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At the Super Bowl, Nostalgia’s the Only Game
“This is the millennium of Aftermath.” When Dr. Dre rapped that line…
An Exhilarating Set of Cecil Taylor’s Jazz Arrives, 49 Years Later
Davis noted that Taylor’s technique of composing fragments of notes in “cells”…
‘Somewhere With No Bridges’ Review: Of Men and Memories
In the compact documentary “Somewhere With No Bridges,” the director Charles Frank…
Review: Beethoven Returns for the Age of Black Lives Matter
Beethoven’s only opera, “Fidelio,” is hardly a fixed text. He wrote several…
Taylor Swift and Ed Sheeran Up the Ante, and 13 More New Songs
Ed Sheeran resorted to well-used card-deck analogies in “The Joker and the…
For Three Avant-Garde Musicians, It’s Time for Pop
In his recent documentary about the Velvet Underground, Todd Haynes depicted both…
‘Inventing Anna’ Review: The SoHo Scammer, Explained at Length
The article that made the serial scammer Anna Sorokin, a.k.a. Anna Delvey,…
In ‘The Girl Before,’ Minimalism Offers a Dangerous Sanctuary
BRISTOL, England — The opening shot of the new HBO Max limited…
‘KIMI’ Review: Sure She’s Paranoid, but Something Really Is Out There
Soderbergh rapidly plots the coordinates of Angela’s life, seamlessly in sync with…