Fats Mike doesn’t do birthdays.
So it was in all probability only a coincidence the NOFX retrospective on the Punk Rock Museum in Las Vegas final weekend came about on his birthday.
“My wife is going to spank my a— really hard 59 times,” Michael Burkett, a.ok.a. Fats Mike, mentioned on the roof of the museum because the solar was setting and the lights of Las Vegas have been approaching. “Then she’ll do it again with a cane, and then with a paddle. That’s my kind of birthday.”
That’s a solution NOFX’s followers have come to count on from the entrance man recognized for his scabrous humor and irreverent lyrics. Fats Mike has made a profession out of letting all of it hang around and never taking himself too severely, usually courting scandal alongside the way in which.
From insulting nation music followers in 2018 after the Las Vegas bloodbath the earlier October, to convincing the gang at SXSW in 2010 that his alter ego Cokie the Clown had peed within the tequila he’d simply shared with the viewers, Fats Mike has at all times been a provocateur.
However that’s only one facet of the performer.
Fats Mike exterior the Punk Rock Museum in Las Vegas.
(Melanie Kaye)
Because the proprietor of Fats Wreck Chords, the label that put out most of NOFX’s materials, in addition to albums by scores of different bands, an absence of seriousness was a luxurious he couldn’t afford.
“It’s a lot of responsibility,” he admitted with a sigh of reduction now that the band has stopped touring and the label has been bought to Hopeless Data. “But being out of NOFX now is wonderful. I can do so many different things that I’ve been wanting to do for a long time.”
Regardless of his ambivalence to birthdays, the museum, which was co-founded by Fats Mike in 2023, pulled out all of the stops for a “this is your life”-style party.
Two rooms on the 12,000-square-foot museum’s second ground displayed ephemera documenting the accomplishments of a dirty little punk rock band that stayed within the shadows of friends like Offspring, Inexperienced Day and Blink-182, however remained utterly unbiased of main label affect — from its humble beginnings in 1983 to its remaining present in 2024.
Pictures and fliers lined the partitions, street circumstances have been filled with memorabilia, and the sound of early demos performed on precise tape recorders stuffed the area. “It’s the most substantial exhibit we’ve ever had,” mentioned Vinnie Fiorello, one of many museum’s co-founders.
In the meantime, down on the primary ground, Mike’s former bandmates Aaron “El Hefe” Abeyta and Eric “Smelly” Sandin led guided excursions by the museum, telling tales about their unlikely success as punk rock lifers. Later that afternoon, they gathered within the museum’s occasion area for a sold-out roundtable dialogue.
The occasion kicked off with the trailer for the upcoming NOFX documentary titled “Forty Years of F— Up,” directed by James Buddy Day, and in typical NOFX style, they uploaded the incorrect file. The displaying needed to be aborted after a couple of stunning scenes of bandmates bickering and Fats Mike blasting traces of cocaine.
Speak about a teaser.
For the dialogue, Fats Mike, El Hefe and Smelly have been joined by their longtime crew who’re like a second household to the band. They shared irreverent tales and raucous laughter. At instances, you may nearly overlook in regards to the elephant within the room.
Nearly.
Smelly learn from a ready assertion addressing the rationale why one of many bandmembers, rhythm guitarist Eric Melvin, wasn’t current.
Just some hours after the ultimate present of their remaining tour, Melvin’s attorneys served Fats Mike with papers accusing him of “legal and financial malfeasance.” He broke off contact with the band and directed all communication to undergo his counsel.
After the roundtable, Fats Mike went out on the museum’s rooftop, feeling unhappy and susceptible.
The acrimony that bedeviled so many bands that NOFX prevented for 40 years had lastly caught up with them.
“We never had a f— argument, ever,” Fats Mike defined. “Things got a little sketchy during COVID, because people got desperate and we couldn’t play. But before that, we were all best friends. It was so beautiful. It wasn’t like other bands.”
Not being like different bands was the key to NOFX’s success. Whereas different bands chased file offers, NOFX stayed indie. When the type of skate punk that NOFX helped pioneer went mainstream, Fats Mike didn’t tone down his act to attraction to a wider viewers. He was prepared to wager that, in the event that they stayed true to their followers, their followers would keep true to them.
“When we were kids … we made ourselves targets. By the cops, by the jocks, by everybody. Why did we do that? Why did we make ourselves targets? I don’t really know why. It felt good, and it was like, ‘I don’t want to live like you.’”
That dedication to reside on one’s personal phrases, regardless of how gnarly or bizarre different folks thought you have been, is what fueled Fats Mike and NOFX, and judging from the trailer, that hasn’t modified. That’s what Fats Mike means when he says, “NOFX is a completely authentic band.”
NOFX drummer Erik “Smelly” Sandin, left, and Aaron “El Hefe” Abeyta within the Punk Rock Museum.
(Melanie Kaye)
When members of NOFX have been interviewed for the documentary, they have been upset. Regardless of a wildly profitable remaining tour, not everybody wished the band to finish they usually spoke candidly about their emotions. Though they have been arduous to look at, Fats Mike determined to incorporate these scenes within the documentary.
He didn’t need to shrink back from materials that made him uncomfortable, together with footage from a gory near-death expertise he had after contracting a bacterial an infection in his ulcer. “I’m on the floor and there’s blood and puke everywhere,” Fats Mike mentioned, setting the scene. At that second, he requested his spouse to movie him. “I think I’m dying, and I want my last words to be on camera.”
Much more stunning than the documentary’s content material, is the way in which it is going to be distributed. You received’t be capable of watch it on a streamer, obtain it off the web or buy a bodily copy. The one method you may see it is going to be by getting off the sofa.
“You have to go see the movie,” Fats Mike defined. “We’re playing it at over 100 theaters around the world once a month.”
Impressed by midnight screenings of his favourite film, “Rocky Horror Picture Show,” Fats Mike went to Cisco Adler, whose father Lou Adler co-produced the camp traditional that made Tim Curry a legend, to plan a daring plan for displaying the documentary. Alamo Drafthouse Cinema and Landmark Theater are on board to make the dream a actuality.
“I want our fans to have a place to go,” Fats Mike mentioned.
It’s an inexpensive DIY technique that feels utterly radical. NOFX in a nutshell.
The documentary contains new songs carried out by El Hefe, Fats Mike and Smelly, they usually’re creating merchandise for the screenings like popcorn buckets, chocolate bars and NOFX 2-D glasses.
“It’s gonna be a party,” Fats Mike guarantees. Would you count on something much less?
“Forty Years of F— Up” will premiere in Austin throughout South by Southwest on March 15 and 16 and on the Nuart Theater on March 19 earlier than opening worldwide on April 10.
Jim Ruland is the writer of “Corporate Rock Sucks: The Rise & Fall of SST Records” and is a columnist for Razorcake Fanzine, America’s solely nonprofit unbiased music journal.
