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Reading: Assessment: ‘Boots’ is a well timed, if predictable, sequence depicting struggles of homosexual Marines within the ’90s
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NEW YORK DAWN™ > Blog > Entertainment > Assessment: ‘Boots’ is a well timed, if predictable, sequence depicting struggles of homosexual Marines within the ’90s
Assessment: ‘Boots’ is a well timed, if predictable, sequence depicting struggles of homosexual Marines within the ’90s
Entertainment

Assessment: ‘Boots’ is a well timed, if predictable, sequence depicting struggles of homosexual Marines within the ’90s

Last updated: October 9, 2025 7:39 am
Editorial Board Published October 9, 2025
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In “Boots,” a brand new miniseries set in 1990, Miles Heizer performs Cameron Cope, a scrawny, bullied homosexual teenager who’s out solely to his greatest (and solely) buddy, Ray (Liam Oh). Ray, who’s becoming a member of the Marines to make his disciplinarian however not unkind father proud, convinces Cam to affix alongside him. (The recruiters promote a buddy system, which is a little bit of a come-on.) Cam instructed his messy however not unkind mom, Barbara (Vera Farmiga), the place he was going, however she wasn’t listening.

Although the sequence, which premieres Thursday on Netflix and relies on Greg Cope White’s 2016 memoir, “The Pink Marine,” is novel as regards the sexuality of its principal character, it’s additionally primarily standard — not a pejorative — and largely predictable. It’s a basic Boot Camp Movie, like “An Officer and a Gentleman,” or Abbott and Costello’s “Buck Privates,” through which imperfect human materials is molded by train, ego dying and yelling into a greater particular person, and it replays many tropes of the style. And like most each navy drama, it gathers numerous sorts right into a not essentially close-knit group.

Cam’s confusion is represented by externalizing his interior voice right into a double, “the angel on my shoulder and, honestly, sometimes the devil,” with whom he argues, like a troublesome imaginary buddy. (It’s the voice of his hidden gayness.) The place primary coaching tales like this normally contain a cocky or spoiled character studying a lesson about humbleness and teamwork, Cam is coming from a spot of insecurity and concern. At first he desires to depart — he had anticipated nothing worse than “mud and some bug bites and wearing the same underwear two days in a row” — and plots to scrub out; however he blows the possibility when he helps a struggling comrade move a check. He’s a superb man. (Heizer could be very high-quality within the half.)

Cameron (Miles Heizer), left, is satisfied by his greatest buddy (and solely buddy), Ray (Liam Oh), to affix the Marines with him.

(Alfonso “Pompo” Bresciani / Netflix)

Nonetheless, that Cam survives, and, after a interval of adjustment, thrives (that’s not a spoiler, Cope White lived to put in writing the e book) makes this, strictly talking, a comedy. (And, by implication, an endorsement of this system.) “We’re killing our old selves so we can be our best selves,” he’ll say to Ray. The Marines could make a person of him, nevertheless it received’t be a straight man.

Rhythmically, “Boots” follows scenes through which somebody will break a bit or large rule — I suppose within the Marines, all guidelines are large, even the little ones — with some type of punishment, for a person or the platoon. Laid throughout this ostinato are varied storylines involving recruits understanding the problems which have introduced them to this Parris Island of Misfit Boys. Cody (Brandon Tyler Moore) was taught by his father to look down on his twin brother, John (Blake Burt), who’s in the identical outfit, as a result of he’s fats. Slovacek (Kieron Moore), a bully, has been given a alternative between jail and the navy. Mason (Logan Gould) can barely learn. Santos (Rico Paris) is slowed down by a bum knee. Ochoa (Johnathan Nieves) is a bit an excessive amount of in love along with his spouse. And Hicks (Angus O’Brien) is a chaos-relishing loon, having the time of his life. Clearly, not everybody who joins the Marines is compensating for one thing; Nash (Dominic Goodman), a roughly balanced character who appears to be sending Cameron indicators, is there to pad his resume in case he runs for president in the future; however he’ll have his second of disgrace.

A man in a blue T-shirt and camouflage pants watches a man try to scale a wooden fence.

Sgt. Sullivan (Max Parker), left, is without doubt one of the drill instructors who takes an curiosity in Cameron (Miles Heizer).

(Alfonso “Pompo” Bresciani / Netflix)

Although all of them increase their voices and get in individuals’s faces, the drill instructors do are available in varied flavors. Employees Sgt. McKinnon (Cedrick Cooper), the senior teacher, is imposing however clearly sane and typically variety; Sgt. Howitt (Nicholas Logan) is an unsettling type who will show to have some depth, whereas Sgt. Knox (Zach Roerig) is a twitchy racist, quickly to get replaced by Sgt. Sullivan (Max Parker), tall, steely and tightly wound. He doesn’t yell as loud because the others, however even his posture is intimidating. He focuses instantly on Cameron; make of that what you’ll. He’s the sequence second lead, principally.

There are some respites from the coaching, the working and marching, the room filled with tear fuel, the lifeless man’s float check, the hand-to-hand fight, the flower planting. (That half was good, really.) The yelling.

Ray winds up in sick bay, the place he flirts with a feminine Marine. We get a couple of perfunctory glimpses of what the brass is like after they’re out of uniform and quiet; it comes as a aid. McKinnon’s spouse is having a child; he makes Cookie Monster noises on the telephone for his son. Capt. Fajardo (Ana Ayora), “the first woman to lead a male company on Parris Island,” is heard speaking to her mom, presumably about her daughter’s marriage ceremony: “I would rather not spend the time or the money because she can’t live without love.” Of her place, she observes that it “only took 215 years and a congressional mandate.” McKinnon, who’s Black, provides a quick historical past of Black individuals within the Marine Corps as lived by his forebears.

The social themes change into extra distinguished within the second half, and we be taught or are reminded simply how poisonous the navy was to homosexual individuals, and the way backward was its angle. “Don’t Ask, Don’t Tell” wasn’t in impact till 1994, and it wasn’t till 2011 that overtly homosexual troopers may serve. Now, as civil rights are being crushed again to … backwardness by small-minded politicians, there’s a well timed component to this completely respectable, good-hearted, unsurprisingly sentimental miniseries.

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TAGGED:90sbootsdepictingGayMarinespredictableReviewSeriesstrugglestimely
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