This 12 months’s Oscar-nominated animated shorts inform compact tales about first kisses, sweets and an old school youngsters’s TV present, together with extra grownup subjects akin to PTSD and hair transplants.
‘Beautiful Men’
Nicolas Keppens’ “Beautiful Men” makes use of deadpan humor to poke at a susceptible facet of masculinity: hair loss.
Keppens went to Istanbul for work and discovered himself at a lodge breakfast within the presence of males in Turkey to get hair transplants. “It was a room full of bald men,” he recollects, and when you may anticipate boisterous habits, “it was totally silent. It was tender and touching, seeing this image we don’t usually get of manhood.”
He says that the reactions to the movie have been pretty gender-specific, with males sighing, “Yeah, it’s not easy losing your hair,” and girls “seeing more of the comedy because they see their husband or boyfriend or whatever in it. If some others see more of the tenderness in it, that’s also a good thing.”
‘In the Shadow of the Cypress’ 
“In the Shadow of the Cypress” tells the story of a traumatized sea captain with PTSD and his daughter, whose lives change once they uncover a beached whale.
Written and directed by Hossein Molayemi and Shirin Sohani, the deceptively simple-looking, wordless movie is deeply metaphorical: It springs from Molayemi’s prickly relationship along with his father and Sohani’s father’s critical harm throughout army coaching.
“We researched a lot about Iranian veterans suffering PTSD, their families, their relationships, and it had a lot of impact on our scenario,” Sohani says.
Among the many challenges the Iranian filmmakers confronted: U.S. sanctions. “Sanctions and the subsequent economic crisis caused a lot of problems; our currency is shrinking every day,” Molayemi says. Gear and primary residing prices stored rising, and in the long run, the movie took six years to finish.
‘Magic Candies’ 
Within the Japanese brief “Magic Candies” (impressed by a Korean children’ e-book), an remoted younger boy buys intriguingly coloured exhausting candies that give him the power to speak with an individual — or animal or object — opening up his world.
“More than you think, actually, people around you are thinking about you and caring about you,” says producer Takashi Washio via an interpreter. “When you notice that, it’s different.”
Director Daisuke Nishio’s beautiful visuals could idiot viewers into considering it’s stop-motion, however it’s really meticulously designed and rendered 3D CGI. “We decided if we just created it by stop-motion, it wouldn’t go beyond the original storybook,” Washio says. “I love every bit of this film, because if you look into every scene and cut, there is a true intention behind it.”
‘Wander to Wonder’ 
Probably the most objectively insane nominee needs to be writer-director Nina Gantz’s “Wander to Wonder,” a cockeyed, absurd take a look at the bizarre denizens of an old school children’ TV present, who’ve to deal with a real-life catastrophe. Humorous and touching, an Easter egg-loaded cross between Ray Harryhausen and Charlie Kaufman, it manages to generate concern for his or her plight, their Shakespearean recitations and their gherkins. Which may be as a result of Gantz was additionally coping with a really critical state of affairs in her personal life.
“I went through this experience of grief myself,” she mentioned of the movie’s evolution. “With absurd humor, I could tell this story with a little bit of lightness.”
The gherkins “symbolized for me the last thing you have in your cupboards when you run out of everything. It starts from the last gherkin jar, and from there it all goes south.”
‘Yuck!’ 
Regardless of the result on Oscar night time, the competition for cutest animated brief has been settled: It’s French writer-director Loïc Espuche’s chronicle of a child’s first kiss, “Yuck!”
Kids at a household campsite spy grown-ups and teenagers kissing, exclaiming their horror (as Espuche famous children doing at a screening of certainly one of his shorts that featured a kiss, filling him with delight). However when one boy begins to have stirrings towards certainly one of his buddies like these they’d watched, his lips flip a glittery sizzling pink for all to see. “Red is more adolescent love or adult passion,” says Espuche. “There is something more naive in the pink with the glittery effect. When I was a kid, I ate candies that sparkled on my tongue. I wanted to re-create this sensation.
The kids are so disgusted by people kissing, “but at the same time, they can’t stop talking about it.”
