Morrison’s early recordings presented her as a pop-folk singer-songwriter, relying on guitar and keyboards. Her first full-length album, the largely acoustic “Déjenme Llorar” (“Let Me Cry”), in 2012, went platinum in Mexico and won a Latin Grammy as best alternative music album. Just three years later, Morrison transfigured her sound with “Amor Supremo,” deploying hefty rock beats and reverberant keyboards for songs about obsessive love. It reached No. 1 on Billboard’s Latin Pop Albums chart. As Morrison promoted it, she agreed to perform acoustic versions of the songs for radio stations and webcasts; eventually, she decided to rework all of the songs, adding two new ones, for “Amor Supremo Desnudo.”
But when her 2017 tour was over, Morrison upended everything. She dropped her Mexican management company and stopped touring for the first time since her debut. With Jiménez, she moved from Mexico to Paris in 2019. They passed auditions to enroll at a music conservatory in a Paris suburb, where Morrison studied jazz singing; it was her first formal music education after a decade as an award-winning songwriter. She immersed herself in Ella Fitzgerald and Billie Holiday and, surrounded by fellow musicians, she also eased back into writing songs.
“Carla was starting to feel much better,” Jiménez said in a separate interview. “I remember the day she wrote something and she showed the song to me and I was like, Wow! It had been such a long time since she had not only written something but was excited about music again. She had the same old Carla energy.”
As the pandemic began in 2020, Morrison got an unexpected message: Ricky Martin was looking for songs. Morrison and Jiménez sent some possibilities; from the demos, Martin chose to collaborate on one and invited Morrison to share lead vocals and Jiménez to produce. The result is “Recuerdo,” which appeared on Martin’s 2020 quarantine EP, “Pausa,” and has been streamed 16 million times on YouTube alone.
In Paris, working on songs during quarantine isolation, Morrison was ready to change her sound again. “For the longest time, I felt very pressured to keep my guitar close,” she said. “I felt very pressured to be this singer-songwriter, because I know people love that side of me. But I also was like, ‘No! I listen to Adele, to Sam Smith, to Billie Eilish, to Ariana Grande, to Dua Lipa.’ And I was like, ‘I really want to channel that. I just want to go pop. And I don’t want to be afraid.’”
