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Reading: Rob Delaney on the ’emotional budgeting’ required to make ‘Dying for Intercourse’
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NEW YORK DAWN™ > Blog > Entertainment > Rob Delaney on the ’emotional budgeting’ required to make ‘Dying for Intercourse’
Rob Delaney on the ’emotional budgeting’ required to make ‘Dying for Intercourse’
Entertainment

Rob Delaney on the ’emotional budgeting’ required to make ‘Dying for Intercourse’

Last updated: August 5, 2025 5:27 pm
Editorial Board Published August 5, 2025
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Whether or not crossing the Atlantic to marry somebody who’s not all that into it (“Catastrophe”), sacrificing physique components to the schemes of a femme fatale (“Bad Monkey”) or enabling a terminal most cancers affected person’s dominant wishes (“Dying for Sex”), Rob Delaney’s turn into an professional at portraying males who’ll do absolutely anything for his or her ladies — or man crush, when you throw in his “Deadpool” appearances.

Delaney first got here to prominence making jokes on Twitter again when it may nonetheless be humorous. He was beforehand nominated for an Emmy for writing an episode of “Catastrophe” with co-creator and co-star Sharon Horgan. And now, with “Dying,” tailored from Nikki Boyer and the late Molly Kochan’s podcast concerning the latter’s end-of-life erotic adventures, he’s acquired his first performing nomination for enjoying Neighbor Man reverse fellow nominees Michelle Williams and Jenny Slate. Delaney, who lives in England along with his spouse, Leah, and their three sons (a fourth baby, Henry, died from a mind tumor at age 2½), spoke to The Instances through video hyperlink whereas visiting his hometown of Marblehead, Mass.

Delaney in “Dying for Sex” as Neighbor Man, who develops a kinky — and finally fairly intimate — relationship with Michelle Williams’ character.

(Sarah Shatz / FX)

Does Neighbor Man have a correct title?

Probably not. They thought of it they usually simply by no means gave him one. In contrast to Nikki and Molly, Neighbor Man just isn’t one man, he’s an amalgamation of individuals and likewise some individuals they wished that Molly may need met.

How would you describe him?

He begins off as an actual man with neuroses and issues and foibles. He goes via a mini-enlightenment with Molly, who’s so centered on the current and cognizant that her time is proscribed. Neighbor Man makes the nice resolution to go alongside for the trip of the way in which she’s dwelling her life, and to not attempt to make it about him — and in so doing actually advantages himself.

Whereas their dominant/submissive video games generate a number of humor, Neighbor Man’s not portrayed as a clown, as is the same old case for masochists in media.

The actual heavy lifting there would have been carried out by [showrunners] Kim Rosenstock and Liz Meriwether, who wrote it. The intent for him was to begin as a slovenly, annoying neighbor, however beneath Molly’s gaze remodel into one thing extra particular, hotter and open. I used to be by no means frightened about tone, the steadiness of humor, unhappiness, concern, anger and confusion.

However had been you ever embarrassed?

Oh, positive. Masturbating with Molly on the opposite facet of the wall and I’d catch a grip’s eye whereas grunting or no matter. It’d be, “Sorry you had to see that,” then we’d go eat bagels on the craft desk collectively.

How was working with Michelle?

All the pieces you’d want and extra. She’s actually a sort particular person and an extremely curious and beneficiant performer. And he or she’s very recreation for all of the foolish stuff, like making Neighbor Man eat cake out of her palms. Styling one another’s hair with lube in her hospital mattress was sort of each wacky and beautiful. Kim and Liz offered us with a fantastic number of scenes for our characters to get to know one another, problem one another and assist one another.

Your sickroom lovemaking within the penultimate episode is like nothing I’ve seen earlier than on tv.

We spent near every week in that hospital room. Emotional budgeting was required. I did a number of crying throughout takes and in between takes. That’s the final stuff we shot collectively. By that point, I’d actually gotten to know Molly the character and Michelle Williams the pal. So it was very troublesome to observe her, on the top of her powers, dying.

Actor and comedian Rob Delaney of ‘Dying for Sex.’

(Adam Glanzman / For The Instances)

What do your characters from “Catastrophe” to “Bad Monkey” to “Dying for Sex” have in widespread?

I’m glad that my three largest TV roles have been males who’re striving, bleeding, failing, bargaining with ladies, as a result of that makes the perfect stuff to observe. A person’s going to work on a puzzle a method, a girl will one other manner. Work on it collectively, they’ll clear up it. Or, alternately, kill one another. Both of these makes nice TV.

How has your 19 years of marriage influenced this work, and vice versa?

“Catastrophe” felt extra like the primary decade of my marriage, which was very complicated, attempting by hook or criminal to shed dangerous habits that I had. Now I’ve endeavored to be like an outdated canine who can study new methods, so humility has been the watchword for my second decade of marriage.

You’ve coped with alcoholism, melancholy and catastrophic loss. Any classes to impart?

I’m virtually 50, and now not less than know that everybody has seasons of difficulties. I’d say that acknowledging these realities … I imply, it’s not dangerous to be an alcoholic when you acknowledge it, don’t drink and work via it. It’s true I’ve been via some issues that I’d not want on others. However the older I get the much less distinctive I really feel, which is nice as a result of no one’s distinctive.

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