In 1965, Robert “Rabbit” Jaramillo and his pals had been on the cusp of changing into rock ‘n’ roll royalty.
Their Eastside quartet, Cannibal and the Headhunters, had a spring smash with “Land of 1,000 Dances.” The hypnotic tune with a memorable “nah na na na nah” refrain earned them appearances on TV music selection packages like “American Bandstand.” They performed at live shows with chart toppers just like the Temptations, the Righteous Brothers, Marvin Gaye and the Rolling Stones. The vocal group’s tightly choreographed performances impressed the Beatles, who requested them to be a gap act for his or her second U.S. tour that summer season.
The Headhunters returned to L.A. in August with the Fab 4 to play two reveals on the Hollywood Bowl simply weeks after the Watts riots. Jaramillo danced with such vitality that his pants ripped whereas he and the others scooted throughout the stage on their behinds, drawing delighted shrieks from the hometown crowd.
“We were the act, the act!” Jaramillo instructed the Occasions in 2015. “Didn’t make no distinction what coloration you’re. We’re right here, we’d carry out, and we’d do our greatest to point out ‘em a good time.”
When the Beatles run ended a few nights later, the Headhunters went back on the road through the fall with another popular British Invasion act, the Animals.
But Jaramillo and his friends never recorded another hit, and he left the group two years later.
“He wanted to keep going, but he needed to make money for his family,” said his daughter, Julie Trujillo. “He always had regret about that.”
Jaramillo died Aug. 8 of congestive heart failure in Pueblo, Colo. He was 78.
After leaving the band, he slunk into such musical obscurity that when Tom Waldman began to research what became his 1998 book “Land of a Thousand Dances: Chicano Rock ‘n’ Roll from Southern California,” the phrase was that the previous Headhunter was already useless. As a substitute, Waldman discovered him in Pueblo, the place Jaramillo had moved within the late Nineteen Seventies to proceed his post-Headhunters profession as a railroad sign maintainer.
His still-strong tenor was reserved for belting gospel songs on the Pentecostal church he attended.
“He was serious and thoughtful about his career, not bitter but not exuberant either,” mentioned Waldman, who ended up writing a musical primarily based on a fictionalized model of the Headhunters. “But certainly, there was always a sense of pride of what they had done.”
The e book sparked renewed curiosity within the Eastside’s Nineteen Sixties Chicano rock scene, and Jaramillo reunited with bandmates to carry out for a couple of extra years earlier than adoring crowds. Because the final surviving Headhunter, he appeared in documentaries and radio interviews for the remainder of his life to recount that magical summer season of 1965 when 4 Mexican People from L.A. proved to the world they might shine subsequent to a few of the greatest rock teams of all time.
Born within the Northern California metropolis of Colusa to Mexican immigrants, Jaramillo and his household moved to Boyle Heights when he was younger. He grew up in an period when younger Mexican People on the Eastside had been absorbing genres from throughout Los Angeles — doo-wop from South L.A., surf rock from the coast, the tight harmonies and lovelorn lyrics of Mexican trios — to create a definite style afterward known as Chicano rock or brown-eyed soul. Whereas attending Lincoln Excessive, Jaramillo, his brother Joe and their good friend Richard Lopez began a bunch known as Bobby and the Classics, practising their strikes inside what was once a hen coop within the Jaramillos’ yard.
With the addition of Frankie Garcia as lead singer, Bobby and the Classics renamed themselves the Headhunters after a shrunken head that Jaramillo held on the rearview mirror of his ’49 Chevy. Their stage personas had been primarily based on their neighborhood nicknames: Cannibal for Garcia, Scar for Lopez, YoYo for Joe. Robert was Rabbit due to his massive entrance tooth.
The kids rapidly turned native favorites, acting at church halls and auditoriums. An area producer recorded “Land of 1,000 Dances” with members of automobile golf equipment singing alongside and clapping within the studio to re-create the verve of an Eastside occasion. It topped out at No. 30 on the Billboard charts, which Jaramillo discovered whereas choosing peaches in Northern California together with his brother and Lopez to assist their household’s funds.
“We get a call — ‘You guy’s gotta come back! The record’s a hit!,” Jaramillo recounted a long time later in a documentary. “‘We gotta go to this ‘Hullabaloo’ show!’ We made enough money to get our sorry butts back home.”
Eastside Chicano rock group Cannibal and The Headhunters carry out on the NBC TV music present ‘Hullabaloo’ in March 1965 in New York Metropolis, New York. Robert “Rabbit” Jaramillo is second from proper.
(Hullabaloo Archive/Michael Ochs Archives/Getty Photographs)
Their rollicking look on the nationally syndicated program was what members claimed caught the eye of Paul McCartney, who supposedly instructed Beatles supervisor Brian Epstein he wished the “Nah Nah boys” to open for them.
“I remember asking him how big of a deal that was, and Dad said, ‘I never knew anything about the Beatles,’” Trujillo mentioned. “To him, all he cared about was that he was singing.”
Trujillo mentioned her father shared anecdotes through the years concerning the Headhunters’ brief stint within the highlight: the time he and Ringo Starr sneaked away from chaperones to get excessive, or when Cher sat on Jaramillo’s lap whereas the 2 took a crowded taxi someplace.
“I do remember my dad saying that their manager screwed them a bit, that they weren’t getting any money and the guys just had to start careers,” Trujillo mentioned. “But we didn’t see him as a famous person. We just saw him as Dad.”
“It was about reliving what they had at such a young age — reaching the top of the mountain at faster-than-light speed,” mentioned Esparza, who’d go on to entrance one other legendary Eastside Chicano rock group, Thee Midniters. “Getting that recognition really meant a lot to them.”
He recalled a pageant in San Bernardino the place the promoter instructed the group that they wouldn’t receives a commission in the event that they recognized themselves because the Headhunters. “So Rabbit goes on stage, gets a big smile and said, ‘You all know who we are!’ and everyone cheered.”
Well being points introduced Jaramillo again to Colorado within the mid-2000s, however singing by no means left his life. He was inducted into the Chicano Music Corridor of Fame throughout a 2017 ceremony at Su Teatro in Denver, drawing roars from the viewers when he went onstage together with his cane solely to toss it apart and dance to the Headhunters’ signature track. Fellow congregants at Jaramillo’s longtime church, Good Shepherd Fellowship in Pueblo, often requested him to carry out Christian songs — a favourite was “The Blood That Jesus Shed for Me” by gospel pioneer Andraé Crouch. He additionally beloved to do karaoke together with his grandson Daniel Hernandez, preferring oldies like “Daddy’s Home” and “Sixteen Candles.”
“No one knew who he was, and he never said who he was,” mentioned Hernandez, a Phoenix resident who grew up in East L.A. however hung out with Jaramillo in his later years. “But after he sang, we would always have people buying us beers and telling him, ‘Hey, you’re a great singer!’”
Jaramillo is survived by two brothers; eight kids; 15 grandchildren; and 17 great-grandchildren. Companies had been held at Good Shepherd Fellowship and ended together with his casket being wheeled out to “Land of 1,000 Dances.”
