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NEW YORK DAWN™ > Blog > Entertainment > Lollapalooza oral historical past ebook retraces the competition’s wild, revolutionary roots
Lollapalooza oral historical past ebook retraces the competition’s wild, revolutionary roots
Entertainment

Lollapalooza oral historical past ebook retraces the competition’s wild, revolutionary roots

Last updated: March 24, 2025 11:50 am
Editorial Board Published March 24, 2025
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On the shelf

Lollapalooza: The Uncensored Story of Various Rock’s Wildest Competition

St. Martin’s Press: 432 pages, $29.76If you purchase books linked on our web site, The Occasions could earn a fee from Bookshop.org, whose charges assist impartial bookstores.

In 1990, Jane’s Habit launched “Ritual de lo Habitual,” the Los Angeles alternative-metal band’s critically acclaimed album. The band, beset by drug dependancy, energy struggles and dissension, determined to interrupt up on the peak of its recognition.

Lead singer Perry Farrell got here up with the thought for Lollapalooza, a “Woodstock for the Lost Generation,” in line with the New York Occasions, as a farewell tour for the imploding group. However it might develop into far more.

Between 1991 and 1997, the touring circus of a competition excited, entertained and empowered disaffected American youth, particularly in its superb early years. “If Lollapalooza didn’t single-handedly inaugurate what came to be known as ‘alternative nation,’ it went a long way toward codifying its ideals for a generation of teens and twentysomethings via a diverse mix of boundary-pushing musical acts, outsider fashion and art, political activism, and straight-up performative weirdness,” Richard Bienstock and Tom Beaujour write of their glorious oral historical past, “Lollapalooza: The Uncensored Story of Alternative Rock’s Wildest Festival.”

Porno for Pyros — Stephen Perkins, left, Perry Farrell and Peter DiStefano — on the second stage at Lollapalooza in 1997.

(Sarah P. Weiss)

Because the authors convincingly argue, Lollapalooza’s affect can’t be understated. It impressed the profitable Ozzfest, Lilith Truthful, H.O.R.D.E. and the Warped Tour; introduced fight boots, flannel, piercings, tattoos and different accouterments of once-marginalized youth to the mainstream; and helped flip 9 Inch Nails and Pearl Jam into superstars. So highly effective is Lollapalooza’s maintain on widespread tradition that Farrell revived it in 2003. The competition continues to at the present time, attracting upward of 100,000 followers to Chicago’s Grant Park each summer time.

At Lollapalooza’s inception, festivals had develop into passé, with the US Competition, the Summer season Jam at Watkins Glen and the Monterey Pop Competition little greater than hazy reminiscences. Lollapalooza’s eclectic inaugural lineup, starting from Jane’s Habit to the loud fusion punk of the Rollins Band to rapper Ice-T to post-punk pioneers Siouxise and the Banshees, hardly appeared like a invoice to set the world afire and promote out amphitheaters throughout the nation.

In reality, Lollapalooza almost derailed at its first present on July 18, 1991, on the sweltering Compton Terrace in Chandler, Ariz. With temperatures within the triple digits, 9 Inch Nails’ tools malfunctioned, main Trent Reznor to trash the stage. A really wasted Dave Navarro, Jane’s Habit’s gifted guitarist, and Farrell started shoving one another together with the stage after the band’s set. “The tour could have collapsed there,” stated Kevin Lyman, Lollapalooza’s stage supervisor in 1991 and 1992.

However it didn’t. The competition’s mixture of left-of-the-dial artists, advocacy teams like Handgun Management Inc. and the Nationwide Abortion Rights Motion League, and funky meals and drinks captured the zeitgeist. In one of many worst summer time live performance seasons in additional than a decade, Lollapalooza shined brightly.

Issues would solely get higher.

With various nation on the ascendancy — Nirvana’s basic “Nevermind” and the Pink Sizzling Chili Peppers’ smash “Blood Sugar Sex Magik” got here out after the primary competition — Lollapalooza 1992 was primed to blow up. Farrell and firm booked future superstars akin to Pearl Jam, whose album “Ten” was capturing up the charts; fellow Seattle grunge rockers Soundgarden; the industrial-metal juggernaut Ministry; and the Chili Peppers, who wore hats with flames popping out of them throughout their efficiency.

Lollapalooza 1992 launched the second stage for performers, arguably the primary of its form, which featured sizzling new acts: Rage In opposition to the Machine and Stone Temple Pilots gave a few of their earliest performances there. The Jim Rose Circus Sideshow, a freak present that featured Slug the Sword Swallower, the Torture King and a few dude who drank vomit, turned a crowd favourite, making the world secure for “The Jim Rose Twisted Tour” TV present.

