Dick Van Dyke turns 100 on Saturday, an occasion so eagerly anticipated that for him not to take action would appear cosmically improper. It might be generationally useless of me to think about that the beauties of “The Dick Van Dyke Show” and “Mary Poppins” are identified and liked by these after their time, however as they continue to be obtainable to look at and are nonetheless shared by dad and mom with their youngsters, it appears probably.
Though Van Dyke’s skilled schedule isn’t what it was — a canceled public look in June made headlines, sending waves of concern all through the nation — he has remained seen over the past decade in interviews and social media posts, usually dancing or exercising, and the odd performing job. In 2023, he appeared on “The Masked Singer” as “The Gnome” and guested for a four-episode run on “Days of Our Lives” as a person with amnesia. (It gained him — one other — Emmy.) He marked his 99th birthday by showing in a Coldplay video, shot at his Malibu house, dancing to “All My Love” as Chris Martin sings on the piano. (They went on “Jimmy Kimmel Live!” collectively.) His newest ebook, “100 Rules for Living to 100: An Optimist’s Guide to a Happy Life,” got here out final month, following “My Lucky Life In and Out of Show Business” (2011) and “Keep Moving: And Other Tips and Truths About Aging” (2015).
Friday brings a PBS particular, “Starring Dick Van Dyke,” showing as a part of the “American Masters” sequence — and who would deny that he has earned that title? (An unconnected movie, “Dick Van Dyke 100th Celebration,” will play completely at Regent Theaters on Saturday and Sunday.) Directed by John Scheinfeld (“Reinventing Elvis: The ’68 Comeback,” “The U.S. vs. John Lennon”), it’s a celebration of a person and an artist straightforward to rejoice, a bringer of pleasure whose signature tune — from “Bye Bye, Birdie, “ which made him a Broadway star and led to his becoming a movie star and a TV star — is “Put On a Happy Face.” Although the actor’s alcoholism is addressed right here, in an extended excerpt from a 1974 Dick Cavett interview — he’s been sober since 1972 — darkish instances are typically elided. The top of his first marriage, to Margie Willett, the mom of his 4 youngsters, is expressed solely by the phrases “drifting apart” and digitally erasing her from a household picture; it ought to be mentioned right here that Van Dyke has no official connection to this movie and isn’t newly interviewed right here.
Gathered collectively among the many efficiency clips which can be the principle motive to look at the movie are testimonies from well-known mates and followers, which quantity to: Van Dyke was a delight to know, to work with, or to look at. We hear from Carol Burnett, seen with him in pre-fame clips from “The Garry Moore Show” and collectively once more in his personal 1976 selection present “Van Dyke and Company” (brilliantly improvising an unplanned slow-motion combat between a few folks). Julie Andrews, his “Mary Poppins” co-star, doesn’t suppose that Van Dyke’s controversial Cockney accent is all that unhealthy, “and he was so rivetingly entertaining, funny and sweet, one really didn’t get bothered by it.”
Dick Van Dyke in a publicity nonetheless for Disney’s musical movie “Mary Poppins.”
(Silver Display screen Assortment/Getty Photos)
Steve Martin awards him “a likability factor of 10,” and Martin Brief (seated inevitably subsequent to Martin) remembers scribbling “DVD” in a script that means “do Dick Van Dyke.” Ted Danson, one other long-limbed actor, on whose sitcom “Becker” Van Dyke guested in a run of episodes as his father in “a serious turn,” says that “he did all the human things but in such an elegant way.” Jim Carrey — himself famous for a sure Van Dyke-like rubberiness — thinks the star’s well-known journey over an ottoman within the opening credit of his sitcom, is “not a pratfall, it’s a metaphor; if you tumble, you got to pop right up and laugh at yourself, because you’re ridiculous — we’re all ridiculous — and life is an obstacle course of unforeseen ottomans.”
