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NEW YORK DAWN™ > Blog > Entertainment > Overview: ‘The Final of Us’ Season 2 evaluation: Survival is not only about staying alive
Overview: ‘The Final of Us’ Season 2 evaluation: Survival is not only about staying alive
Entertainment

Overview: ‘The Final of Us’ Season 2 evaluation: Survival is not only about staying alive

Last updated: April 7, 2025 4:43 pm
Editorial Board Published April 7, 2025
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If the primary season of “The Last of Us” is about survival, the second is fueled by revenge.

Or, if you wish to get all existential about it, penalties.

For many who know something in regards to the online game on which the collection is predicated, it will come as no shock. For many who don’t, properly, early moments of the Season 2 premiere (Sunday on HBO) make it clear that the sins of the fathers will, in a method or one other, outline the futures of the daughters.

The present opens with a quick flashback to a scene from the Season 1 finale, through which Ellie (Bella Ramsey) asks Joel (Pedro Pascal) to swear that what he has instructed her about their escape from the Firefly headquarters in Salt Lake Metropolis is true. We all know it’s not. Season 1 chronicled Joel and Ellie’s perilous journey throughout a rustic ravaged by a cordyceps pandemic to a hospital run by a militia group, the place Ellie’s distinctive immunity to the an infection could possibly be used to create a treatment.

As soon as there, nevertheless, Joel learns that Ellie, whom he has come to like as a daughter, will probably be sacrificed within the course of. In rescuing her from the working desk, he kills just about everybody within the place, together with the physician who claims to have devised mentioned treatment. When Ellie wakes from the anesthesia, they’re headed again to the relative security of a burgeoning settlement in Jackson, Wyo. Joel tells her that she will not be the one one who’s immune, that the Fireflies had tried and did not discover a treatment and {that a} murderous assault by raiders pressured Joel to take Ellie and flee.

The scene reminds us that Ellie by no means actually purchased the story, however when Joel swears it’s true, she chooses to consider him and they also carry that little time bomb of a lie with them into Jackson.

Again in Salt Lake Metropolis, one other bomb is ticking. Because the Firefly survivors collect across the graves of their lifeless, the physician’s daughter, Abby (Kaitlyn Dever) vows to seek out the person who murdered her father, for causes she claims to not perceive, and kill him. Slowly.

Flash ahead 5 years and Jackson has grown right into a busy and well-fortified refuge overseen by Joel’s youthful brother, Tommy (Gabriel Luna), and his spouse, Maria (Rutina Wesley). Life has normalized sufficient to incorporate group dances and comfy houses. Ellie even has an age-appropriate bestie named Dina (Isabela Merced) and a martial arts coach — Jesse (Younger Manzino), Dina’s on-again, off-again beau and Jackson’s up-and-coming chief.

Isabela Merced, who joins the present’s second season as Dina, with Pedro Pascal as Joel.

(Liane Hentscher / HBO)

At 19, Ellie is in full young-gun mode, demanding the proper to make her personal selections and pushing again in opposition to authority figures, notably Joel; the 2 are barely talking. “Why is she so mad at you?” asks Dina. “I figure it’s normal,” Joel says. “Her being 19 and me being … what I am. No one likes their parents at that age.”

Um, OK.

If Ellie has grown extra cocky, Joel has change into careworn; he’s even seeing a shrink, paying native psychotherapist Gail (Catherine O’Hara, marvelous as ever) in weed. (“Shake and stems? What am I, in high school?”) As Gail’s literal timer ticks, Joel kvetches about how Ellie treats him like a stranger till Gail snaps about his boring parental points. She has her personal beef with Joel and she or he is aware of he’s mendacity about one thing: “Say the thing you’re afraid to say,” she calls for.

However in fact he can’t. Neither, it appears, can Ellie. Out on patrol with Dina, for whom she has emotions which are clearly greater than friendship, she behaves with a reckless swagger that youth and her still-hidden immunity solely partly clarify.

Nonetheless Ellie and Dina share a teen-spirit power that establishes the returning normalcy of life in Jackson much more than the remedy classes or the pictures of bustling streets and quietly smoking chimneys.

However the simmering rigidity between Joel and Ellie will not be the one reminder that the horrors of the previous are nonetheless current. Jackson is experiencing rising pains as refugees proceed to pour in; the contaminated stay a continuing risk, and it turns into clear that the passing of time has performed nothing to quench Abby’s want to actual revenge.

Creator Craig Mazin has in contrast this season to “The Empire Strikes Back.” That solely works thematically if one views Joel’s actions in Salt Lake Metropolis as heroic, which many don’t. (Although why some random physician was able to kill the one identified immune individual as a result of he theorized that he would wish to chop up her mind as a substitute of first making an attempt to make a vaccine from, say, blood or tissue samples, stays mystifying. As does the choice to inform Joel the plan beforehand. What did they suppose he’d do? Seize a couple of snacks and be on his approach?).

A woman in beanie and a dark parka standing in a building

Abby (Kaitlyn Dever) is one other ticking time bomb this season.

(Liane Hentscher / HBO)

Nonetheless, the logistical parallels — in a world beset by evil, peace exists to be shattered — holds properly sufficient. “The Last of Us” is predicated, in any case, on a sport through which characters are inevitably set on quests, and, with out trying to spoil how the collection hews to the narrative twists of the sport, neither Ellie nor Abby are content material to let their resentments go.

As Joel and Ellie made their journey throughout many of those United States, viewers have been handled to near-empty cities and cities being reclaimed by nature (sport creator Neil Druckmann primarily based his imaginative and prescient, partly, on Alan Weisman’s ebook “The World Without Us.”) The horrible, hypnotic fantastic thing about silent streets, giraffes grazing amid ruined skyscrapers and deserted automobiles coated with moss and flowering vines was underscored not a lot by the horrors of the contaminated — runners, clickers and bloaters — however by the violent, warring factions of the survivors. Nobody is uninfected by this specific plague; monsters additionally lurk in militias, cults and FEDRA, the tyrannical authorities company assembled within the early days of the pandemic.

The second season provides the Washington Liberation Entrance, or the Wolves, a paramilitary group that fights each FEDRA and a medieval cult known as the Seraphites (known as “scars”), all of whom Ellie, Dina and different members of the Jackson group encounter as they try and stability the wants of group with the extra private drives of the person.

Like all continuation of a fantasy/sci-fi franchise, the second season can’t match the world-building revelations of the primary. There may be nonetheless loads to see and study in a panorama being devoured by primal forces, and lots of battles to be fought, whether or not with murderer stealth or full-blown epic depth. It’s an oddly constructed season of tv — some questions are answered nearly instantly, whereas others are left to linger for an uncommon variety of beats.

However as beforehand famous, the true narrative of this season is about penalties, and by extension, selections, which makes it way more inward-focused than the primary. The horrible alternative Joel confronted in Salt Lake Metropolis is echoed repeatedly as Ellie struggles to change into the hero of her personal journey.

Although two years older than the character she performs, Ramsey has a child face, and there was some grievance that they haven’t visibly aged sufficient to play the older Ellie. However in some ways, their look works to the character’s benefit. Regardless of her experiences, Ellie continues to be emotionally immature, seeing independence as its personal authority. However as “The Last of Us” reminds us repeatedly, with authority comes energy, which could be a corruptive drive when wielded with an excessive amount of self-righteousness.

Within the hostile land of “The Last of Us,” survival is not only about staying alive, however making selections about what that life will appear like, and imply, ultimately.

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