at subsequent 12 months’s ceremony — a rangy haul of nods for international music album, R&B music and African Music Efficiency — Tems is carrying a brand new period of Nigerian music all over the world. However this tier of stardom hasn’t at all times sat simply along with her, and he or she’s fought laborious to maintain her peace amidst it.
“My whole 2024 mantra has just been ‘Hold On,’ Tems said, referencing the hopeful, valedictory track on “Born in the Wild.” “In that song, I was talking to myself in the past, present and future self. It’s me encouraging myself to, no matter what, stay on the path.”
The 29-year-old Lagos native, born Temilade Openiyi, is among the many A-list of recent African artists like fellow Nigerian Burna Boy and and South Africa’s Tyla, who’ve run up pop charts the world over. It’s reductive to solely place her within the Afrobeats wave of the previous few years although, as her music is simply as rooted in millennial American R&B and the delicate trendy soul scene of London, the place she now lives.
In simply 4 years, her vocal versatility and distinct songwriting perspective made her a must have for pop stars who needed in on Africa’s content-spanning actions. A confident, autodidactic singer, songwriter, producer and engineer, Tems has a uncommon mixture of curiosity about each shifting half in her music and the charisma to convey it to the world onstage. “The perfectionist in me was like, ‘Nobody else is going to work on my vocals because I’m so particular,’” Tems stated. “I love altering sounds but I don’t like auto-tune and I don’t like vocal effects, so I was like, ‘Yeah, I need to do this myself.’”
When Tems carried out at a packed Coachella set in April, she introduced out each fellow Nigerian star Wizkid and Justin Bieber for a radiant model of “Essence.” Beyoncé introduced her on with Grace Jones for the propulsive “MOVE,” off her membership music opus “Renaissance.” When Rihanna made her musical comeback (of types) on “Black Panther: Wakanda Forever,” she known as Tems to work on the one “Lift Me Up,” nominated for each a Grammy and an Oscar.
“I’ve tried to write for other people, to emulate their sound, but it’s really hard. They always want me to write from my own perspective,” Tems stated. “They’re trying to tap into my sound. They’re trying to be in my shoes.”
Tems attends the ninety fifth Academy Awards on the Dolby Theatre in 2023 in Hollywood.
(Allen J. Schaben/Los Angeles Instances)
That sound got here into full flower on “Born in the Wild,” an 18-track widescreen doc of her previous and future as an artist. “Love Me JeJe,” up for the African music efficiency Grammy, is a magic-hour riff on Seyi Sodimu’s beloved late ’90s observe of the identical identify, conjuring the warmest vibes possible and an important purpose to dig into the historical past of Nigerian R&B. The hit “Me & U” is dreamy guitar devotional, bolstered by crisp kicks and incantatory chants; “Ready” conjures Sade’s quiet storm whereas “Wickedest” edges into smeary Atlanta rap.
“Nigerians are very diverse and cultured in their tastes,” she stated. “They love everything while still being true to their roots. That’s why for my first album, I just thought if I was going to put myself out there, I needed to be as authentic as I could about all the things that I grew up on. These sounds that made me who I am as an artist, and I couldn’t think about who was receiving it.”
These days although, she’s needed to assume extra about that. As her stardom escalated, she’s needed to wrestle with a viper pit of consideration, from being jailed after a efficiency in Uganda in 2020 (she’s described it as “basically a setup” over permits) to wild claims in 2023 that she was pregnant with Future’s little one (the 2 hadn’t met in individual).
A pair songs on “Born in the Wild” allude to the perils of recent movie star. “Burning” harkens again to ’90s new jack swing to interrogate modern fame and the way it consumes younger voices. “Got your face on magazines / How it feel? It’s killing me,” she sings. “These games will kill you / Don’t let them decide / Sweet words are not truth.”
With “Wickedest,” a boisterous album spotlight, she laments that “Everybody want to lie, they want to fight, they want to get me / Thеy wan’ kill me … When they really don’t know me.”
It was a bracing studying expertise. “I think I’ve let all that go now,” Tems stated. “You can’t really stop other people in the Internet age, where anybody can wake up and say anything. You just have to always make sure that you’re validated from within.”
To date it’s labored. Her resplendent trend sense has grow to be successful at each awards present (even turning into a little bit of a meme for her sky-high, stage-obscuring white head wrap on the 2023 Oscars). Her fall tour was packed, and the Afrobeats wave that assist raise her profession reveals no indicators of slowing because it remakes international pop.
The motion’s at a crossroads on the Grammys, although. After inaugurating the African music efficiency class final 12 months, the class is in a bizarre juncture, the place embattled American R&B singer Chris Brown has a nomination for African music efficiency, whereas Tyla, who gained the class’s inaugural award in February, didn’t get one for her personal 2024 debut LP.
“The success of Afrobeats is why people from other countries like tapping into the sound. But that happens to all genres,” Tems stated. “It’s happened to R&B, to reggae, to dancehall. At the end of the day, the Grammys is an American awards organization, but I think they’re fair and doing what they’re meant to do.”
Whilst African artists garner acclaim overseas, Tems could be very conscious of the stakes for African individuals all over the world. The darkening local weather for immigration within the U.S. and Europe is on her thoughts as nicely. The world is a brighter place, she stated, if artists and on a regular basis individuals can dwell and work the place they aspire to be — in Lagos, London or Los Angeles.
“I feel sad about what a lot of people in the world are going through right now,” she stated. “There’s nothing I can feel but sad and disappointed. But governments are going to be governments. I just do my best to alleviate sadness wherever I can, for the people that live in Nigeria, and in my community here. You have to do what is in your own power. If enough of us are doing our part, then things can change.”
