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Reading: Troy Kotsur made you giggle and cry in ‘CODA.’ However in ‘Black Rabbit,’ he needs to scare you
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NEW YORK DAWN™ > Blog > Entertainment > Troy Kotsur made you giggle and cry in ‘CODA.’ However in ‘Black Rabbit,’ he needs to scare you
Troy Kotsur made you giggle and cry in ‘CODA.’ However in ‘Black Rabbit,’ he needs to scare you
Entertainment

Troy Kotsur made you giggle and cry in ‘CODA.’ However in ‘Black Rabbit,’ he needs to scare you

Last updated: September 18, 2025 10:12 am
Editorial Board Published September 18, 2025
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“CODA,” the heartwarming drama concerning the youngster of Deaf adults, made a convincing noise on the 94th Academy Awards in 2022. Along with profitable for greatest image, the movie’s triumph was highlighted by Troy Kotsur, who made historical past as the primary Deaf actor to win an Oscar.

Kotsur’s efficiency as a father coping with his struggling fishing enterprise and the aspirations of his proficient daughter — the one listening to member of the household — was anchored by humor and heartbreak, prompting many viewers to succeed in for tissues earlier than the tip credit.

However followers of the Apple TV+ movie are more likely to do a double-take after they see Kotsur in Netflix’s new crime thriller “Black Rabbit.” The actor has switched from loving dad to breaking dangerous.

Within the restricted sequence, Kotsur performs Joe Mancuso, a vicious prison who has a deep connection to Jake and Vince Friedkin (performed by Jude Legislation and Jason Bateman, respectively), the central characters of the drama. With a heavy beard and a deadly stare, he bears little resemblance to his Frank Rossi character in “CODA.”

That distinction is strictly what Kotsur needed. Enjoying a nasty man fulfills one among his key ambitions. Whereas he acknowledges that viewers is perhaps initially thrown, he hopes they embrace his transition from tears to fears.

Troy Kotsur as Joe Mancuso in Netflix’s “Black Rabbit.”

(Netflix)

“I really wanted to surprise the audience and play something that was exactly the opposite from Frank Rossi,” Kotsur mentioned in a video name from his Mesa, Ariz., residence. His interpreter, Justin Maurer, participated within the dialogue from Los Angeles.

He added, “I want the audience to see that I’m able to do a different kind of role where I can be scary.”

Kotsur additionally hopes that his portrayal in “Black Rabbit” continues to additional the breakthroughs for Deaf artists that had been generated by the success of “CODA.”

“You see all these gangster movies where the bad guys have different nationalities,” Kotsur mentioned. “They all speak the same language, but there wasn’t a villain who used sign language. Historically, there have been Deaf criminals, but our history has been marginalized.”

As he signed, Kotsur was visibly enthusiastic about “Black Rabbit,” whereas additionally noting that the eye he had acquired after profitable the supporting actor Oscar had taken him worlds away from his days as a struggling actor daydreaming as he drove previous the gates of Warner Bros. and Paramount Studios.

“There were a lot of dark times, really struggling financially,” he mentioned. “I had to rely so much on my wife [actor Deanne Bray]. But when you win an Oscar, you’re more legitimate, more doors open. People listen and trust you and your ability.”

He pointed to a portray on the wall behind him that captured a second on his large Oscar night time. “When they announced, I stood up, looked at my wife, said ‘Thank you’ and kissed her,” Kotsur mentioned. “Someone took a picture of that, and it’s captured in this painting. It’s called ‘The Embrace.’ ”

A profile shot of a man in a tan hat and dark suit standing.

Troy Kotsur mentioned he was on the lookout for a task the place he might play a nasty man: “Historically, there have been Deaf criminals, but our history has been marginalized.”

(The Tyler Twins / For The Occasions)

He’s additionally thrilled by the influence that “CODA” has had on Hollywood: “I’m seeing a slow transformation happening,” he mentioned. “It’s really amazing to see the change, to have more meetings and more conversations before we shoot. Everyone wants to have that cultural sensitivity with deaf culture and sign language. I’m really glad to see it while I’m still alive.”

His bad-guy starvation was fueled by a memorable pre-”CODA” incident.

“I had a beard and pretty long hair at the time,” Kotsur recalled.”I used to be in an elevator, and I used to be drained. I pushed a button, however nothing gave the impression to be taking place. Then the door opened, and there have been two ladies, who had been so shocked and frightened after they noticed me that they began screaming. They wouldn’t even get into the elevator!

“I felt hurt — ‘Why are these women so afraid of me?’ I didn’t realize how I looked at the time. But I kept that moment in my tool bag and thought, ‘One day I hope I can play a character that people can be scared of. So with ‘Black Rabbit,’ here’s my opportunity.”

Mancuso is simply one of many many darkish components populating the sequence, the newest challenge from Riff Raff Leisure headed by Legislation and associate Ben Jackson.

