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Reading: Laura Dern channels her ‘muses’ — her dad and mom — in each position. Together with two this fall
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NEW YORK DAWN™ > Blog > Entertainment > Laura Dern channels her ‘muses’ — her dad and mom — in each position. Together with two this fall
Laura Dern channels her ‘muses’ — her dad and mom — in each position. Together with two this fall
Entertainment

Laura Dern channels her ‘muses’ — her dad and mom — in each position. Together with two this fall

Last updated: December 10, 2025 12:47 pm
Editorial Board Published December 10, 2025
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When Laura Dern’s daughter Jaya was little, she paid a go to to the set of HBO’s “Enlightened” and instructed her mom that she observed one thing completely different about her.

“She was like, ‘Mom, you seem more at home here than at home,’” recollects Dern, including that what Jaya noticed was the benefit of somebody who, because the youngster of actors Bruce Dern and Diane Ladd, has been on soundstages and placement shoots since infancy. “I’ve spent my life on set. I love it. I feel so comfortable.”

Dern’s journey into the household career started at age 6, when she appeared as an additional alongside Ladd within the Burt Reynolds car-chase movie “White Lighting.” The next yr she was a bespectacled “girl at counter” in mother’s neighborhood in “Alice Doesn’t Live Here Anymore,” the place Martin Scorsese famously gave her an early lesson in moviemaking rigor, having her eat 19 ice cream cones, throughout an equal quantity of takes, till he was happy with the shot.

By the point her outdated pal Bradley Cooper reached out and requested if she’d be in “Is This Thing On?,” directed by Cooper and co-written by Cooper, Will Arnett and Mark Chappell, she was conscious of the stamina that’d be required of her. Although she’d by no means acted in one among Cooper’s movies, he had, for years, handed alongside his script drafts, shared audition tapes and screened completely different cuts of movies he’s directed.

“I’ve never seen a harder worker in my life in any profession,” says Dern. “To know someone like that inspires a level of discipline in me I don’t think I’ve had before.”

Laura Dern.

(Bexx Francois / For The Instances)

A part of Cooper’s pitch was that he needed her to take part in shaping her position of Tess, a onetime Olympic volleyball participant, now stay-at-home mother and presently separated from husband Alex (Arnett). “He said, ‘Let’s find her together.’”

Although there isn’t any shifting footage of Tess on courtroom, Dern educated with volleyball coach Kirk Myers and had lengthy conversations along with her pal, professional volleyball participant Gabrielle Reece, concerning the thoughts of a aggressive athlete. Then there was the month of soul-baring classes between her and Arnett at Cooper’s home, the place they excavated all “the unspoken stuff — vulnerabilities, favorite things, childhood memories, dreams we’ve had,” says Dern. “We had to have this history because it’s not in the dialogue. We had to trust and know each other, and look in each other’s eyes, and feel the 20 years [of their marriage].”

“It sort of helped us find the shared experience in this potential loss,” says Arnett, who makes a speciality of enjoying preening egotists and is open about the truth that painstaking self-examination wasn’t required in his earlier initiatives. However as a fan of Dern’s Emmy- and Oscar-winning performances, he knew she’d deliver a bracing authenticity to the half. He additionally appreciated that, at 5 ft 11, Dern is tall sufficient that they’d be on equal footing. “She told me that she’s done scenes where the actor has to stand on an apple box, and I’ve had that same experience,” says the 6 ft 2 Arnett, including, “A big part of the character is that she has a physical command to her, that she felt like a real force to be reckoned with.”

As for Dern, she discovered Tess refreshingly robust of will. “I’ve been privileged to play some pretty boundaryless women in my life, and that’s freeing in its own way,” says Dern, who perfected the artwork of untamed Southern belles and impetuous free spirits, significantly in her many collaborations with David Lynch. “But to play a woman who holds power, who owns her body and strength, who can say exactly what she means, who has a goal? It’s very meticulous and that’s not how I’ve ever lived my life.”

Her fleeting half as the private publicist of a narcissistic film star (George Clooney) in Netflix’s “Jay Kelly” is one other instance of how a lot Dern is luxuriating within the sensible-grown-ups part of her profession. As for Clooney, whose characteristic movie debut at 22 was enjoying the boyfriend of Dern, then 16 and legally emancipated, within the 1983 horror sequel “Grizzly II: Revenge,” he is aware of that one thing further she brings to Liz, a handler who understands work-life steadiness.

“[Laura] was a kid when she got into this business. To her, a publicist was like a parent, someone who looked out for her,” says Clooney, who additionally recollects stepping in as surrogate large brother when the “Grizzly II” manufacturing went bankrupt and so they discovered themselves caught in communist Hungary. That’s when the panicked entreaties from Dern’s mom started. “I’d be on the phone, and she’d be like, ‘You make sure my daughter is OK.’ And I’d be like, ‘Diane, you got it.’”

In November, when Dern was in the midst of a heavy promotional season, Ladd died at 89. The magic that Dern and Ladd generated onscreen collectively was captured in no less than 9 movies and TV reveals, together with “Wild at Heart” and “Citizen Ruth.” Although she scaled again her schedule, Dern wanted to ask herself: Did she actually wish to focus on a loss that’s nonetheless so recent?

“I thought, ‘This is going to be hard because I’m going to have to talk about my parents,’” says Dern in a good voice. “Then I thought, ‘They are my muses, my guides, my teachers. I’ve never done an interview without talking about my parents, and that will be the case for the rest of my life.’”

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