Alexander and Alexandre. They’re each of their 20s. Every boasts an Worldwide Tchaikovsky Competitors gold medal. Every is a rising star. Every has a Russian background. Every may very well be heard taking part in Rachmaninoff over the weekend in Southern California — they usually couldn’t be much less alike in the event that they tried.
Alexandre Kantorow turned a YouTube sensation final summer season due to his intrepid look on the opening ceremonies of the Olympic Video games in Paris. Taking part in outdoor throughout a rainstorm, he didn’t miss a beat in, of all items, Ravel’s “Jeux d’Eau” (Water Video games).
For his or her native appearances, Malofeev performed a recital within the Music Academy of the West’s Hahn Corridor as a part of the UC Santa Barbara Arts & Lectures collection. Kantorow made his Los Angeles Philharmonic debut at Walt Disney Live performance Corridor as soloist in Rachmaninoff’s “Rhapsody on a Theme of Paganini.”
Each Sashas are distinctive virtuosos. Neither is especially demonstrative. However Malofeev, now 23, can turn into a keyboard demon. He seems elfish and shy as he approaches his instrument. As soon as seated, although, his physique bends to the keys as if accountable for the piano’s energy. His depth overwhelms. Kantorow, alternatively, is extra a genius of the genteel. He retains his cool in a downpour; he retains his cool with Rachmaninoff.
Born in Moscow, Malofeev captured consideration profitable first prize on the 2014 Worldwide Tchaikovsky Competitors for Younger Musicians, changing into a acknowledged prodigy all through Russia. Within the practically three years since he moved to the West, he has risen up the skilled circuit. Daniel Barenboim has been a champion. He made his L.A. debut with the Pasadena Symphony in 2023. Final summer season he appeared with the L.A. Phil on the Hollywood Bowl.
Listening to Malofeev within the intimate however not claustrophobic Hahn Corridor acoustic, nevertheless, introduced out new dimensions. For the primary half, he joined three otherworldly impromptus — Drei Klavierstücke, Opus 946 — written in Schubert’s final months with the Third Sonata by the uncared for Soviet composer Dmitri Kabalevsky. The sonata from 1947 celebrates the tip of a world struggle and sublimates the struggle’s lasting ache, and that match surprisingly nicely with Schubert’s dramatic outbursts of existential terror that fade into an vacancy full of chic lyricism.
There is no such thing as a floor to Malofeev’s taking part in. He exams the deepness of every phrase, warranted or not. It’s exhausting to take heed to him, every impromptu, every sonata motion, changing into a draining expertise of energetic energy overcoming grave pessimism. Kabalevsky succumbed to Stalin’s decrees towards formalistic artwork, and he has by no means been taken severely within the West. Malofeev, although, discovered a riveting, antiwar core to the sonata in any other case dismissed as an empty virtuoso rating identified primarily from Vladimir Horowitz’s recording.
The second half of the recital proved extra draining nonetheless. In Malofeev’s subjugating palms, Janácek’s vaporously evocative “In the Mists” turned “In the Thick, Disorienting and Blinding Fog” and led, and not using a pause, into Liszt’s doomed and drummed “Funérailles,” creating a unprecedented sonic vista. This was adopted by 4 elusive Scriabin miniature preludes, Opus 22, and Scriabin’s harmonic flight-of-fancy Opus 28 Fantasie.
French pianist Alexandre Kantorow performs throughout the opening ceremony of the 2024 Summer season Olympics in Paris on July 26, 2024.
(Li Gang / Xinhua by way of Getty Pictures)
Kantorow, who’s 27 and was born in Clermont-Ferrand, France, has been pushed within the different path. He started making data together with his father, French violinist and conductor Jean-Jacques Kantorow, greater than a decade in the past. In 2019, he took first prize in the primary Tchaikovsky Competitors, adopted in 2023 by the Gilmore Artist Award — two of essentially the most attention-getting honors for a younger pianist. He’s developed right into a assured pianist with a flawless approach.
His newest solo recording, launched in November, comprises Brahms’ First Piano Sonata, Liszt preparations of Schubert songs and Schubert’s “Wanderer Fantasy.” Kantorow produces an attractive brilliance all through. Nonetheless, even a blinding “Wanderer” barely stands out from the competitors if not unique. Brahms’ early sonata stays undistinguished apart from a surprising rendition of the gradual motion.
The L.A. Phil gave Kantorow star billing, putting the Rachmaninoff Rhapsody on the finish of this system. The conductor was San Francisco Opera Music Director Eun Solar Kim, who opened the live performance with a blunt efficiency of Rachmaninoff’s Third Symphony. Within the Rhapsody, although, Kim delivered incisive accompaniment with out interfering with Kantorow’s refined luminosity.
Even so, this system’s spotlight turned out to be one other concerto, Nico Muhly’s Concerto Grosso, given its premiere. A quartet of dissimilar soloists — flute (Denis Bouriakov), trombone (David Rejano Cantero), percussion (Matthew Howard) and cello (Robert DeMaine) — discover widespread floor one second and decoratively go their very own methods different moments with no concern of interference. Each flip is an abrupt, novel delight.
