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Reading: Assessment: Gish Jen and her mom by no means bought alongside. In ‘Bad Bad Girl,’ she tries to determine why
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NEW YORK DAWN™ > Blog > Entertainment > Assessment: Gish Jen and her mom by no means bought alongside. In ‘Bad Bad Girl,’ she tries to determine why
Assessment: Gish Jen and her mom by no means bought alongside. In ‘Bad Bad Girl,’ she tries to determine why
Entertainment

Assessment: Gish Jen and her mom by no means bought alongside. In ‘Bad Bad Girl,’ she tries to determine why

Last updated: October 17, 2025 1:32 pm
Editorial Board Published October 17, 2025
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E book Assessment

Dangerous Dangerous Woman

By Gish JenKnopf: 352 pages, $30

In case you purchase books linked on our web site, The Occasions might earn a fee from Bookshop.org, whose charges assist unbiased bookstores.

Set off warning for any daughter who has ever had a fraught relationship with their mom: Gish Jen’s outstanding and heartbreaking newest e book, “Bad Bad Girl,” might immediate a flood of emotions not felt since adolescence. This marvel of a mash-up — half novel, half memoir, half effort to reconnect with a useless dad or mum who by no means uttered an “I love you” — has as many ache factors as life classes. Fairly a number of of the latter — largely delivered within the type of Chinese language proverbs — are dropped by the creator’s mother and father, Chinese language immigrants who met in New York as graduate college students. Among the many pearls of knowledge that stick to Jen, their eldest woman and a eager observer of her mother and father: “When you drink the water, remember the spring.”

On this, Jen’s tenth e book, she wistfully, unsparingly commemorates that “spring” — a punishing mom she nonetheless credit for “biting my heel.” A grasp of the artwork of withholding when it got here to reward or affection, her mom had no compunctions about delivering ego-shattering put-downs and bodily punishments to Jen for being “too smart for her own good.” And but, Jen writes: “I have thrived.”

Gish Jen has brilliantly structured “Bad Bad Girl” in order that invented exchanges along with her mom hold returning us not solely to the connection between mom and daughter, however to the current.

(Basso Cannarsa)

Nonetheless, she is just not at peace. Even after her mom’s demise in 2020 at 96, that censorious voice remained “embedded in my most primitive responses, in my very limbic system.” “You were a mystery Ma,” Jen writes. “Why, why, why were you the way you were?” The author’s intuition kicks in: “If I write about you, if I write to you, will I understand you better?”

“Bad Bad Girl” constitutes a heroic effort to just do that. However quickly after Jen embarks on that quest, she realizes that whereas many moms need their daughters to point out curiosity in them and hearken to their tales, “they were not my mother.” With out a lot to go on in the way in which of shared reminiscences or documentary proof, Jen decides to recalibrate. As a substitute of writing a straight memoir, she’ll chronicle what she will and assemble a fictional narrative round the remaining. The result’s a heart-piercingly private work that additionally imparts common truths in regards to the immigrant expertise — and what it’s to be a daughter, a mom and a lady in a world the place males are the extra valued of the sexes. If there’s such a factor as an intimate epic, that is it.

Jen’s mom Agnes — Bathroom Shu-hsin, as she was initially named — was born in 1925 Shanghai to a rich and distinguished banker and his a lot youthful spouse. In Half I, we’re launched to the plush magnificence and extraordinary privilege Agnes was born into, sequestered in a mansion located within the “international” part of Shanghai, staffed by maids, cooks, nursemaids, chauffeurs and bodyguards. “Proper though she may have been,” Agnes’ mom “did smoke opium.” Apparently, it was good for cramps.

