Final yr’s representatives for Australia on the Venice Biennale, and the winners of the Golden Lion prime prize, have known as for reinstating the artist and curator initially chosen for the 2026 pavilion. Artistic Australia, the federal physique organizing the pavilion, introduced that it was withdrawing the appointment of Lebanese-born artist Khaled Sabsabi and curator Michael Dagostino on February 13. In a press release reproduced in full on the finish of this text, the Bigambul-Kamilaroi artist Archie Moore and curator Ellie Buttrose mentioned they had been “appalled” by the choice.
In 2024, Moore and Buttrose grew to become the primary group from Australia to safe the celebrated occasion’s prime prize for Greatest Nationwide Participation for his or her pavilion presentation kith and kin. The mission consisted of redacted coroners’ studies for Aboriginal individuals who died whereas in detainment and a chalk-written diagram documenting 65,000 years of Moore’s household lineage.
As we speak, the duo criticized Artistic Australia’s board for abandoning its biennial appointment of Sabsabi and Dagostino “quickly and without transparent process,” describing the transfer as “a corruption of [the federal body’s] core principles.” The choice to nix the 2026 creative group artist got here lower than per week after their choice, and adopted media and political scrutiny over a few of Sabsabi’s earlier work, setting off a sequence of workers and board resignations and eliciting instant outrage from Australian arts neighborhood members.
Folks stroll round Archie Moore’s Kith and Kin on the Australian pavilion through the pre-opening of the Venice Biennale artwork present on April 18, 2024 in Venice. (picture by Gabriel Bouys/ AFP through Getty Pictures)
“It is distressing to see that the arms-length objectivity of the Australia Pavilion’s selection process is so easily undone and that the independence of Creative Australia is so quickly compromised,” Moore and Buttrose mentioned of their assertion.
“To regain its credibility, Creative Australia must return to its founding mandate: supporting artistic practice, advocating for freedom of expression, and promoting the understanding of the arts,” the pair continued.
The pair requested for privateness at the moment, however added: “We are grateful for the support from the arts community and the public, and we remain committed to the fundamental principles of artistic expression and cultural dialogue.”
Learn Moore and Buttrose’s full assertion under.
Because the 2024 Creative Crew for the Australia Pavilion on the Venice Biennale, we had been beneficiaries of Artistic Australia’s unwavering assist. Artistic Australia at all times shielded us from exterior pressures. Our Venice Biennale expertise was optimistic and rewarding professionally and artistically. We’re exceptionally grateful to have had this chance made attainable by the assist of the Australian Authorities and the generosity of personal philanthropy mixed.
Our mission, kith and kin, was chosen by an esteemed unbiased worldwide jury and Artistic Australia, with Artistic Australia reserving the ultimate determination. The advantage of this arms-length choice course of was confirmed with kith and kin being awarded the Golden Lion for Greatest Nationwide Pavilion, the primary time Australia has acquired this recognition since first attending the Venice Biennale in 1954. We perceive that the identical rigorous course of was used within the choice of the 2026 group of artist Khaled Sabsabi and curator Michael Dagostino.
We had been appalled to study that on 13 February the Board of Artistic Australia shortly and with out clear course of rescinded its contract with Khaled Sabsabi and Michael Dagostino. Whereas their assertion didn’t make clear the board’s causes for his or her dismissal, the timing coincides with politically motivated accusations questioning the artist’s integrity within the media and in Senate Query Time. It’s distressing to see that the arms-length objectivity of the Australia Pavilion’s choice course of is so simply undone and that the independence of Artistic Australia is so shortly compromised. To regain its credibility, Artistic Australia should return to its founding mandate: supporting creative follow, advocating for freedom of expression, and selling the understanding of the humanities. The choice by the Artistic Australia Board to take away the 2026 Creative Crew is a corruption of its core ideas, and the longer-term and wider implications for Australian artists, artwork professionals and audiences are unacceptable.
We name for transparency on the Board of Artistic Australia’s decision-making course of and for the reinstatement of Khaled Sabsabi and Michael Dagostino because the 2026 Creative Crew for the Australia Pavilion on the Venice Biennale.
