When the ne’er-do-well scion of a Russian oligarch sows his wild oats just a little too enthusiastically with New York stripper Ani, some critical persons are summoned. Cue the fixers, together with the bald, quiet muscle Igor, in Sean Baker’s “Anora.” Besides the mouthy, fiery Ani (Mikey Madison) isn’t having it, and Igor (Yura Borisov) isn’t your typical thug.
Igor, it seems, is an unintended enforcer — not an expert leg-breaker, only a lonely immigrant there out of obligation to a good friend: “Really more like a work friend,” Borisov says. “He doesn’t have friends in America. It’s not about money. It’s kind of, ‘We know each other and me going with you is some small help, some safety for you.’ ”
Nonetheless, Igor is nice bodily and good — possibly too observant. That tracks on assembly Borisov. The 31-year-old Russian will probably be a brand new face to American audiences, however he’s a star at residence. He has received awards there and appeared in eight movies in 2021 alone. Sitting down in a restaurant to talk with the assistance of a translator, he appears to be like just about as he does in “Anora”: casually dressed, bald, intense eyes, pleasant, comes throughout as considerate.
Yura Borisov, driving, and Vache Tovmasyan play enforcers in “Anora.”
(NEON)
“It’s an honor code,” he says. “It’s a conflict of one part of this code and another part because [Ani’s] a girl, she needs help. I have to. And it’s friends. They have troubles and I have to help them too. And it’s not combining.”
Author-director Baker says he noticed Borisov within the movie “Compartment No. 6,” during which his character’s softer facet was slowly revealed, as Baker meant for Igor in “Anora”: “I knew Juho [Kuosmanen], the director, so I asked him about working with Yura and he said, ‘He is just an incredible actor and brought so much.’ ”
In “Anora,” Borisov conveys a lot nonverbally. We see Igor seeing Ani, and watching how the others mistreat her. Borisov artfully underplays the development: He’s stunned by her feral resistance, amused by her spirit, then actually sees her.
“I didn’t want to show our hand,” says Baker. “I know the audience might predict there might be a gravitational pull toward him. … He could have played it big, but he was very subtle about when he was looking at her, how he would look at her.”
(Emil John Ravelo/For The Occasions)
Igor is also surprisingly troublesome to maneuver to anger. Ani has a pointy tongue and is fast to insult him. His typical response? Laughing appreciation.
“It was a very relaxed moment, it was evening, and when mise-en-scène is like that, you play like that, you absolutely relax,” Borisov says of taking pictures a key scene during which she roasts him repeatedly. “She’d say something, I’d answer something; it was not from the script, but it was kind of funny. It was magic, I can say. That was reality. It’s impossible to write something like this. It’s the genius of Sean; he could see the energy. He’s like a fisherman of moments. Not only moments but of meanings of life.”
“I twisted my ankle and broke off my pinkie nail, and he was the one who wrapped my ankle, got me medicine and glued on my nail with medical glue every morning and night. He carried the little bottle around in his sweatpants pocket.”
“Anora’s” ultimate scene is without doubt one of the most transferring cinematic endings this yr, and it depends fully on the actors’ connection.
“It was a very important and strong and difficult scene for Mikey’s character, and it’s crazy important for Sean, the final moment, to find this energy,” Borisov says. “It was a big stress for everybody. I just want to help them, help Mikey and help Sean.”
(Emil John Ravelo/For The Occasions)
Madison says, “I was very nervous, but Yura was there for me, helping me to achieve the level of emotionality I needed to get to and hugging me in between takes. It was an extremely vulnerable scene for me to shoot, and I’m so grateful that it was with as thoughtful a person as Yura is.”
The intimate scene needed to be shot and reshot at three completely different instances throughout manufacturing attributable to technical points — as an illustration, the faux snow acquired caught within the automotive’s windshield wipers, making a horrifying sound Borisov fortunately re-creates for the interview.
This yr, other than “Anora,” Borisov voiced the beloved character of Behemoth (the large demonic cat) in an adaptation of the traditional novel “The Master and Margarita” and has “The Poet,” during which he stars as Russian icon Alexander Pushkin, set for launch subsequent yr.
“It’s important, of course, your career and new opportunities,” he says of all of the work he’s doing. “But for me, more important is that I discover new people and I find friends. Mikey is my friend now. I’m so happy that I have her in my life.”
