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Reading: Corita Kent made waves because the ‘Pop-Artwork nun’ within the ’60s. A brand new middle honors her legacy
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NEW YORK DAWN™ > Blog > Entertainment > Corita Kent made waves because the ‘Pop-Artwork nun’ within the ’60s. A brand new middle honors her legacy
Corita Kent made waves because the ‘Pop-Artwork nun’ within the ’60s. A brand new middle honors her legacy
Entertainment

Corita Kent made waves because the ‘Pop-Artwork nun’ within the ’60s. A brand new middle honors her legacy

Last updated: March 7, 2025 12:41 pm
Editorial Board Published March 7, 2025
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Corita Kent at work in 1967

(Corita Artwork Middle, Los Angeles, corita.org)

On Saturday, a brand new showcase for her work will open within the downtown Arts District to assist us do not forget that legacy. Moreover workplaces and storage for a group that features 30,000 items of artwork and ephemera, the Corita Artwork Middle, as soon as positioned inside Hollywood’s Immaculate Coronary heart Excessive College, could have, for the primary time, a gallery that may also function a classroom for visiting college students. Researchers are additionally invited to check its archives.

The message begins within the shared foyer, with Kent’s 10 “rules” for the artwork division she ran at Immaculate Coronary heart School posted on the wall. Rule No. 7 is within the largest letters: “The only rule is work.”

“We think about her creative legacy as a living legacy, sharing the ethos that she left us,” says Nellie Scott, the middle’s govt director, “not only with the collection, but this that we keep repeating as our mantra, that doing and making are acts of hope.” Scott typically makes use of the phrase “groundbreaking” to explain Kent’s paintings.

Corita Kent 1967 serigraph image courtesy of Corita Art Center, Los Angeles, corita.org

1967 picture by Corita Kent

(Corita Artwork Middle in Los Angeles, corita.org)

Over time, her paintings turned more and more political, supporting points such because the antiwar motion, racial equality and girls’s rights. Slogans and quotes typically seem in her prints, together with “Make Love, Not War.” After a showdown with the conservative Catholic Archdiocese of Los Angeles, she left the order in 1968, relocating to Boston. She died of most cancers there in 1986 at age 67.

In a metropolis the place feminine artists stay vastly underrepresented in galleries and museums, the opening of the Corita Artwork Middle “stands as a powerful testament to her enduring impact and the necessity of amplifying women’s voices in art,” says Sheharazad Fleming, board chair of the middle, stating that there are only a few public artwork areas devoted to the work and legacy of a person feminine artist.

Kent’s work has impressed L.A. artists who got here on the scene lengthy after she left town. “Sister Corita Kent is central to my beginnings as an artist,” says Lauren Halsey, who grew up in Los Angeles and attended group faculty earlier than going to CalArts. “I came across her work via my former professor, Paul Gellman, in 2005 at El Camino Community College. Her maximalist graphic sensibilities and insistence on embracing experimentation have been foundational to my own practice.”

Alexandra Grant, who found Kent’s work after she turned an expert artist, admires “the freshness she proposed to the Pop Art movement through her idealism and the bold artistry she brought to the social justice movement.”

The new Corita Art Center in Los Angeles opens with an exhibit titled "Heroes and Sheroes."

The brand new Corita Artwork Middle in Los Angeles opens with an exhibit titled “Heroes and Sheroes.”

(corita.org)

That is the primary time these works have been proven in public collectively. Admission to the middle, which is open on Saturdays, is free, however reservations are required.

Corita Kent's "for emergency use soft shoulder,"  image courtesy of Corita Art Center

Corita Kent’s “for emergency use soft shoulder.”

(Arthur Evans / corita.org)

One of many main funders of the transfer is the Immaculate Coronary heart Group, the impartial group fashioned when the nuns in Kent’s order splintered from the Catholic Church. “I think it is important to know that this community that she came from is one of the supporters of this legacy program,” Scott says. “This organization that usually is behind walls and kind of quiet — they’re still supporting the mission of Sister Corita 60 years later.”

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