Conan O’Brien compares him to Gumby and dances with him on his TBS speak present. Larry Mathews, who performed son Ritchie on “The Dick Van Dyke Show,” pronounces him “chill.” We additionally get Pat Boone, on whose late ‘50s variety show Van Dyke appeared; Karen Dotrice, who played little Jane Banks in “Poppins”; NPR media analyst Eric Deggans, providing context; and Victoria Rowell, from Van Dyke’s 1993 thriller sequence, “Diagnosis: Murder,” which ran three seasons longer than “The Dick Van Dyke Show” and will, in some circles, be what he’s greatest identified for.
And there are, in fact, archival interviews with the late Carl Reiner, who created “The Dick Van Dyke Show” and calls its star “the single most talented man that’s ever been in situation comedy,” and co-star Mary Tyler Moore, whose sexual chemistry with Van Dyke, as Rob and Laurie Petrie, was one thing new for tv in 1961 and barely equaled since. (They have been maybe the one sitcom couple who danced and sang collectively.) That sequence, which ran till 1966, when Reiner and firm, not desirous to get stale, pulled it from the air, was the proper body for the star’s items, an unusually lifelike office/household comedy that made room for Van Dyke’s silent-movie bodily comedy and reactions.
Purely as a movie, “Starring Dick Van Dyke” does undergo some from the problem of monitoring a 100-year life and a profession that runs again greater than eight many years; it’s one thing of an unwieldy hodgepodge whose movement, like many such documentaries, depends upon who agrees to speak, what they must say, what pictures and movies can be found (and inexpensive) and, in fact, what pursuits the filmmakers. Disappointingly, there aren’t any clips from the 1971 sitcom “The New Dick Van Dyke Show,” which Van Dyke dismisses right here however I fairly favored, and surprisingly, no point out of the 2004 reunion, “The Dick Van Dyke Show Revisited,” written by Reiner and that includes all of the surviving solid members. (I even have some points with the kooky framing graphics.)
However there’s a lot to see (and listen to), going again to a snippet of the long run star on native radio in Danville, Sick., the place he began working as a young person, and photographs of him within the Merry Mutes, the lip-syncing double act that began his nightclub profession within the late Nineteen Forties; varied unsuccessful stints as a morning present anchor (with Walter Cronkite), a cartoon present host and a recreation present host; and performing “Put on a Happy Face” alongside Broadway castmate Susan Watson.
Appropriately, probably the most time is devoted to “The Dick Van Dyke Show” and “Mary Poppins” (together with “Mary Poppins Returns,” by which Van Dyke, because the aged son of the aged banker he surreptitiously performed within the first movie, danced on a desk — at 93. The manufacturing and rehearsal pictures are pleasant — and a present to Moore and Andrews followers as nicely — with everybody trying younger and delightful. He paints himself as “lazy” and “lucky,” not pushed (besides to earn a dwelling for his household), “not an actor.” However the world determined for itself.
Aside from the 1968 “Chitty Chitty Bang Bang,” a type of “Poppins” redux that has a substantial consistency of its personal, and the Reiner penned-and-directed “The Comic,” a 1969 drama a few silent movie comic reckoning with the talkies, his publish “Poppins” theatrical movies are relegated to a single description and a collage — not even a montage — of posters. Extra consideration is paid to “The Morning After,” a 1974 TV film by which Van Dyke performed an alcoholic businessman; it was round then that he went public together with his personal ingesting drawback.
Towards the top, the documentary typically has the air of a promotional piece, with accounts of charities Van Dyke helps. However two hours of Van Dyke performances can not assist however be entertaining. All you’ll want to do is ready up the clips and get out of the best way. A person desperately looking for a handkerchief whereas attempting to stifle a sneeze, the world’s oldest magician making a comeback — these hilarious bits require no context.
Inevitably, it’s also a narrative of time, given a century of pictures and movies marking each stage of life. His lengthy arms, his lengthy legs and his total all size aren’t what they was. However the lengthy (which isn’t to say unhappy) face is as recognizable and expressive because it ever was.
