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NEW YORK DAWN™ > Blog > Entertainment > ‘Babygirl’ filmmaker Halina Reijn had no drawback directing steamy intercourse scenes
‘Babygirl’ filmmaker Halina Reijn had no drawback directing steamy intercourse scenes
Entertainment

‘Babygirl’ filmmaker Halina Reijn had no drawback directing steamy intercourse scenes

Last updated: January 1, 2025 2:09 pm
Editorial Board Published January 1, 2025
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Again residence, Dutch filmmaker Halina Reijn is called an acclaimed stage and movie actor, albeit one with a popularity for oversharing. “I was raised by radical hippies, so nobody teaches me boundaries,” she says unapologetically. “I’m just open about everything. That scares people in the Netherlands. It’s like, ‘I don’t need your honesty right now.’” Now her profile can add: gifted author and director of “Babygirl,” a steamy thriller starring Nicole Kidman as a buttoned-up CEO who stumbles into a deadly affair with a younger intern (Harris Dickinson), placing in danger her life together with her husband (Antonio Banderas) and daughters. Reijn continues to be a truth-teller, although. “I am, even if nobody believes it, a prude,” she says, describing a Kidman scene to make her level. “The scene I find most arousing is when she drinks the milk and he’s at the other side of the bar. They don’t even touch.”

You’re a self-declared erotic drama completist. Identify some favorites.

I’ve watched all of them. “9½ Weeks.” “Indecent Proposal.” I’d die for them. They made me really feel much less alone in my darkish sexual fantasies. However all of the endings, I used to be at all times like, “Ugh. That’s boring to me.” I like Paul Verhoeven. He’s my mentor. However “Basic Instinct” is so sexist. And I had a lot enjoyable making a film that performs with all of the tropes.

For instance?

When Nicole is sitting there and Harris is dancing for her, that’s a direct mirror of Mickey Rourke taking a look at Kim Basinger dancing in “9½ Weeks.” The membership scene? That’s from “Basic Instinct” however with my twist.

The place did you get the concept of utilizing microexpressions — humiliation, exasperation, disdain — to get laughs?

[Bertolt] Brecht. Breaking the fourth wall is an historical factor, particularly in European theater. I informed [Nicole] from the beginning, “My whole movie is about a woman who just can’t be — she thinks she has to perform all these different roles — mother, daughter, wife, leader.” I wished to make use of that idea as a metaphor for the entire film. And Nicole is so good about exhibiting that in a mathematical, technical method.

Harris Dickinson and Nicole Kidman in “Babygirl.”

(Niko Tavernise/A24)

Did you analysis find out how to direct a intercourse scene?

I used to be in so a lot of them in my performing profession, so I really feel very at residence. However emotionally intimate scenes will be simply as embarrassing as bodily intimate scenes. What helps is making ready your self to the enamel. Have a really clear plan. For instance, within the opening orgasm, a few of that’s filmed with out Antonio there as a result of it’s only a closeup of [Nicole]. To make her really feel secure, I’d sit very near her. The factor I hated is when a director is like, “OK, now you guys make love. Just do something.” Which is how I felt as an actress all my life.

What’s a filmmaker’s approach that made you suppose, “Seriously?”

So a director, very internationally well-known, sat in a go well with, and we [were] all the best way over on the opposite facet of the studio doing intimate scenes, and he’d discuss right into a microphone. [Laughs]

Speak in regards to the “Babygirl” check screenings.

Loads cherished it. However a standard sexual thriller has an ethical, and a few mentioned they have been disillusioned that the film didn’t take something away from her. They have been anticipating that the cheater [should] get punished or killed. So we had the report of the check screening, once they inform you, “40% of the people think this, and 30% of the people think that.” A24 discovered it fascinating. However they mentioned, “You don’t have to change one thing.”

Halina Reijn

(Christina Home/Los Angeles Occasions)

How did the Dutch react once you directed the comedy horror movie “Bodies, Bodies, Bodies”?

I come from radical art-house theater. That’s my picture. That’s what I breathe. I did “Instinct,” a brilliant darkish art-house movie funded by the federal government absolutely. After which I’m going make “Bodies.” My complete nation was like, “She’s going to direct a horror movie? What’s she doing?” For me, I needed to stretch exterior of my security of Ibsen, Shakespeare, and into a complete totally different world. I assumed A24 was the holy grail of every thing, however that wasn’t the way it was regarded upon in my little, super-tiny, microworld of the Netherlands. It was like, “Traitor!”

And now that Nicole Kidman is profitable lead actress awards?

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