David Salle, “Untitled” (2024), collage on panel with hand ending, 65 1/2 x 44 inches, every (© David Salle, courtesy Tempo Prints)
From March 27–30, the IFPDA Print Honest will collect greater than 70 exhibitors on the Park Avenue Armory in New York to have a good time over 500 years of prints and printmaking.
Organized yearly by the IFPDA, the Honest brings collectively a world roster of blue chip galleries, non-public sellers, and publishers to supply crucial consideration on a variety of artists, from key artwork historic figures to new voices in modern artwork. Exhibitors this 12 months embody Berggruen Gallery, Black Ladies of Print, Carolina Nitsch, David Zwirner, Harlan & Weaver, Hauser & Wirth, Krakow Witkin Gallery, Tempo Prints, The Paris Overview, and Peter Blum Gallery.
Returning exhibitor David Zwirner will debut new lithographs by Josh Smith and current a brand new version by Gerhard Richter, alongside historic prints and editions by Ruth Asawa, Yayoi Kusama, Donald Judd, and Raymond Pettibon.
London-based gallery Cristea Roberts will debut new, large-scale woodcuts by German artist Christiane Baumgartner impressed by Mount Fuji and Japanese ukiyo-e artist Hiroshige, who immortalized the mountain and its surrounding panorama in his iconic sequence of woodcuts, Thirty-six Views of Mount Fuji. To enrich this presentation, Baumgartner can be talking on the honest on Friday, March 28, with Harvard Artwork Museums curator Elizabeth Rudy.
Edvard Munch, “Das Weib” (1899), lithograph (courtesy Jörg Maass Kunsthandel)
Jörg Maass Kunsthandel, a Berlin-based gallery specializing in Modernism, will showcase masterful examples of German Expressionism by Ernst Ludwig Kirchner and Otto Dix, in addition to lithography by Edvard Munch.
Tempo Prints will exhibit latest large-scale monoprint collages by David Salle, who can be talking on the honest on Sunday, March 30, with famous artwork critic and artwork historian Susan Tallman. The writer will even current historic editions together with Louise Nevelson’s “Dawnscape” and “Nightscape” — two forged paper works from 1975 — and Jean Dubuffet’s large-scale screenprint on canvas, “Site de Memoire II,” from 1979.
Longtime exhibitor Gemini G.E.L. at Joni Moisant Weyl will prominently function their first collaboration with acclaimed artist Thomas Demand, who has created a sequence of 11 lithographs referred to as “Portals,” together with new work by Richard Serra and a collection of new mezzotints by Toba Khedoori.
Tamarind Institute — a New Mexico-based middle for collaborative printmaking — will current lithographs centered on private narrative, activism, and intimacy together with Jeffrey Gibson’s prints weaving collectively Indigenous craft with protest language; Ellen Lesperance’s full sequence of printed, meticulously reconstructed knitwear from women-led protests; and Sonya Clark’s prints partaking with the politics of Black hair.
Krakow Witkin Gallery, a number one gallery in Boston, presents works starting from 1948 to 2023 by Latin American, North American, and European artists, together with Josef Albers, Gego, Liliana Porter, Agnes Martin, Sol LeWitt, and Kiki Smith.
Along with this 12 months’s cubicles, the IFPDA will host a variety of programming together with artist talks and expert-led displays on printmaking.
To study extra, go to fineartprintfair.org.
ELLEN LESPERANCE, “XOXOX (All Day)” (2023), version of 20, ten-color lithograph with chine collé, 42 7/8 x 29 3/8 inches, collaborating printers: Valpuri Remling and Arikah Lynne Conant, printed and revealed by Tamarind Institute
Josef Albers, “Multiplex D” (1948), version of 30, woodcut on laid paper, picture dimension: 9 x 12 inches, paper dimension: 12 3/4 x 16 inches, body dimension: 14 x 17 1/4 inches (courtesy Krakow Witkin Gallery)
Julie Mehretu, “This Manifestation of Historical Restlessness” (2022), Version of 28, 10-panel etching/aquatint from 50 plates, every sheet: general, framed: 95 x 176 1/4 x 1 5/8 inches (© Julie Mehretu, courtesy Berggruen Gallery)
