Once I meet Sophie Castillo on a scorching, 93-degree afternoon in Austin, Texas, she takes a seat by the pool on the Fairmont lodge in a protracted leather-based blazer — and tells me she’s conserving it on.
“We went seven consecutive days without sunshine last month,” says the London-born singer-songwriter, who carried out on the metropolis’s annual South by Southwest Music Pageant (SXSW). “I need to soak up the sun!”
The daughter of a Colombian mom and a Cuban father, Castillo, 26, is on a mission to amplify the Latin American diaspora within the U.Okay., primarily by her music: a chic mélange of balmy digital textures and Latin American heritage seems like salsa, bachata and reggaeton. She hopes these genres can take off within the U.Okay., as did Afrobeats, ska, bhangra and different musical kinds that immigrant communities helped combine into British standard music.
“British people [don’t] get enough credit as to how open-minded they are,” she says. “Whenever I’ve seen people react to Latin music in the U.K., they’re excited. They’re not like, ‘Oh, I don’t want to listen to that because it’s in Spanish.’ They’re like, ‘This is cool, tell me more!’”
Through the Amigo showcase at Rozco‘s on the night of March 12, Castillo, decked in a cowboy hat and a red velvet ensemble, introduced her new single, “The Betrayal.” A cut from her upcoming EP, due in April, “The Betrayal” is a sultry baile funk song that simmers with righteous indignation.
“I love Brazilian music, so I wanted to try out a funk fusion,” explains Castillo. “It all came together with this Shakira-esque Arabic scale. The drama was there, cinematic element was there, which is what I love.”
(Elana Marie / De Los; Photos by Leila Sophie Castillo)
Beyond Latinidad, music runs in Castillo’s blood. Her father, famend salsa dancer and DJ Nelson Batista, studied dance on the Casa de Cultura in Havana earlier than immigrating to London within the Eighties. He turned the primary recognized salsa teacher within the U.Okay. Sparks flew between him and Castillo’s mom, a salsa dancer who immigrated from Colombia.
Castillo’s uncles, Eddie and Lee, took younger Sophie to see musicals as a baby. And when she was sufficiently old, they inspired her to attend an after-school theater program. She then supplemented her musical schooling by studying how one can produce songs utilizing GarageBand at house.
“My uncle Eddie dropped off a CD of mine at Universal when I was 13,” she says. “It was so funny. I didn’t know anyone in the music industry, nor the Latin music industry. How do you make noise?”
Castillo constructed her viewers organically on TikTok, the place she check drove clips of her songs amongst followers of the Marías and Kali Uchis — two U.S.-based acts that have been important in her personal growth as a Latina artist between cultures. “I always wanted to sing in Spanish, but I was just a little bit shy,” says Castillo. “But Kali Uchis really laid out the path for the indie Latina by making English-language music with a bit of Spanish. I really have so much love and respect for that.”
In 2022, Castillo launched the track, “Call Me By Your Name” — a dream-pop bachata tune sung in English. “POV: you’re listening to an indie bachata by a British Latina,” learn the caption of her video. It was a viral sensation. “Americans were like, ‘What, you guys are over there?’” Castillo recollects. “They’d say, ‘I can’t believe [a] U.K. Latino is a thing!’”
Whereas there exist demographic classes for Caribbean folks from former U.Okay. colonies, an correct depend of the Latin American inhabitants is tough to search out. In 2013, the census reported no less than 250,000 Latin People dwelling within the U.Okay. But in response to a 2024 report, the inhabitants of Latin People elevated by 406% in London and by 395% in England and Wales from 2001 to 2021.
“It’s amazing, you know — TikTok is like such a powerful tool,” she says of her expertise. “I’ve been able to like be a completely independent artist and like have all the freedom and control to do whatever I wanted.”
