Not like generations of Mexican youngsters earlier than and after him, actor Pablo Cruz Guerrero didn’t develop up watching the massively fashionable sitcoms created by Roberto Gómez Bolaños, the late author, producer and performer higher often called “Chespirito” or “Little Shakespeare.”
It’s a marvel, contemplating that at peak, Gómez Bolaños’ family-friendly applications had been watched by over 300 million individuals worldwide, they usually stay popular culture pillars throughout Latin America — even in Portuguese-speaking Brazil — 50 years after they first aired.
The applications’ affect additionally extends to the U.S. amongst diasporic communities, enduring by reruns that periodically introduce his characters to new viewers. The catchphrases Gómez Bolaños penned have additionally change into ingrained within the vernacular of many nations.
His hottest creation, “El Chavo del Ocho,” facilities on an orphan boy (which he performed) dwelling in a courtyard house advanced stuffed with peculiar neighbors. Then there’s “El Chapulín Colorado,” a satirical tackle tights-wearing superheroes, the place Gómez Bolaños performs a clumsy although goodhearted paladin (chapulín means grasshopper in Mexico).
That Cruz Guerrero, 41, wasn’t acquainted with these landmark exhibits or characters is all of the extra surprising as a result of he’s now embodied Gómez Bolaños within the new bioseries “Chespirito: Not Really on Purpose” (“Chespirito: Sin querer queriendo”), streaming on Max beginning Thursday with new episodes weekly.
Pablo Cruz Guerrero stars as Mexican comedic author, producer and performer Roberto Gómez Bolaños in Max’s “Chespirito: Not Really on Purpose.”
(Max)
The actor’s lack of nostalgic attachment for the universe of bodily comedy, wordplay and social commentary that Chespirito created gave him a leg up when auditioning, he believes.
“I want to convince myself that this was the one thing that allowed me to gain objectivity about the story,” he says in Spanish throughout a current video name from Mexico Metropolis. “Had I been a fan, I would have been ridden with nerves when approaching the character.”
It was casting director Isabel Cortázar who first noticed Cruz Guerrero’s potential, and in mid-2023, requested him to audition for the half. “Before receiving her call, I would have never seen myself as Chespirito,” he says. “No one had ever told me before that I looked like him.”
Cruz Guerrero has been constantly appearing for over 20 years in movies (“El Estudiante,” “From Prada to Nada”) and TV. Extra just lately, he performed a memorable antagonist within the second and third seasons of Netflix’s “Luis Miguel: The Series,” one other bioseries concerning the famed Mexican singer performed by Diego Boneta.
As to why he didn’t watch Chespirito’s work throughout his childhood, Cruz Guerrero hypothesizes that as a result of his mother and father lived in Los Angeles for 3 years earlier than he and his siblings had been born, they had been extra inquisitive about tradition produced outdoors of Mexico. As a substitute, they took them to the cinema, to outside concert events and museum reveals.
Satirically, Cruz Guerrero has appeared on a number of Televisa productions over time, the identical storied community that produced Chespirito’s work.
“In middle school, I had a social and comedic disadvantage because many of my friends knew all of Chespirito’s jokes and imitated the characters’ voices, and I couldn’t follow along,” Cruz Guerrero says.
When provided an opportunity to vie for the function, he consumed as a lot Chespirito content material as he may discover on-line, whether or not it was of Gómez Bolaños taking part in his characters or interviews he gave.
“In middle school, I had a social and comedic disadvantage because many of my friends knew all of Chespirito’s jokes and imitated the characters’ voices, and I couldn’t follow along,” Pablo Cruz Guerrero says.
(Carlos Alvarez-Montero / For The Occasions)
The arduous audition course of required Cruz Guerrero to seem each Tuesday for about seven weeks for a wide range of exams. Past doing scenes from the episodes of “Chespirito,” every assembly would add extra parts that received him nearer to Gómez Bolaños: He tried on the costumes, interacted with the actors who would play his youngsters, he shaved his beard and tried on the prosthetic nostril, contact lenses and receding hairline required for the function.
And even then, because the weeks dragged on, Cruz Guerrero wasn’t sure he’d be picked, particularly after sharing with the household of Gómez Bolaños, who’re concerned within the manufacturing, his neophyte standing on every part Chespirito.
“I could read on their faces they were thinking, ‘Are we making the right decision with someone who doesn’t genuinely love our father’s legacy already?’” the actor recollects.
