It’s a bustling predawn morning in Black Rock Metropolis. Darkness clings to the sky as hundreds of bikers zoom throughout a dusty alkaline flat seeking a dawn set, hoping to outpace the gash of periwinkle mild bleeding over the horizon. Spending dawn at an artwork automotive is as customary as going out for brunch within the outdoors world. Nonetheless, when your vacation spot is itinerant and camouflaged by galaxies of LED lights, discovering a specific artwork automotive in the dead of night generally is a idiot’s errand. Except your vacation spot is Mayan Warrior, that’s.
Now on its third iteration, the Mexico Metropolis-based Mayan Warrior has grow to be one of the iconic (and contentious) mutant autos at Burning Man, the weeklong festival-meets-pop-up-city that sees over 70,000 so-called burners in Nevada’s Black Rock Desert, also referred to as the playa. About 30 persons are concerned within the artwork automotive year-round, with a camp of 200 folks, 70 of whom are crew members. Well-known for its full-spectrum lasers supplied by Lightwave Worldwide, the masterminds who introduced the rainbow prism of Pink Floyd’s “Dark Side of the Moon” to life throughout Roger Waters’ 2007-08 tour, it’s one of many best artwork automobiles to identify at evening. Along with a rainbow of radial lasers, an excellent column of sunshine shoots into the sky, à la the Sacramento Kings’ beam. Oh, and it spews fireplace too.
For digital music lovers, Mayan Warrior is likely one of the hottest events on the playa, not simply due to the spectacle however as a result of it’s hosted artists equivalent to Carl Cox, Rüfüs du Sol, Black Espresso, John Summit and Monolink, together with burgeoning Mexican digital DJs, round whom the preliminary idea was developed. For founder Pablo González Vargas, it started in 2011 at his first Burning Man.
“We were very impacted and impressed by how involved people are in making art at Burning Man,” González Vargas says. “They give their blood, sweat, and tears. … The cycle of inspiring and being inspired is very tangible there, and that cycle happened to me. I went to Burning Man in 2011, got inspired, and came back in 2012 [with an art car].”
The design was impressed by historical Mesoamerican cultures, significantly Mayan masks and artifacts resembling astronaut-like figures, which González Vargas noticed on the Nationwide Museum of Anthropology in Mexico Metropolis. Combining fashionable know-how and sacred geometry, Mayan Warrior showcased an illuminated masks facade mounted on a medium-duty truck. It turned an ever-evolving murals—painter Alex Gray adorned it along with his distinct visionary art work, a pyramid-like backdrop was added, and its dazzling lasers had been put in in 2016. It even has a theme music titled “Here Comes the Warrior” by DJ/producer Rebolledo, who’s Mayan Warrior’s music idea and lineup curator.
Pablo González Vargas portray the brand new Mayan Warrior artwork automotive.
(Courtesy of Pablo González Vargas)
For a decade, Mayan Warrior reigned as a sought-after cellular soundstage at Burning Man. By 2023, it was on the prime of its recreation, touring the U.S. and Mexico for fundraising events to assist pay for its exorbitant bills. After which, whereas driving from Guadalajara to Sayulita, Mexico, it caught fireplace from a mixture of weight, warmth and tire friction, and burned to the bottom. The irony of it occurring greater than 1,500 miles away from Burning Man, the place installations are ceremonially decreased to ash, just isn’t misplaced.
“That was painful,” González Vargas displays. “It was gone in 15 minutes. But I also felt liberated. It absorbs time and energy and attention, and it’s not my job; it’s my hobby. … I mean, the reward is great when you go to the Burn, but operating the outside events and fundraisers was tough for me, especially since you don’t make money at all the fundraisers.”
Based mostly in Mexico Metropolis, González Vargas has a background in fintech, hospitality, advertising and media. In 2010, he based Sr. Pago, a point-of-sale system, which he expanded concurrently with Mayan Warrior and offered three years in the past. Amongst a litany of different ventures, he additionally based the Latin American media outlet EXA Radio and TV. His latest endeavor is a subscription-based journey platform that provides members entry to inexpensive charges for flights and lodges, which he dubbed “the Costco of travel.” He additionally collaborated on an interactive mild and sound sculpture referred to as Ilumina, which appeared at Burning Man in 2017 and 2022. While you mix this many irons within the fireplace with the period of time, labor and cash it takes to run a soundstage artwork automotive at Burning Man, it’s no surprise González Vargas felt liberated.
