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Reading: How My Morning Jacket crafted ‘Z’ right into a timeless rock traditional that defies nostalgia
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NEW YORK DAWN™ > Blog > Entertainment > How My Morning Jacket crafted ‘Z’ right into a timeless rock traditional that defies nostalgia
How My Morning Jacket crafted ‘Z’ right into a timeless rock traditional that defies nostalgia
Entertainment

How My Morning Jacket crafted ‘Z’ right into a timeless rock traditional that defies nostalgia

Last updated: November 4, 2025 10:45 pm
Editorial Board Published November 4, 2025
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There’s no scarcity of bands commemorating their glory days as decade anniversaries of albums fly by. But few landmark releases really feel not solely recent however forward-thinking 20 years after they have been recorded. My Morning Jacket stumbled onto this type of brilliance in October 2004 when it launched its fourth studio album “Z.” Throughout 10 tracks of lush, euphoria-driven rock ‘n’ roll, the band captured a notable tone shift in its sound that melded Southern rock, haunting folks, psychedelic soul laced with jam band vitality. It’s a set of songs that also make up an enormous chunk of the bands reside present. In September the band carried out the album in its entirety to a sold-out Hollywood Palladium for its twentieth anniversary.

“We still play these songs all the time,” mentioned frontman and principal songwriter Jim James in a latest dialog. “So it’s not like we broke up after we released ‘Z’ and then we got back together 20 years later to play these songs, and it’s such a trip. We’ve been playing them nonstop for 20 years.”

Shortly after the discharge of its tenth studio album “is,” the band put out a deluxe reissue of “Z” that features 4 B-sides and an entire album’s value of demo variations of songs like “Wordless Chorus,” “Off the Record” and Dodante. Just lately James spoke to The Occasions concerning the enduring energy of “Z” and the enjoyment of going again to the start of the album’s origins to offer himself and his followers a brand new appreciation for the groundbreaking sound the band created.

The rerelease of “Z” was prefaced earlier this yr with a full-album present on the Palladium. What was it like revisiting the album on stage first earlier than it got here out (once more) on vinyl and streaming?

That is our fourth album now to hit the 20-year mark. So we’ve obtained some expertise now doing these album exhibits. And it’s humorous as a result of a few of the earlier albums we don’t play all of the songs from them so we had to return and relearn a whole lot of songs. However the songs from “Z” we just about play all of the songs on a regular basis. So it’s fairly hilarious the way it concerned no effort. It simply concerned enjoying them in that order of the sequence of the album. However we sort of laughed about that. We’re like, man, we don’t actually even should do any analysis or something. We have been all sort of reflecting simply on how grateful we’re that we like enjoying all of the songs nonetheless. It’s such an amazing feeling to play songs for 20 years and by no means actually get bored with them. Individuals nonetheless need to hear them and there’s nonetheless pleasure there, they usually nonetheless really feel recent. It’s actually a lovely factor.

This was your first album utilizing an out of doors producer. What was that like for you because the songwriter to step within the studio with John Leckie that will help you notice your imaginative and prescient with “Z”?

It was so nice, as a result of I actually wanted someone who may work with me and never let our egos conflict an excessive amount of. John was simply actually nice about coming in and respecting what I needed to do, but additionally voicing his opinion and what he appreciated and what he didn’t like and when he thought we may do higher. And it was simply actually so refreshing and so good for us to have him there. I imply, his monitor file speaks for itself, he’s someone who you may belief proper off the bat, simply due to all of the issues they’ve performed previously. He’s such a soft-spoken gentleman however he additionally has this hilarious, brutal honesty about him, which was all the time actually nice.

Your lineup had additionally modified between the earlier album “It Still Moves” and “Z” — including keyboard participant Bo Koster and guitarist Carl Broemel who’re nonetheless within the band as we speak. So was that like stepping within the studio with the “new guys” for the primary time?