In the end, Cruz Guerrero received them over as a result of he was in a position to carefully replicate the mannerisms and voice of the true Chespirito. Gómez Bolaños’ physicality referred to as to thoughts silent movie period icons resembling Charlie Chaplin and Buster Keaton.
“I felt like if I tried to play around with my feet and knees when I walked, not only did I lose a little bit of height to get closer to Roberto’s height, but it also put me in a position to feel a little more playful with my body,” says Cruz Guerrero whereas wiggling his arms.
Roberto Gómez Fernandez, Chespirito’s son, admits he initially had doubts about Cruz Guerrero. The present had been within the works for about 4 years at that time, two of which had been spent looking for the best actors to recreate Gómez Bolaños’ world.
Slowly, as Cruz Guerrero refined his efficiency and the make-up received him nearer to Chespirito’s picture, Gómez Fernandez grew to become satisfied they’d discovered their man.
“I saw my father in him,” says Gómez Fernandez on a current Zoom chat, “during complex situations in a scene and in a little wink or a glance that Pablo did.”
The household’s approval fueled him. “They’d say to me, ‘I just heard my dad through you. I just had a conversation with my dad. I just shook his hand and gave him a hug,” says Cruz Guerrero, who recalls being deeply moved. “That empowered me to feel more in his skin and not feel self-doubt because of my previous distance.”
Once he officially landed the role, Cruz Guerrero immersed himself in Gómez Bolaños’ private {and professional} life through his autobiography, “Sin querer queriendo,” which lends the sequence its title. It functioned as a hyperlink between the actor and the creator, who died in 2014.
“I was trying to establish a metaphysical dialogue through the words he had written and edited himself in the book,” Cruz Guerrero says. “I asked him questions, and I feel like we had very beautiful conversations thanks to the book.”
Most of the pointed questions that Cruz Guerrero sought solutions to within the textual content revolved round fatherhood, specifically the elusive notion of work-life steadiness.
“In our careers, there are moments of beautiful enlightenment where you’re creating and having a great time,” he says. “However, you’re also aware that you’re fulfilling a contract, and chasing financial compensation. This means that you’re investing time and energy and you often prioritize the professional instead of being at home and you miss your family.”
That battle grew to become relatively private for the actor throughout this course of.
“I found out I was going to be a father for the first time the same week I found out I was going to play Roberto,” recollects Cruz Guerrero. “I wanted to absorb knowledge from him about his experience as a father and the experiences I was about to embark on playing him.”
Whereas the sequence options moments the place Cruz Guerrero dons the emblematic apparel of Chavo del Ocho and Chapulín Colorado, the main focus is on the true man behind them.
Andrea Noli, left, Miguel Islas, Paola Montes de Oca and Pablo Cruz Guerrero in a scene from “Chespirito.” The sequence is much less concerning the characters Roberto Gómez Bolaños was well-known for and extra about the true man behind them.
(Max)
The guide additionally served as the inspiration for Gómez Fernandez and his sister Paulina to put in writing the episodes’ screenplays. The 2 are additionally producers and had been concerned in each resolution concerning the undertaking.
For Roberto Gómez Fernandez, the problem was for the sequence to not change into a solemn, saintly tribute to the larger-than-life determine their father was.
“I had to remember that I wasn’t thinking about my dad, but about the character of Roberto Gómez Bolaños,” he says. “They weren’t real-life people because you have to transform them into characters, and sometimes you have to pull some strings to make the dramatic dynamics more effective.”
And but, regardless of having fictionalized elements, Gómez Fernandez believes that the sequence affords truthfulness about his father’s essence as an individual.
“I think we achieved it, but along the way, we had to undress the character’s successes and failures, many of which had consequences in his life,” Gómez Fernandez says. “Some things turned out alright for him, but others went wrong, and he also hurt people.”
It’s not misplaced on Cruz Guerrero that somebody like him, who didn’t beforehand revere Chespirito’s genius, wound up taking over the duty of bringing his story to the display.
“In moments of fear, insecurity and doubt, I would ask myself, ‘Oh, man, how did I end up here?’ And then it was all resolved with laughter because in front of me I would read the title of the show, ‘Not Really on Purpose,’” he says with a figuring out smile.
After greater than 20 years largely showing in supporting roles, Cruz Guerrero is basking in what’s undoubtedly crucial credit score of his profession to this point.
“I’m especially grateful to the family, who chose me to play this beloved character, who is obviously part of their personal story,” Cruz Guerrero says. “I live this moment with great gratitude, so thank you to Roberto Gómez Bolaños.”
