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At the Super Bowl, Nostalgia’s the Only Game

“This is the millennium of Aftermath.” When Dr. Dre rapped that line…

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An Exhilarating Set of Cecil Taylor’s Jazz Arrives, 49 Years Later

Davis noted that Taylor’s technique of composing fragments of notes in “cells”…

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‘Somewhere With No Bridges’ Review: Of Men and Memories

In the compact documentary “Somewhere With No Bridges,” the director Charles Frank…

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Review: Beethoven Returns for the Age of Black Lives Matter

Beethoven’s only opera, “Fidelio,” is hardly a fixed text. He wrote several…

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Taylor Swift and Ed Sheeran Up the Ante, and 13 More New Songs

Ed Sheeran resorted to well-used card-deck analogies in “The Joker and the…

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For Three Avant-Garde Musicians, It’s Time for Pop

In his recent documentary about the Velvet Underground, Todd Haynes depicted both…

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‘Inventing Anna’ Review: The SoHo Scammer, Explained at Length

The article that made the serial scammer Anna Sorokin, a.k.a. Anna Delvey,…

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In ‘The Girl Before,’ Minimalism Offers a Dangerous Sanctuary

BRISTOL, England — The opening shot of the new HBO Max limited…

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‘KIMI’ Review: Sure She’s Paranoid, but Something Really Is Out There

Soderbergh rapidly plots the coordinates of Angela’s life, seamlessly in sync with…

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