It was actually nerve-racking and actually thrilling all of sudden. We had some touring expertise beneath our belt with Bo and Carl, so we sort of knew that it was figuring out on that stage, however we’d by no means actually recorded earlier than, so it was an actual take a look at for all of us. And I believe all of us knew that. So all people introduced their A sport to the session and we took it actually severely, however we additionally had a whole lot of enjoyable and simply actually sort of obtained to know one another. That was good to do this out in the course of nowhere, on the market within the Catskills, up on the studio. It gave us a while to actually bond with out a whole lot of the real-world stuff coming in or different individuals coming in. So I believe that was actually vital, that we did it that method.

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Do you bear in mind what music got here out of the periods first?

“It Beats 4 U” was the primary one, as a result of that was one we had already performed reside earlier than we began recording. So I believe that was the primary music that we began messing with. However I believe all of them have been sort of coming to life across the similar time. So by the point we obtained in there to begin unpacking them, I had already written them and sort of made the demos of them and stuff.

It’s nice that you simply included so many demo variations of your songs on this rerelease. What was the method like of finding these, sifting by means of and sequencing which of them you needed to placed on the album?

Nicely, I really like demos for lots of my favourite bands — I find it irresistible once I get to listen to the demos from the albums. So I’m all the time saving all that stuff; with my very own stuff I’m all the time compiling all of the demos, as a result of that’s half the enjoyable to me. As a result of typically you get this similar to a lovely glimpse into the music. Very often, I find yourself liking the demo greater than I just like the precise album, music since you get an entire, entire new view of it. It’s additionally attention-grabbing once you’re sequencing for vinyl, since you don’t have limitless time so that you sort of obtained to select and select, and that sort of forces you to only select the most effective. There’s an entire different spherical of band demos after which there have been my demos, so there have been a whole lot of issues to select from. Nevertheless it sort of helps me to take a look at it in vinyl format. There’s nonetheless one thing concerning the vinyl time restrict that helps with high quality management. Simply sort of decide those that I really feel are best after which attempt to make a enjoyable sequence in order that hopefully, if someone’s into them, it’s sort of such as you get a bonus album that you could hearken to.

We had 4 true songs, B-sides, that we actually love too, that weren’t demos. In order that was very nice to lastly get these out, as a result of these had been on totally different soundtracks. After which one wasn’t even launched. So I don’t assume that these weren’t even on streaming or something for years and years. So it’s actually cool to have these out sort of all over the place now, as a result of I’ve all the time appreciated all these songs and been happy with these songs too. And I believe most bands know the sensation of you already know once you make a file. Typically songs simply don’t match the file, even when you nonetheless love the songs.

MMJ during the "Z" era.

MMJ in the course of the “Z” period.

(Sam Erickson)

Had been you enjoying any of these reside on the level the place you launched the album the primary spherical, or did you shelve them for later?

We’ve all the time performed “Where to Begin” reside — on and off. We’ve additionally tried “Chills” a pair occasions, and I believe we did “How Could I Know” a pair occasions. We’ve by no means performed “The Devil’s Peanut Butter,” we kinda forgot that one existed till this entire [album rerelease] course of began, and I discovered that music once more. So we’ll most likely play that one someplace out on the following leg.

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Was this course of one thing that you simply get pleasure from doing, like, by way of your find out how to, kind of like, reexamine an album?

I actually find it irresistible as a result of I simply really feel so grateful that anyone even offers a s–, you already know? I imply, so there’s that a part of me that’s simply so grateful to even nonetheless be within the sport, speaking about this. However past that, it’s actually cool for me as a result of it’s like leaping in a time machine and going again and that time in my life and getting perspective on the place I’m now, and seeing how I’ve grown and asking “where have I changed? Where have I not changed?” I look again and with all of those albums as they arrive as much as this 20-year mark, and I see I’ve all the time been actually imply and exhausting on myself, on Jim, however I do know that Jim was doing the most effective he may at every time. That’s the one factor I’ve all the time sort of been in a position to see, to get myself by means of, to not be too exhausting on myself. I do know I used to be giving it every part I had, so whether or not I might change issues about it as I’m as we speak or not — all of us look again on the previous, and possibly there’s issues we’d do otherwise, but it surely offers me a whole lot of consolation to know that I used to be making an attempt as exhausting as I may, and all the blokes within the band have been making an attempt as exhausting as they may. It actually makes me really feel happy with us for simply placing within the effort and time.

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