E-book Evaluate
The Reality Checker
By Austin KelleyAtlantic Month-to-month Press: 256 pages, $27If you purchase books linked on our website, The Instances could earn a fee from Bookshop.org, whose charges assist unbiased bookstores.
The quilt of Austin Kelley’s debut novel, “The Fact Checker,” can be instantly recognizable to a sure kind of individual: Ah, the New Yorker, they could assume, earlier than blinking and realizing that it isn’t.
I’m that type of individual; the well-known weekly has been round my entire life, points piled on the lavatory counter or mendacity open on the kitchen desk, and I finally learn them as properly. Sooner or later, I discovered about its well-known fact-checkers, the individuals who toil away in relative obscurity (the journal doesn’t listing them anyplace, although chances are you’ll discover some by trawling LinkedIn) so as to be sure that each factual assertion the journal publishes is appropriate — even when these info seem inside poetry.
“The Fact Checker” is narrated by a person holding the titular title who’s, basically, a flâneur: a literary kind who wanders round his city setting, observing and commenting on society from a considerably indifferent place. Whereas the journal he works for stays unnamed, it’s clearly meant to be the New Yorker; however readers hoping for juicy insider gossip can be disillusioned (precise insiders — those that have been round within the mid-aughts, anyway — could acknowledge the kinds and tempers Kelley’s narrator interacts with at work). The title, the quilt, the font — they’re all slightly efficient bait.
Reality-checking does function within the novel, in fact. The principle plot, which takes place in July and August 2004, kicks off when the narrator is given an article to test in regards to the Union Sq. Greenmarket — known as Mandeville/Inexperienced for its creator and topic, respectively. It’s a easy sufficient piece, and the fact-checker offers with a lot of it in brief order. However one quote, about “nefarious business” occurring on the market, makes him pause, and he goes searching for the supply, Sylvia, so as to verify what she instructed the creator and ask for particulars.
Sylvia is a traditional Manic Pixie Dream Woman: Mandeville says she’s “interesting,” which the narrator acknowledges is perhaps a euphemism for her being insane and/or attractive. She has a particular function (a scar) that appears to intensify her magnificence to the narrator’s eyes, and is captivated with issues, together with the tomatoes she grows. She takes the narrator on a journey, first to a cemetery after which to a secret supper membership run out of a squatted-in workplace within the Monetary District of Decrease Manhattan; she grew up on a commune and claims it was a cult, actually, however she likes the thought of cults: “If you are in a cult, you are really committed, worshiping the Deity. Worshiping the good. That’s all I want to do in this life. Worship the good.”
After sleeping with the narrator, she leaves him a notice promising to name and promptly disappears. He spends the remainder of the novel attempting to trace her down. Very similar to critic Nathan Rabin’s definition of the Manic Pixie Dream Woman kind who exists “in the fevered imaginations of sensitive writer-directors,” Sylvia is there “to teach broodingly soulful young men to embrace life and its infinite mysteries and adventures.”
The Reality Checker, who isn’t completely over an ex-girlfriend who cheated on him together with her dissertation advisor — one other acquainted kind — is one such younger man. As he tries to search out her, he results in a collection of fascinating locations (an anarchist assembly in a ship, for instance, or the Irish Starvation Memorial), speaking to fascinating individuals (Sylvia’s mates and colleagues, primarily, but in addition an apparently lonely and chatty Tony Curtis), and having fascinating ideas, a lot of that are involved with factoids he clearly discovered whereas doing his job (Audrey Munson, the “American Venus”; the transition to new avenue indicators in New York).
The Reality Checker is an unreliable narrator not solely as a result of he’s telling his story from a take away of not less than seven years (he mentions Lyft within the final chapter, which was based in 2012), but in addition as a result of at any time when he’s not within the workplace, he’s unceremoniously but steadily consuming, usually to the purpose of blackout. This appears to be extra of an issue than he’s admitting, and it’s not the one self-deception he practices.
He desires to be man: he’s all the time nervous he’s going to be perceived as creepy by the ladies he encounters, he questions his assumptions about individuals he sees, and he’s uncomfortable with the sexism he witnesses amongst male mates and acquaintances. However he additionally by no means interjects when aware about such “guy talk” and he downplays how a lot his personal obsession with discovering Sylvia is linked to his fantasy of her, in addition to how her disappearance reminds him of his ex’s personal behavioral patterns.
The Reality Checker is a fascinating determine not for his personal sake — a buddy of Sylvia’s, Agnes, tells him at one level that he’s “a blank man” and he or she’s not improper — however for the inconsistencies in his behaviors, and the dramatic irony inherent within the mismatch between his personal narration and what we, in addition to these round him, start to see in him. “I remember that day well,” the Reality Checker tells us on the e book’s first web page, however by the top of his first encounter with Sylvia, when she arms him a bag of tomatoes, he thinks, “It seemed intimate, almost flirtatious. Or maybe I’m misremembering the whole thing.”
Whereas “The Fact Checker” is uneven, it’s a enjoyable and fast learn, and it does increase a number of the most related questions du jour: What’s a reality? What’s reality? And who will get to resolve?
Masad, a books and tradition critic, is the creator of the novel “All My Mother’s Lovers” and the forthcoming novel “Beings.”
