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NEW YORK DAWN™ > Blog > Entertainment > Oscars 2025: Early assumptions. True or false?
Oscars 2025: Early assumptions. True or false?
Entertainment

Oscars 2025: Early assumptions. True or false?

Last updated: November 21, 2024 1:19 am
Editorial Board Published November 21, 2024
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We’re per week out from Thanksgiving, nonetheless determining how a lot turkey to purchase (actually? that a lot?), how a chicken that dimension will presumably match into our oven and whether or not we’d use our next-door neighbor’s oven as a backup.

You understand, the identical questions that vexed the pilgrims all these years in the past.

When it comes to the Oscars, it’s a bit early to make any assumptions about how the races will play out over the subsequent few months. However taking huge swings could be enjoyable, even when they don’t all the time join. (RIP “Joker: Folie à Deux.”) So let’s trot out 5 early award season assumptions and decide whether or not or not they’ll pan out.

Assumption: “Wicked” is an simple finest image contender.Reply: True

“Wicked,” starring Cynthia Erivo and Ariana Grande, is greater than a enjoyable musical. It depicts an authoritarian chief who makes use of scapegoating to prey on — and stoke — folks’s fears.

(Common Photos)

On the Los Angeles premiere of “Wicked,” producer Marc Platt, who has been shepherding the venture since producing the 2003 Broadway present, struck an early marketing campaign tone.

“What you’re about to see tonight, I want you to remember because I think it will resonate and feel so relevant to you … and reflect the lives you’re living and the world you live in,” Platt mentioned from the stage.

I don’t assume he was speaking about flying monkeys. Not less than, I hope not. As a result of there are flying monkeys in “Wicked,” and nobody is simply too glad about it, least of all of the monkeys. What Platt was leaning into was the film’s depiction of a world empowering an authoritarian chief (on this case, expensive Wizard) who makes use of scapegoating to prey on — and stoke — folks’s fears. You come for the songs solely to seek out allusions to fascism and genocide.

“Wicked” is undeniably enjoyable, and everybody who’ll be coming to the theater contemporary from downing a Glinda’s Pink Potion at Starbucks won’t be left wanting. However there’s an overt subtext too that may elevate the film for these unfamiliar with the present, who had possibly assumed it was a candy and frothy musical comedy. Will probably be nominated for finest image. And, if issues break proper, there’s a path for “Wicked” to win.

Assumption: “The Substance” is simply too bloody for Demi Moore to earn an Oscar nomination.Reply: False

A woman in a kimono stands over a nude woman lying on a bathroom floor, a huge scar down her spine

Can body-horror saga “The Substance” make a dent on the Oscars?

(Christine Tamalet / Common Photos)

Now, granted, body-horror films don’t have a lot of a historical past on the Oscars. Possibly “The Whale” qualifies with its exploitative aesthetic? However Oscar voters have change into extra adventurous with the picks of late, and “The Substance,” Coralie Fargeat’s blood-soaked fable about worry and self-loathing in Hollywood, has change into a real indie hit, taking in $75 million worldwide.

Moore earned enthusiastic reward for her flip as Elisabeth Sparkle, a light star who submits to a back-alley rejuvenation regime to reset her profession. Amid the tons of blood and myriad grotesque photographs, there’s the scene of Moore standing in entrance of the lavatory mirror, preparing for a date. The make-up is correct — till it isn’t. Moore wipes it off and reapplies it repeatedly, lastly rubbing her face uncooked. That’s her Oscar clip and why, even in a class crowded with contenders, Moore has a shot at a nomination.

Assumption: “Emilia Pérez” is a lock for the worldwide characteristic Oscar.Reply: True

A woman in a black dress stands, looking happy, in front of a wall of small lights

Karla Sofía Gascón stars in Jacques Audiard’s uncommon musical “Emilia Pérez.”

