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NEW YORK DAWN™ > Blog > Art > Documenting the Historical past Trump Needs to Erase
Documenting the Historical past Trump Needs to Erase
Art

Documenting the Historical past Trump Needs to Erase

Last updated: September 30, 2025 10:20 pm
Editorial Board Published September 30, 2025
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Historians, librarians, and tons of of volunteers are documenting objects and indicators displayed all through the Smithsonian Establishment’s museums and at websites managed by the Nationwide Park Service, fearing that the Trump administration’s current mandates are imperiling public historical past.

Two main volunteer teams — Citizen Historians in Washington, DC, and Minnesota’s Save Our Indicators — are methodically cataloging 1000’s of artifacts, together with plaques describing Indigenous historical past at California’s Muir Woods, work accompanied by bilingual textual content on the Nationwide Portrait Gallery, and descriptions of slavery at Independence Nationwide Park. 

The teams hope that their databases will protect thoughtfully researched and curated historic narratives, because the Trump administration plows forward with efforts to change content material shows.

Jim Millward, a Georgetown College professor specializing in China and world historical past, and his colleague Chandra Manning, an American historian targeted on the nineteenth century, discovered of a letter despatched by the Trump administration to Smithsonian Secretary Lonnie Bunch in August. The 2 teachers advised Hyperallergic they keep in mind feeling alarmed. By the tip of the month, Millward and Manning had shaped the volunteer initiative Citizen Historians, which has taken greater than 31,000 pictures in a interval of 5 weeks — accounting for 56% of the displays displayed within the Smithsonian museum system. 

The mission has thus far attracted greater than 750 volunteers from the Washington, DC, Maryland, and Virginia space. Volunteer requests doubled after NPR first reported on the group’s work final week.

Citizen Historians photographed Marguerite Zorach’s portray “Marianne Moore” (1925), accompanied by bilingual textual content in English and Spanish. (picture courtesy Citizen Historians)

Manning, a former park ranger, advised Hyperllergic that she was most alarmed by the Trump administration’s proposed addition of QR codes to shows in Nationwide Parks in Could, which requested the general public to report “any signs or other information that are negative about either past or living Americans” or that “fail to emphasize the beauty, grandeur, and abundance of landscapes and other natural features.” The administration additionally requested park employees to report such signage. 

Because the Save Our Indicators mission was addressing the Nationwide Parks content material orders, Manning turned her consideration to the Smithsonian, which has been underneath comparable scrutiny from the White Home.

The implications of Trump’s promised “content corrections” for the Smithsonian might have real-world penalties, Manning stated.

“One could say, ‘There are a whole lot of problems in the world. What difference does it make, what shows up on our museum walls?’” Manning stated. “My answer to that would be that if it is possible to edit stories, experiences, people, and whole groups out of the past, it becomes that much easier to edit or erase them from the present or even the future.” 

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Left to proper: Chandra Manning, Jim Millward, and Jessica Dickinson Goodman (pictures courtesy Citizen Historians)

Millward and Manning are working with Georgetown College graduate scholar Jessica Dickinson Goodman to construct the digital infrastructure wanted to retailer and ultimately publicly launch photographs captured by the group’s volunteers. For now, volunteer groups are assigned exhibitions to doc, and so they then add photographs to a chosen Google Drive folder. Every sub volunteer group is led by a “captain” who facilitates the method. 

“It is never going to meet the gold standard of the beautiful documentation that [the Smithsonian] does in every exhibit,” Goodman advised Hyperallergic. “But I believe that resilient systems have multiple reservoirs of truth that you can access, and this provides one more reservoir, and it’s hard to squash a shared truth.”

Millward stated he hopes the mission is all a “waste of time” and that not one of the flurry of government orders and memos takes full impact. Drawing comparatively from his research of historic occasions which have been erased from China’s public discourse, Millward stated he interprets Trump’s try to change historic narratives and exhibition objects as a “sign of lack of confidence.”

“If you’re always hiding behind propaganda, that’s not a sign of strength, that’s not a sign of confidence, but quite the opposite,” Millward stated. “I think the largest museum complex in the world is a huge attraction for international visitors, as well as Americans. That’s where we can lay it all out and tell it in different ways and give different perspectives.”

independenceAn outline of slavery at Independence Nationwide Historic Park in Philadelphia (picture courtesy Save Our Indicators)

Manning, Goodman, and Millward consulted with the Save Our Indicators initiative earlier than embarking on their very own public historical past mission. The group, based along with the Knowledge Rescue Mission and comprised of Minnesota librarians and historians in addition to volunteers throughout the nation, has been monitoring situations of signal removing or alteration in a publicly accessible spreadsheet. On the mission’s web site, members of the general public can examine before-and-after snapshots of altered indicators, similar to one at Muir Woods in California this June that was reportedly scrubbed of historic particulars pertaining to Indigenous folks, girls, and situations of racism.

Molly Blake, a founding member of Save Our Indicators and social sciences librarian on the College of Minnesota, advised Hyperallergic that the group has now collected over 10,000 pictures of indicators throughout nationwide parks, gathering them in a Google Drive and releasing them periodically to the general public.

“I really do think everything’s at risk,” Blake stated, referring to the Trump administration’s obscure order to take away any “negative” content material. This month, a replica of a ubiquitous picture testifying to the brutality of slavery, “The Scourged Back,” was reportedly ordered faraway from Fort Polaski Nationwide Monument in Georgia. 

“The photograph is a really important way for people to understand a very traumatic and painful part of US history,” Blake stated, “and real history, of course, is not just happy stories or that make us feel comfortable.” 

Each teams are nonetheless determining how they are going to retailer their information in the long run, however for now, they’ve acted shortly to attempt to seize American historical past because it has been chronicled by curators, historians, and authorities officers over the centuries. The Trump administration has known as for measures to be taken at each the Nationwide Parks and the Smithsonian in accordance with its content material requests starting this month, although the total scope of the actions just isn’t but identified.

“The Smithsonian doesn’t belong to one person,” Manning advised Hyperallergic. “All of these things are part of our shared national treasures, and usually that means we all get to enjoy them, but sometimes it means that all of us have to take responsibility for safeguarding them, and that’s what’s happening right now.”

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