Daniel Lelong in 2009 at Galerie Lelong in Paris (all pictures courtesy Galerie Lelong)
Remembered for his “positive spirit, sociable demeanor, and enthusiasm for life,” within the phrases of Mary Sabbatino, Galerie Lelong’s vp and companion, the late seller was additionally recognized for his dedication to the gallery’s success. Right this moment, Galerie Lelong maintains a roster of worldwide artists together with Yoko Ono, Sean Scully, and Nancy Spero, with a notably robust illustration of high-profile Latin American artists together with Cildo Meireles, Alfredo Jaar, and the estates of Ana Mendieta and Zilia Sánchez.
“His instrumental work in the art world of the later 20th century included exhibitions by and collaborations with many artists now celebrated as key figures, as well as placements in some of the most important collections of the time,” Sabbatino informed Hyperallergic.
Born in Nancy, France, in 1933, Lelong was educated as a lawyer however made a profession pivot in 1961, when artwork seller and collector Aimé Maeght approached him to supply authorized help in establishing the nation’s first-ever non-public artwork basis. Fondation Marguerite et Aimé Maeght in Saint-Paul-de-Vence, which opened in 1964, was modeled after American establishments just like the Barnes Assortment in Philadelphia and the Phillips Assortment in Washington, DC.
Lelong with sculptor Alexander Calder in Paris
“There was no model for such status: No contemporary art or modern art foundation existed in France, back then,” Lelong informed Flash Artwork in 2014.
Whereas engaged on the Maeght basis, Lelong collaborated with among the most well-known artists of the twentieth century, together with Joan Miró, Marc Chagall, and Francis Bacon. These connections, the gallery stated, helped Lelong facilitate important art work acquisitions by notable collectors of the period, resembling Joseph Hirschorn, namesake of the DC museum and sculpture backyard. He additionally made scholarly contributions to the careers of those artists, publishing a monograph of Calder’s work in 1971 and a few of Miró’s catalogue raisonnés.
In 1981, after Maeght’s demise, Lelong based Galerie Maeght-Lelong alongside critic Jacques Dupin and gallerist Jean Frémon in Paris. That gallery would later open a location in New York in 1985 and undertake the abbreviated identify Galerie Lelong, securing its present-day house in Chelsea in 2001.
“I find comfort in knowing he lived a long and happy life, and pride in knowing the gallery team can carry on his legacy by following his examples of leadership and passion for his work,” Sabbatino informed Hyperallergic.
