Deep in her creativeness, painter Alexis Trice desires of a canine that retains showing in her artwork. “One day,” she responded once I requested her if she has such a borzoi in her life or longs to personal one.
The New York Metropolis native has mounted an impressively tender exhibition of work on canvas, panel, and shells as a part of Miami gallery KDR’s residency within the slim Lengthy Story Quick gallery on Manhattan’s Decrease East Facet.
Deep Sea, Swallow Me is a fairy tale-inflected world of sentimentality and reminiscence. Trice powerfully makes use of the metaphor of the pearl, which slowly kinds in mollusks round an intruding irritant, to create an impact wherein these scenes seem to secrete their very own gentle. Her use of Outdated Grasp strategies, together with an imprimatura layer, adopted by a layer of grisaille, after which many glazes of colour round what appears like a distant reminiscence of ache or longing, generates these luminous photos. Sturdy foregrounded focal factors are framed by misty scenes usually dominated by seascapes with low horizon traces.
Alexis Trice, “I Had A Dream I Was Crying” (2024)
The exhibition’s namesake portray, although labeled as the marginally longer “Deep Sea, Deep Sea, Swallow Me” (2024), comes from Trice’s loving rereading of Moby Dick. The velvety, aged sea mammal’s aquatic efficiency additionally echoes the artist’s love of fountains and waterfalls, which we see in her different works. Time permeates every inch of those portrayals, whereas parts like candles, tears, and tongues recommend her ardour for motion, time, and contact.
Trice’s artwork is lyrical, illustrative, and emotional. Like a lot of the most effective portray being produced right now, it casts its which means simply past our grasp in fertile soil that sprouts associations of all types.
There’s one thing cathartic and mystical about her work, as she surfaces an essence deep beneath and finds energy in that fishing expedition. Or, as Herman Melville’s narrator says in his masterwork, “Real strength never impairs beauty or harmony, but it often bestows it; and in everything imposingly beautiful, strength has much to do with the magic.”
Alexis Trice, “Deep Sea, Deep Sea, Swallow Me” (2024)
Deep Sea, Swallow Me continues at KDR gallery’s residency at Lengthy Story Quick Gallery (54E Henry Avenue, Decrease East Facet, Manhattan) by way of March 9. The exhibition was curated by Katia David Rosenthal.
