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Reading: The Visible Pleasures of Artwork Remedy
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NEW YORK DAWN™ > Blog > Art > The Visible Pleasures of Artwork Remedy
The Visible Pleasures of Artwork Remedy
Art

The Visible Pleasures of Artwork Remedy

Last updated: September 23, 2025 8:26 pm
Editorial Board Published September 23, 2025
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Home-tree-person (a bunch iteration) is a exact however capacious group present on view at BlankMag Books in New York Metropolis, co-curated by therapist Daniel Soprano and artist Jesus Antonio. The title is drawn from the Home-Tree-Particular person evaluation, a projective check and psychology software developed by scientific psychologist John N. Buck and initially printed within the journal Scientific Psychology Monographs in 1948. The evaluation, designed to be interpreted equally to its predecessor, Florence Goodenough’s Draw A Man check, is supposed to uncloak unconscious emotions in regards to the self, house, and familial relationships.

In his curatorial debut, Soprano, who can also be the host of the Say You Swear podcast, invited 15 artists to answer an adjusted model of the immediate, which is often introduced in a scientific setting. He was launched to H-T-P himself in graduate college, “where I’d administer the test during an assessment course,” he informed Hyperallergic. “I fell in love with the instant bridge between art and psychology.” A inventive in his personal proper, he acknowledged that though “being an artist or designer, whatever that means in its proper sense, was not going to be in my future … I continued to have a desire to create that was not satisfied through my work as a therapist.”

HunterNey

Work by Lee Dawson (left) and Hunter Ney (proper)

As in a therapeutic atmosphere, the artists’ interpretations of the H-T-P prompts are huge and various. Hunter Ney’s collaged home, tree, and particular person are small, layered universes, the tree shadowy, inexperienced, and accompanied by Tinkerbell; the particular person not one particular person however two, almost obscured by a crimson spiral. Sarame Sahgal responded to the immediate with Polaroids of a tiny home positioned on a warmly lit mattress, a splayed tree trunk with limb-like branches, and an individual rendered almost invisible by vivid daylight. For Lee Dawson, who utilized a mix of watercolor, markers, and graphite on paper, every response is summary, like stunning oil spills.

“H-T-P lends itself well to a group exhibition,” Soprano defined, given the check’s inherent flexibility. The exhibition has a simple tidiness; every work is displayed in uniform frames, the immediate responses organized vertically. Maith Logan’s watercolor and graphite “house” is, partially, an individual — a female determine encircled by bushes, positioned “where you’re at peace,” a observe says. (What good is a house with out an inhabitant to guard?)

Shana Sadeghi-Ray made three digital prints, every comprised of 35 smaller photos: chandeliers, seashells, and furnishings for the home; honey bears, Christmas bushes, and leaves for the tree; and enwombed infants, a Kewpie doll, and an X-ray for the particular person. A house, a physique, our relationship to the land — these are multitudinous ideas. A chair will be related to house, a doll with a residing entity. Maybe the uninterpreted, curated responses reveal as a lot because the standardized check itself.

SarameSahgal

SidMaurer

Work by Sarame Sahgal (left) and Sid Maurer (proper)

book

A duplicate of the Home-Tree-Particular person Method by John N. Buck within the exhibition (photograph Monica Uszerowicz/Hyperallergic)

house-tree-person (a bunch iteration) continues at BlankMag Books (17 Eldridge Avenue, Chinatown, Manhattan) by October 5. The exhibition was curated by Daniel Soprano and Jesus Antonio. Ten % of the exhibition’s proceeds shall be donated to the American Artwork Remedy Affiliation.

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