In “Black Rabbit,” Legislation’s Jake Friedkin co-owns a swanky new restaurant and VIP lounge that’s quick turning into a New York sizzling spot. However the sudden arrival of Vince, who has a historical past of habit, playing and dangerous habits, places the siblings on a relentless spiral of mayhem and violence.

Mancuso is first glimpsed within the second episode in his lair deep within the basement of a Russian bathtub home. Signing with one hand, he glowers as he makes it clear to his bookies — son Junior (Forrest Weber) and Babbitt (Chris Coy) — that he’s sad they haven’t but collected on Vince’s large playing debt.

Two men standing in front of a desk, facing an unseen man.

Babbitt (Chris Coy) and Junior (Forrest Weber) work for Mancuso as bookies.

(Netflix)

Later within the episode, he shows heat flavored by familiarity with Jake as the 2 negotiate a fee plan to repay the debt. However when the encounter will get extra tense, Mancuso unveils his deadly aspect, his smile dissolving right into a sinister glare as he knocks a cup of sizzling espresso into Jake’s lap.

“I get to have a sweet little arc where I go from friendly to mean,” he mentioned, flashing a smile. “And wow, I actually get to spill coffee on an A-lister! It was cool and fun.”

Bateman, an government producer who directed the primary two episodes, offered Kotsur with steerage on find out how to play the scene.

“Jason said, ‘I want you to do something simple,’ ” mentioned Kotsur. “He mentioned, ‘You have this one line — “How much money?” — and you should have just a little smile. Then you go back to counting your money and working on your books.’ That gave me a clue. Much less is extra, which as an actor I’m a giant believer in.”

He added, “Hearing villains can talk and point at the same time. But a deaf villain would have to think how to approach that. I hope the audience recognizes some of the subtleties. I wanted to keep Mancuso under control, keep the seething under the surface and show the power.”

And whereas Rossi was animated whereas signing, Mancuso is pointedly extra subdued. “He only uses one hand when he signs. If you think about it, maybe he has a gun in the other hand, or maybe the gun is in his waistband,” he mentioned. “Because Mancuso is in control, my portrayal needed to be in control. Other people might be in a rush, but Mancuso is not. He knows he will be the last person in the room, the last person to challenge.”

The position was particularly written for Kotsur by Zach Baylin and Kate Susman, who created the challenge. The couple met Kotsur on the 2022 awards circuit the place “CODA” was a relentless presence.

A man in a tan hat and dark striped suit sits with his arms crossed and one hand hear his chin.

“We believed he had a tremendous range that could play almost anything,” mentioned Zach Baylin, who created “Black Rabbit” with Kate Susman. The pair wrote the position of Joe Mancuso for Kotsur.

(The Tyler Twins / For The Occasions)

“Troy is such a compelling, larger-than-life figure,” mentioned Baylin, who acquired an Oscar nomination for his screenplay of 2021’s “King Richard” starring Will Smith. “He’s funny and gregarious, and we just had a great time socially with him. We believed he had a tremendous range that could play almost anything.”

When Baylin and Susman requested Kotsur what he needed to do subsequent, he instructed them he actually needed to play a nasty man.

“That really stuck with me and Kate, and we had that in our back pocket for three or four years,” Baylin mentioned. “We wrote that role for him without telling him, excited about an actor with his presence and power who could play something menacing but also show the humanity and emotion he displayed in ‘CODA.’ He brings a powerful stillness to his performance that wasn’t necessarily on the page.”

Susman mentioned Kotsur shows loads of depth: “You can see it, like there’s a storm brewing behind his eyes. We were so happy, and frankly relieved when he said he would do the show.”

Weber, who shares a number of scenes with Kotsur the place they converse in signal language, mentioned he was awed when he met the Oscar winner on the primary day of rehearsals.

“It was like hitting the jackpot for the second time after I got the role,” mentioned Weber, who mentioned he realized signal language as a toddler, earlier than he might even speak, as a result of his older sister is Deaf.

He continued: “There’s such a gravity with Troy. In between takes, he’s the most fun, outgoing guy in the world. But when he was in character, he was absolutely terrifying.”

Kotsur mentioned he labored on growing a backstory for his character that helped him in his scenes with Legislation and Bateman, but in addition in an episode later within the season when he performs a youthful model of Mancuso.

“It’s important for me as an actor to look at the backstory and journey of the character — why would Mancuso be working in the basement of a bathhouse?” he mentioned. “What would bring him to that point. I thought, ‘What if he was a janitor when he was younger, and someone noticed and trained him?’ All the other mobsters felt safe because Deaf people can’t hear conversations. So he develops this trust, and gets more and more responsibility. And he winds up running the business.”

Now that Kotsur, who seems within the not too long ago accomplished third season of Apple TV+‘s “Foundation” and can star within the upcoming horror movie “Primate,” can cross off “playing a bad guy,” he has different ambitions: “I would love to do a Western. Also a comedy.”

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