Cover of Lollapalooza: The Uncensored Story of Alternative Rock's Wildest Festival

Cowl of Lollapalooza: The Uncensored Story of Various Rock’s Wildest Competition

(St. Martin’s Press)

Bienstock and Beaujour, by way of their partaking and insightful interviews, seize the liberating, anything-goes ethos that was Lollapallooza 1992. I ought to know; I attended the opening present on the Shoreline Amphitheater within the Bay Space.

Taking part in the second slot behind Lush within the noon solar, Pearl Jam burned by way of its set with new songs like “Alive” and “Jeremy.” Considered one of rock’s most charismatic and gifted frontmen, Eddie Vedder, usually climbed the scaffolding and towering audio system and dove into the group, doing no matter it took to seize the viewers’s consideration.

Ministry additionally made an indelible impression, blasting everybody’s eardrums to items. Singer Al Jourgensen, leaning in opposition to an animal bone statue that served as a mic stand, and his bandmates bludgeoned audiences into submission with their hypnotic heaviness, commonly paying fines for exceeding venue noise limits. Pearl Jam’s guitarist Stone Gossard referred to as the present a “sonic concussion.”

Lollapalooza 1992 was the competition’s excessive level. It could by no means once more have the identical cultural and creative resonance. The 1993 version had a much less spectacular lineup headed by Primus and Alice in Chains. In 1994, organizers got here near nabbing Nirvana as that yr’s headliner earlier than Kurt Cobain overdosed in Rome and killed himself a month later in April. As sturdy as 1994 artists Smashing Pumpkins, Beastie Boys, George Clinton and the P-Funk Allstars and the Breeders have been, they couldn’t examine to Nirvana.

1995’s underwhelming lineup featured critically acclaimed, indie art-rock darlings Sonic Youth, however followers stayed away. The so-called “Artypalooza” gave method to Lollapalooza 1996, derisively dubbed “Dude-apalooza” for its predominantly white, aggressive lineup topped by decidedly nonalternative Metallica; Farrell briefly left the competition in protest.

Lollapalooza 1997, its swansong earlier than the revival, skewed to bold digital sounds from artists like Prodigy, the Orb and Orbital, a laudable however finally unsuccessful try to reinvigorate the once-golden competition.

Reflecting Lollapalooza’s fall from the rarefied heights of its early ’90s heyday, the 1997 model made little greater than half the cash of Lilith Truthful, attracting a median attendance of 67% of venue capability in comparison with 93% for that female-dominated competition. “Lolla had its run, and we knew the model was breaking. It became too generic. It burned too bright,” stated competition co-founder Marc Geiger. “It needed a break.”

Two musicians onstage playing guitars

Ken Bethea, left, and Rhett Miller of Outdated 97’s carry out on the second stage at Lollapalooza in 1997.

(Sarah P. Weiss)

Fortunately, “Lollapalooza” the ebook, in contrast to the namesake competition itself, not often flags. Bienstock and Beaujour, additionally authors of the bestselling, “Nöthin’ but a Good Time: The Uncensored History of the ’80s Hard Rock Explosion,” interviewed lots of of artists, tour founders and Lollapalooza organizers, amongst others. Theirs is a enjoyable, dishy and surprisingly transferring learn.

They infuse their ebook with intercourse, medication and rock and roll. Joe Klein, then guitarist for Siouxsie and the Banshees, as an illustration, remembered “the most visible orgies”: Ice-T’s tour bus, presumably full of groupies, bouncing up and down. Heroin and different laborious medication have been a tour mainstay. The late Mark Lanegan, lead singer of the Screaming Bushes, usually dispatched a gofer to trace down heroin, crack and meth all through the ’96 tour. Or he’d seek for medication himself. “We would hit a town, and he’d head straight to the ghetto and almost get killed,” Bushes guitarist Gary Lee Conner stated.

And what might be extra rock and roll than members of Rage In opposition to the Machine, the breakout stars of Lollapalooza ’93, going onstage bare at a present in Philadelphia to protest the Mother and father Music Useful resource Heart, Tipper Gore’s controversial group that lobbied for parental advisory stickers on sure albums. With black tape on their mouths and the letters P, M, R, C written in large letters on their chests, the Rage dudes stood nonetheless for quarter-hour, guitar suggestions serving as their backing music. Offended followers finally pelted the would-be revolutionaries with beer, cups and even bottles of urine.

That Lollapalooza has develop into such an vital chapter within the annals of rock historical past could shock no one greater than Farrell. “I’m often asked, did I think Lollapalooza was going to be what it became?” he stated. “I mean, that’s ridiculous. Of course not! How could I? I was just in it for kicks, period.”

Ballon, a former Occasions, Forbes and Inc. Journal reporter, teaches a complicated writing class at USC. He lives in Fullerton.

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