Agnes was the firstborn baby, a disappointment in her gender. As custom dictated, her placenta was hurled into the Huangpu River; when it floated away, it was deemed that she too “would be raised and fed, only to drift away.” Agnes’ mom by no means bonded along with her daughter and confirmed her little consideration besides to object to her daughter’s clear intelligence and closeness along with her nursemaid. (By age 6 and starting to learn, Agnes nonetheless hadn’t been weaned.) Against this, her father delighted in his daughter’s zeal for studying. The prevailing view was that “to educate a girl was like washing coal; it made no sense.” Nonetheless, her father enrolled her in an elite Catholic faculty the place she was nurtured by Mom Greenough, a nun with a doctorate. She praised Agnes for her mind and inspired her to be bold. After finishing her undergraduate research amid the Japanese invasion and World Warfare II, within the fall of 1947, after peace had lastly descended, Agnes declared her intention to go away for america to pursue a PhD. Her father embraced that call, partly as a result of the communist takeover loomed and he hoped not less than his eldest baby may escape what was to return. “My favorite daughter, so smart and brave,” he pronounces, because the ship she boards units sail for San Francisco.

Jen has brilliantly structured “Bad Bad Girl” in order that invented exchanges along with her mom — post-death, printed in daring kind and interspersed all through — hold returning us not solely to the connection between mom and daughter, however to the current. That dialogue is conversational and sometimes humorous, in distinction to the unfolding chronicle of Agnes’ journey as a stranger in an odd land. She finds her new countrymen puzzling in practically each manner. For instance, “That was how lonely Americans were,” she observes, “that they should not only feed their dogs but walk them every day, rain or shine.”

Initially, Agnes’ spirits are bolstered by her privilege and her mother and father’ checks. Quickly after arriving in New York Metropolis to start graduate faculty, although, the cash stops coming. The communist takeover is full and, as she progressively discovers via their letters, now they search monetary assist from her. Agnes, who’s by no means boiled an egg, units to work typing and translating for her still-rich Chinese language classmates. She meets and marries fellow scholar Jen Chao-Pe, and collectively they transfer right into a dilapidated walk-up in Washington Heights, the place Agnes learns to scrimp and save and paint her personal partitions. Her husband teaches her to prepare dinner. When she will get pregnant along with her son, Reuben, she is laid low and takes a short lived depart of absence from faculty. Quickly she is pregnant with Lillian, later nicknamed “Gish” for the silent movie actor, and motherhood overwhelms her. Three extra kids come. Of the 5, Gish is her least favourite, a woman each bit as intelligent as she was — a reminder of what she’s completely placed on the again burner. No matter maternal emotions she has for her different kids are lacking with regards to Gish, who turns into her mom’s scapegoat and punching bag.

Miraculously, Gish seems to have been largely a cheerful baby who excels socially and academically. After being accepted to each college she applies to, she chooses Harvard. She attends graduate faculty at Stanford and begins to pursue a writing profession. She meets her husband, David, to whom she’s been married ever since — for 42 years. They’ve a son, Luke, and a daughter, Paloma. Jen’s kids know the way tough their grandmother has been, and Paloma gives this to her mom by means of comfort: “The effects of trauma can’t be washed away in a generation,” one thing she’s learn in a e book. “You can’t get rid of it all, but you did a good job,” she provides.

How wealthy this e book is, and the way humane. Not like, for instance, Molly Jong-Quick’s cruel “How to Lose Your Mother,” “Bad Bad Girl” doesn’t learn like a success job. It’s suffused with love and a need to lastly perceive. “You shut me out the way you shut your mother out. … What was my crime?” Jen challenges her mom in one in every of their imagined exchanges. “You were a pain in the neck,” Agnes observes, in one other.

“She does not say ‘I love you’ back; she never has,” Jen writes. She doesn’t put these phrases in Agnes’ mouth right here, even when she has the prospect. However Jen does enterprise this about her mom: “I like to think (she) would finally agree both that this book is a novel and that there might be some truth to it.” After which of their remaining imagined change: “Bad, bad girl! Who says you can write a book like that?” Jen laughs. “That’s more like it.”

Haber is a author, editor and publishing strategist. She was director of Oprah’s E book Membership and books editor for O, the Oprah Journal.

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