Julia Masli, the comedian behind the captivatingly weird “ha ha ha ha ha ha ha,” could also be from Estonia, however in clown family tree she is an in depth relation to Andy Kaufman’s Latka.
Her persona is a component area alien, half naïf of some Baltic backwater. She wanders by means of Pasadena Playhouse, the place her present opened Sunday, like a “Star Wars” further who bought off on the improper galaxy.
Carrying a headlamp within the form of a pistol and proudly displaying a spare gold leg that serves as a not-very-dexterous arm, Masli wanders the rows of the theater searching for somebody to assist. Her method of speech is otherworldly, like an arthropod testing out human vocal folds.
I couldn’t fairly make out what she was saying when she entered, as a result of her “ha, ha, ha, has” have been uttered with none trace of humor. The sound advised abdomen cramps or maybe despair past the attain of phrases.
The phrase “problem” was then quizzically emitted. My fellow theatergoers have been fast to choose up that they have been being requested to share some issue they have been dealing with. I mistakenly thought we would nonetheless be enjoying a infantile language sport. Had she addressed me, I most likely would have hooted in response.
“Ha ha ha ha ha ha ha” at Pasadena Playhouse, created and carried out by Julia Masli and directed by Kim Noble.
(Jeff Lorch)
Masli’s strangeness by no means goes away, nevertheless it turns into more and more pleasant and, by the tip of the 75-minute present, comfortingly acquainted. This jester from an alternate universe appears genuinely involved in regards to the frequent, strange unhappiness of good strangers.
One man talked about that he doesn’t know what to be for Halloween. Masli, mishearing his fear, assumed he didn’t have a spot to go and located somebody within the viewers who was glad to ask him to her home for a household gathering. When it was later identified that Masli solved the improper drawback, she corrected her error and had the person take costume solutions from an viewers that overwhelming thought he ought to gown up as a pirate.
One other theatergoer sadly admitted that he longed to discover a tactile passion, one thing to maintain his palms occupied. Masli proceeded to destroy the chair he was seated on after which invited him to reassemble it on stage. This rackety undertaking, involving an elaborate set of instruments and a extra skilled handyman, grew to become one of many principal stage actions.
The efficiency, which principally takes place within the viewers, requires theatergoers to crane their necks to find Masli’s latest goal. One girl from Germany complained of profound homesickness. Masli remedied this drawback by introducing her to somebody who vaguely claimed to be of German extraction.
One forthcoming spectator confessed to being burdened with anger over her father’s philandering. Masli responded by dreaming up a ritual involving a sock that was set on hearth in symbolic purgation of burdensome resentments. Socks have been then collected from keen spectators and added to the sack that was hovering over the dimly lighted set. Masli outlined her plan for a future bonfire.
The manufacturing appeared too fastidiously labored out to be fully random. I secretly suspected that a number of the compliant viewers members might need been chosen forward of time. But when one younger girl revealed that she wanted dental surgical procedure however couldn’t afford the fee even with dental insurance coverage, I used to be fast to take out my cellphone and make a donation after she was coaxed to share her Venmo.
Masli couldn’t perceive why this dental surgical procedure wasn’t free. The viewers was fast to provide political causes that led to Masli staging an exorcism of America’s ruthless financial system. She requested for a white male supervisor to determine himself and cleanse the sins of grasping capitalism by agreeing to take a bathe onstage. An excellent sport, he became a towel and gown and patiently waited for his cue to begin lathering up.
“Ha ha ha ha ha ha ha,” an award winner on the Edinburgh Competition Fringe, is much less a conventional comedy present than an experiment in collective consciousness. It doesn’t take a lot to rework a room of jaded strangers right into a consultant slice of compassionate humanity.
Masli asks what the thinker Simone Weil thought was the important query of being a loving neighbor: “What are you going through?”
It seems that we’re all going by means of one thing. One girl who was chilly was given coats and sweaters. One other who was drained was invited to take a nap on stage.
One individual hemmed in by perfectionist anxiousness was invited to sing with an off-key Masli. The warbling by no means improved, nevertheless it was heartening to see somebody recover from their paralyzing self-consciousness.
Underneath the path of Kim Noble, this touring manufacturing from Washington, D.C.’s Woolly Mammoth Theatre Firm discovered methods to choreograph the simultaneous actions of disparate viewers members right into a lyrical theatrical patchwork. The lunar lighting together with the glow of Masli’s wacky concern enhanced the lyricism of a present whose impact would most likely be extra concentrated in a extra intimate venue.
Nevertheless it was refreshing to expertise such a beguiling efficiency oddity at Pasadena Playhouse. Mainstream leisure feeds us lies: We’re all eccentrics struggling to seek out our means. “Ha ha ha ha ha ha ha” reminds us that we’re solely a naive and caring interloper away from making the world a barely extra welcoming place.
‘ha ha ha ha ha ha ha ha’
The place: Pasadena Playhouse, 39 S. El Molino Drive, Pasadena
When: 8 p.m. Tuesdays, Wednesdays, Fridays; 7 p.m. Thursdays; 2 and eight p.m. Saturdays; 2 p.m. Sundays. (Examine for exceptions.) Ends Nov 9
Tickets: Begin at $40
Contact: (626) 356-7529 or pasadenaplayhouse.org
Working tine: 1 hour, quarter-hour (no intermission)
