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NEW YORK DAWN™ > Blog > Entertainment > ‘I wish to do characters which can be higher than me’: Yura Borisov on his Oscar nomination for ‘Anora’
‘I wish to do characters which can be higher than me’: Yura Borisov on his Oscar nomination for ‘Anora’
Entertainment

‘I wish to do characters which can be higher than me’: Yura Borisov on his Oscar nomination for ‘Anora’

Last updated: January 23, 2025 10:16 pm
Editorial Board Published January 23, 2025
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If “Anora” is a cockeyed modern reconfiguration of the Cinderella story, then actor Yura Borisov is its Prince Charming. Not that you’d understand it from the best way he first slinks onscreen, silent and watchful.

Within the movie, Borisov performs Igor, employed muscle meant to help in smoothing out a tough state of affairs when Ivan (Mark Eydelshteyn), the reckless playboy son of a Russian oligarich, impulsively marries a New York stripper named Anora (Mikey Madison). It’s Igor who begins to really see Anora, noticing that her robust exterior hides one thing tender inside. The identical is true for Igor.

“For me, he’s human,” Borisov, 32, mentioned in a Zoom name Thursday from his dwelling in Moscow. “And I want to believe that every human could be like that. I want to do characters that are better than me. I want to do characters that could give to humanity — to give people hope. And that’s why, of course, I love Igor. He’s like a lighthouse for me.”

On Thursday, “Anora” obtained six Oscar nominations, together with directing, authentic screenplay and modifying (all for Sean Baker), lead actress for Madison, supporting actor for Borisov and finest image. His nomination makes Borisov the primary Russian actor nominated for an Academy Award in a performing class since Mikhail Baryshnikov in 1978 for “Turning Point.”

“Anora” gained the Palme d’Or when it premiered final yr on the Cannes Movie Pageant. It was on the pageant years earlier, in 2021, when Baker first seen Borisov in one other mission. Baker was there along with his personal “Red Rocket,” however when he noticed director Juho Kuosmanen’s drama “Compartment No. 6,” he was taken with Borisov’s efficiency.

Vache Tovmasyan, left, and Borisov within the film “Anora.”

(Neon)

In an interview Thursday morning, Baker remembered reaching out to Kuosmanen to ask him about working with the actor. “He said what I say now when people ask — he’s the best,” Baker mentioned. “He’s not only just an incredible performer, but incredibly thoughtful and really put in a lot of time and elevated what I had on the page with a lot of new ideas.

“And then, of course, his incredible and very consistent subtlety throughout this entire film,” added Baker, “in which he doesn’t have a lot of dialogue yet has to keep something brewing for the audience. Something that will get the audience continuing to hold on and hopefully wonder about this character. And that’s what I think Yura does — he’s able to give a lot when given very little.”

Borisov had not seen any of Baker’s work when the filmmaker first reached out to him. After watching just a few of Baker’s movies, the actor agreed to take part in Baker’s subsequent mission, despite the fact that there was not but a script.

There was one thing within the vitality of these movies that appealed to Borisov, even when he couldn’t outline it.

“I’m not a critic for understanding how to explain it,” Borisov mentioned. “I could just feel it. Maybe that’s why I’m an actor. I felt something interesting in these films, and I can say it’s important for me.”

Borisov is already well-known in Russia, having gained a Golden Eagle award for the 2020 movie “AK-47,” through which he performed Mikhail Kalashnikov, inventor of the well-known assault rifle. (Baker has known as Borisov the “Ryan Gosling of Russia.”) But the thrill round “Anora” is one thing new and largely sudden.

“I was ready for going to Cannes with this film because Sean was there before — I was there before,” mentioned Borisov. “But it was absolutely crazy that we won the Palme d’Or. And every step after that was more crazy and more crazy. It’s like I’m sitting in the car and looking around while going 200 miles an hour. It’s moving very fast, and I’m still just inside the car.”

A cast and their director pose for a photograph.

From left, Karren Karagulian, Vache Tovmasyan, Mikey Madison, Yura Borisov and Sean Baker, photographed on the 2024 Toronto Worldwide Movie Pageant.

(Jason Armond / Los Angeles Instances)

Igor emerges as a personality over the course of the movie, going from a nonetheless, silent presence to a extra lively one, largely expressing himself by way of seems and physique language fairly than phrases. It took a selected type of performer to carry all of that out.

“I didn’t want to show my hand too early,” mentioned Baker. “And the great thing is that Yura is wonderful at the slow burn. A lesser actor would be showing where we’re going the whole time. But he doesn’t. He just gives you very subtle hints throughout, and it’s really with his expression and where his eyes are going.

“As an editor, I got to see even more because I got to see all the takes and the way he would give me slight variations with each take,” Baker added. “He knows what he’s doing. To see an actor who’s very aware of where the camera placement is, where the lighting is, being open to the camera in order to get that emotion across nonverbally — that takes a skilled professional.”

Borisov and Madison met on set and instantly started forging a way of chemistry between them.

“I remember he walked into the mansion fresh off the plane and was looking at my hair tinsel and was very sweet and curious,” Madison mentioned Thursday. “I loved him from the beginning.”

“We spent all our time together during this shooting,” mentioned Borisov. “And that’s why this relationship between me and Mikey transformed to our characters. Mikey lives in L.A. and was in a different city for shooting. And for me, the same — we’re out of our homes. So this relationship, it’s real.”

A scene the place Igor and Ani are alone at Ivan’s home at night time takes on a flirtatious cost, as they each begin to acknowledge there’s extra to the opposite than they could have initially seen.

“Sean just gave us freedom to do an absolutely different scene in trying to fill this space, this air around us, together,” recalled Borisov. “And that’s why it was like a small laboratory for trying to find the right direction of energy.”

Capturing within the Russian enclave of Brighton Seaside, Borisov would sometimes be acknowledged by followers. And whereas it made him uncomfortable within the second to be distracted from his work, in response to Madison, the manufacturing was in a position to safe a pair places after folks seen who he was.

Although “Anora” is, at instances, stuffed with a fizzy, screwball vitality, it reaches its emotional peak in a easy, quietly susceptible scene that finds Igor and Anora alone collectively in a automotive. It may very well be the tip of their relationship or a brand new starting, and audiences have responded to the scene with an outpouring of responses concerning the characters’ motivations and what would possibly occur subsequent.

“It was definitely designed to be, No. 1, left up for interpretation and, two, to be divisive,” mentioned Baker. “I’m just really pleased to see it actually having the effect that we were hoping it would have.”

The scene took quite a few takes to get proper, because the actors discovered their strategy to the important feelings of the second.

“Me and Mikey at some point did not understand what Sean wanted from us — what are we doing?” Borisov mentioned. “We were doing it again and again. It was the only scene we did like that. And Sean was trying to find the right energy for this moment. What do you feel? It’s because he got it. He found it.”

“I think that we were all just searching for a specific feeling,” added Madison. “We were all sitting in the same car experiencing that moment together, all three of us. And so I think it was just about searching for a moment and then when we finally had it, trying to recognize if it was right.”

As for what would possibly occur for Ani and Igor after that scene, Borisov mentioned, “I can’t answer, because for me it was part of the lives of these characters of Igor and Anora. All I can say is Igor was there, not me.”

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