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Reading: Evaluation: ‘Awake in the Floating City’ finds hope — and artistry — in a submerged San Francisco
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NEW YORK DAWN™ > Blog > Entertainment > Evaluation: ‘Awake in the Floating City’ finds hope — and artistry — in a submerged San Francisco
Evaluation: ‘Awake in the Floating City’ finds hope — and artistry — in a submerged San Francisco
Entertainment

Evaluation: ‘Awake in the Floating City’ finds hope — and artistry — in a submerged San Francisco

Last updated: May 9, 2025 3:46 pm
Editorial Board Published May 9, 2025
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Guide Evaluation

Awake within the Floating Metropolis

By Susanna Kwan

Pantheon: 320 pages, $28

In case you purchase books linked on our web site, The Occasions could earn a fee from Bookshop.org, whose charges help unbiased bookstores.

Bertolt Brecht wrote that, at midnight occasions, there may also be singing. In Susanna Kwan’s debut novel, she asks whether or not these songs could also be sung if there are not any choirs to sing them. Choirs require group, and the function of group throughout environmental catastrophe is among the themes that runs by this considerate novel about artwork, creation and the methods we take care of each other.

Bo is a 40ish girl residing in a San Francisco high-rise within the mid-Twenty first century. The town is underwater after being swamped by the rising Pacific Ocean and constant rain. However the metropolis continues to exist. Those that haven’t fled inhabit the higher flooring of skyscraper residence blocks. Bo’s cousins have lined up work alternatives for her in Canada, however when the novel begins, she is insistent on staying. What retains her there’s grief; two years earlier than, her mom disappeared throughout a storm. Bo clings to the hope that in the future she will likely be reunited together with her.

Like Bo earlier than the rains, Kwan is an artist and he or she conveys what goes lacking in her character’s life after environmental catastrophe: Within the perpetual rain there are now not seasons. And with out seasons, there are not any holidays or festivals to mark the adjustments within the yr. Bo marks time together with her twice-weekly go to to the rooftop markets, the place retailers promote meals they’ve grown or had introduced in by boat. However it’s additionally the place she scans the bulletin boards stuffed with pictures of the lacking and misplaced seeking her mom.

Kwan’s novel hones in on the ways in which isolation and tedium sap important components of ourselves. The guide captures America’s latest historical past: 2020 and isolating in our flats and homes whereas outdoors, the useless piled up in freezer vans and mass graves. The ways in which anxiousness and loneliness brought about many to show inward, to make what was taking place private, as if nobody else was affected. The lack of group and empathy for others drowned within the waves of concern, uncertainty, and for a lot of, anger. Bo herself struggles together with her particular person emotions of frustration and grief, however then reminds herself that she hasn’t been singled out for dangerous fortune.

“What made her special in the long human history of crisis and displacement?” Bo wonders. “She had followed reports of heat waves that never subsided, outbreaks of anthrax and smallpox and malaria, continents dried to deserts, genocidal regimes, military blockades at borders that prevented passage to hundreds of thousands of people with nowhere to go, children drowning at sea. And yet the matter of her own privileged leaving felt extraordinary and without precedent, even as she registered this delusion.”

Earlier than her mom disappeared, Bo labored continually as an illustrator and painter, a supply of pleasure that sustained her. However after her mother dies — and it’s clear that her mom has almost certainly been washed out to sea — she is paralyzed. “Art, she’d come to feel, served no purpose in a time like this. It belonged to another world, one she’d left behind.” Grief has grayed-out her love for colourful creation.

In the future, a neighbor slips a notice below her door. It’s a request that Bo come assist out Mia with family chores. Mia lives alone, and at age 129, is struggling.

Bo has supported herself within the constricted financial system as a caregiver. Lots of these within the high-rises are the aged, in some instances deserted by their fleeing kids, however typically simply too fragile to be moved. By 2050, persons are residing previous 100 and residing to 130 isn’t uncommon. However 130-year-old elders have aged kids and even aged grandchildren. Weaker bonds with third- and fourth-generation descendants has left many to take care of themselves.

Bo is the daughter of Chinese language immigrants; Mia got here from China together with her dad and mom. Mia’s daughter and additional descendants reside 1000’s of miles away. Caring for Mia reminds Bo of the time she spent together with her mom after they made frequent treks to examine in on household elders, a approach of paying respect, her mother informed her when Bo was a baby.

In Mia’s residence, the 2 ladies start to bond within the kitchen. Bo prepares meals whereas Mia tells tales of her life in San Francisco. She had been born within the Nineteen Twenties, not that lengthy after the earthquake and devastating hearth that leveled the town in 1906. Mia’s life parallels the expansion of San Francisco and her reminiscences of how the town modified by the many years within the twentieth century intrigues Bo. A lot was misplaced, first within the wave of explosive inhabitants progress and wealth, however when the rains got here, total components of the town disappeared, their histories swallowed by the relentless rise of the Pacific.

Bo’s reminiscences have already been dulled by perpetual grayness. However hanging out with Mia loosens one thing within Bo, and he or she notices that her senses can function “time machines,” and provides her entry to her personal previous. There are apparent reminders — {a photograph} — however songs are particularly evocative even earlier than she acknowledges the tune. “A song provided passage from the present station back to a place and time, distinct and palpable. The trip was quick, a sled tearing down a luge track, the body sensing its arrival before the mind could register the journey.”

Bo’s occasional lover is a person who visits San Francisco as a part of his job working in pure assets. He spends a lot of the time counting and cataloging what species stay, or what’s about to be misplaced. When he arrives again on the town after she has began working for Mia, Bo finds that her rising sense of function, her want to return to art-making, is motivated by an analogous impulse.

For Mia’s approaching a hundred and thirtieth birthday, which Bo senses will likely be her employer’s final, she decides that she is going to use her expertise as an artist to carry the outdated metropolis again to life yet another time — a present for her employer, but additionally a method by which Bo can recapture the wild power that’s creation.

Survivalists getting ready for an imagined catastrophic future hoard meals and provides and fill up on weapons to “protect” themselves from these in want. However as Kwan exhibits, such visions of the long run are the refractions of nihilism and the American perception that particular person survival and success is due solely to particular person effort. However that’s by no means been the case. What preserves human life — even a life in horrific circumstances — are relationships of caring and cooperation. Group constructed on caring for one another is the one approach that we’ll thrive. The networks we construct to help others finally turns into the social security internet we are going to ourselves want.

In darkish occasions, the songs that can consolation us is not going to be the cacophony of particular person voices wailing their grief. The darkness will likely be lifted by the harmonies of those that acknowledge one another’s humanity.

Berry is a author and critic residing in Oregon.

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