(Why Not Productions)

It’s normally foolish to declare races over this early, however this looks like a protected guess. Jacques Audiard’s “Emilia Pérez,” a musical cleaning soap opera a few Mexican cartel boss trying to transition to a lady, was the speak of Cannes at its premiere, taking the actress prize shared by the movie’s 4 main girls. And people girls — Karla Sofía Gascón, Selena Gomez, Adriana Paz and Zoe Saldaña — determine to be robust contenders on the Oscars too. (Gascón, who performs the title character, would change into the primary brazenly transgender actor ever nominated for an Oscar.)

“Emilia Pérez” is Netflix’s prime precedence this awards season, with the streamer believing it has a shot at finest image in a discipline with no clear front-runner. A nomination is sort of assured, however there’s already a backlash brewing in opposition to the movie, with critics complaining that it’s a “regressive picture masquerading as progressive” and a “wild ride to nowhere.” It’s come beneath hearth for the best way it handles trans points too.

It’s too early to know the way all it will shake out for the perfect image race. “Emilia Pérez” could be exasperating at occasions, overstuffed and self-consciously theatrical. However it’s additionally completely disarming, boasting an virtually ridiculous sense of daring. Additionally: That forged will carry it a good distance — actually to a trophy for worldwide characteristic.

Assumption: “Nickel Boys” is simply too avant-garde to earn a finest image nomination.Reply: False

Two boys stand looking up, in a view that seems to have been filmed through a ceiling tile

Ethan Herisse, left, and Brandon Wilson in RaMell Ross’ “Nickel Boys.”

(Orion Photos)

“Nickel Boys” premiered on the final day of August on the Telluride Movie Competition in a late-night slot instantly following the crowd-pleasing “Conclave.” This was not a good suggestion. The film ended nicely after 11. The Q&An almost hit the midnight hour. Individuals have been drained and actually didn’t know what to make of a film that shifts between the factors of view of the 2 principal characters and has a subjective, impressionistic mode of storytelling.

Actually, there might have been a extra simple adaptation of Colson Whitehead’s acclaimed novel in regards to the friendship between two Black boys at a brutal Florida reform college within the early Nineteen Sixties. However that’s not why you rent RaMell Ross to make the film. Ross’ 2018 Oscar-nominated documentary, “Hale County This Morning, This Evening,” depicted the lives of Black folks in a disenfranchised Alabama neighborhood with highly effective, poetic imagery that demanded your full consideration. For those who’ve seen that film and skim “Nickel Boys,” that is precisely the film you’d count on. And it nonetheless throws you for a loop.

It can certainly put some folks off. However I also can see many academy members — those who put “The Zone of Interest” among the many finest image nominees final 12 months — putting it atop their ballots.

Assumption: The snubbing of “All We Imagine as Light” within the worldwide characteristic class dooms its Oscar possibilities.Reply: False

A woman stands holding a metal pole

“All We Imagine as Light.”

(Competition de Cannes)

Lastly, indulge me on this deep lower for one of many 12 months’s finest films, Payal Kapadia’s evocative “All We Imagine as Light,” winner of the Grand Prix at Cannes. The movie follows the lives of two roommates who work collectively as nurses at a hospital in Mumbai, capturing their desires and disappointments in wealthy, evocative element. It was shortlisted by France for the worldwide characteristic Oscar, however the choice committee selected “Emilia Pérez” as an alternative. And India bypassed it for the crowd-pleasing “Laapataa Ladies.”

However that doesn’t imply its Oscar likelihood is over. Simply final 12 months, “Anatomy of a Fall” earned nominations for finest image and unique screenplay after being ignored by France. If the stellar opinions for the movie translate into main prizes from the Los Angeles and New York movie critics teams — say, finest image from L.A. and finest director from New York — the film might trip the identical wave of ecstatic acclaim that propelled Ryûsuke Hamaguchi’s “Drive My Car” to a finest image nomination on the 2022 Oscars. Generally, the perfect merely can’t be denied.

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