Designs for the brand new Mayan Warrior artwork automotive.
(Courtesy of Pablo González Vargas)
In the meantime, rumors of drug cartel involvement and insurance coverage fraud associated to the artwork automotive fireplace swirled throughout the Burning Man group, which González Vargas rapidly dispelled. And although he and his crew took time without work from the onus of Mayan Warrior, it wasn’t lengthy earlier than designs had been drafted and a brand new model was underway. Enter Tal Ohana, founding father of the Los Angeles-based manufacturing firm Stranger Than; with whom Mayan Warrior had been collaborating, who supplied to provide the fundraising occasions at culturally or traditionally noteworthy places in numerous cities. With Stranger Than; taking the helm on the ancillary occasions, a big portion of duty was lifted from González Vargas’ shoulders. The Mayan Warrior was again on the playa by 2024, trying flashier than ever — and it should, contemplating it price almost $3 million.
“It was an irresponsible financial decision,” González Vargas says. “My letter to Santa Claus would be, ‘Hey, I want enough money to go to Burning Man and pay for my whole crew and not have to do fundraisers and have fun and that’s it,’ but that’s not the reality.
“If we hit 4,000 people [at a fundraiser], we break even,” he continues, “because of the cost of bringing the car, plus the crew, plus the lighting, and local vendors. It’s a complicated business model, and restricted by the non-commodification Burning Man ideology, where you cannot make merch or have sponsors.”
Burning Man abides by 10 rules, one being decommodification. It’s meant to create an surroundings freed from commercialism, promoting and financial transactions. The one gadgets out there for buy are ice and, sometimes, espresso; the whole lot else is freely given by attendees. It additionally signifies that the artwork installations, autos and theme camps seen at Black Rock Metropolis can not, or reasonably, shouldn’t, be funded via sponsorships or model collaborations, therefore why fundraisers are such an important side in retaining Mayan Warrior afloat.
Like all metropolis, Black Rock Metropolis is a various amalgamation of backgrounds, views and demographics. Though you may’t please everybody, particularly those that spurn the proliferation of digital music at Burning Man, Mayan Warrior clearly pleases multitudes, as when the music is thumping, it’s uncommon to see an unpopulated dance flooring. It’s additionally grow to be a beloved stage for performers like British home and techno legend Carl Cox, who simply launched a monitor with Perry Farrell titled “Joya.” Regardless of attending Burning Man since 2008, his maiden voyage on Mayan Warrior was in 2024.
The brand new Mayan Warrior roaring down the playa at Burning Man.
(Courtesy of Pablo González Vargas)
“You just have to admire the ingenuity, sound, and amount of hours that go into creating something like that, just for people to enjoy,” Cox shares. “In the morning, it’s getting hot, there’s no lasers, no pyrotechnics, there’s nothing apart from people and a great sound system. People could truly understand the connection I have with music, people, the playa, and the stage that Mayan Warrior set for me. It was absolutely incredible.”
Burning Man is definitely not for everybody, however those that wish to expertise the blazing leviathan — minus the labor, mud storms and brutal ingress and egress — can attend its Los Angeles Halloween fundraiser, happening in Grand Park on Oct. 25. Monetary and bodily expenditure however, González Vargas says he needs to proceed attending Burning Man and even hopes to carry his now new child son in 2026. Concerning the way forward for Mayan Warrior, he aspires to broaden genres — final 12 months, Mita Gami and Meir Briskman performed with an orchestra, and this 12 months they experimented with an unnamed band — placing artists like Tame Impala, Khruangbin and Glass Beams on his lineup want listing. Though the fireplace taught González Vargas that the artwork automotive’s future isn’t sure, he is aware of that so long as it exhibits as much as the playa, the music will observe, and so will its dance flooring denizens.
“It doesn’t matter who you are; it’s what you deliver from your heart and soul,” Cox says. “When I got to play on Mayan Warrior, it was a wonderful moment. It was a vibe, and I felt like people discovered what Mayan Warrior stood for. … I was able to deliver something so special that even if I never played Mayan Warrior again, I was lucky enough to experience that moment and musical journey with all these people that chose to be there.”
