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NEW YORK DAWN™ > Blog > Entertainment > Rob Reiner’s 10 finest movies as a director
Rob Reiner’s 10 finest movies as a director
Entertainment

Rob Reiner’s 10 finest movies as a director

Last updated: December 15, 2025 3:16 pm
Editorial Board Published December 15, 2025
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Rob Reiner was born into the lineage of comedy because of his father, tv pioneer Carl Reiner, and he first gained recognition as an actor, together with his Emmy-winning position on “All in the Family.” And whereas there may be definitely a streak of humor via nearly all of his movies, what marks Reiner’s work as a director is his astonishing versatility, in a position to swap kinds from one mission to the subsequent with outstanding ease. The run of movies that begins along with his function directing debut, 1984’s “This Is Spinal Tap,” on via 1986’s “Stand by Me,” 1987’s “The Princess Bride,” 1989’s “When Harry Met Sally…,” 1990’s “Misery,” 1992’s “A Few Good Men” and 1995’s “The American President” is just breathtaking for its mastery throughout the specrum of widespread Hollywood moviemaking.

‘This Is Spinal Tap’ (1984)

Harry Shearer, left, Christopher Visitor and Michael McKean within the film “This Is Spinal Tap.”

(Archive Pictures / Getty Photographs)

Although not strictly the primary to discover the shape, Reiner’s first function as director kind of cemented the idea of the “mockumentary,” presenting itself as a documentary on the (fictional) rock band Spinal Faucet. Reiner appeared onscreen as Marty DiBergi, director of the fake film-within-the-film, forming a neat transition from his profession as an actor to director. And whereas this yr’s sequel “Spinal Tap II: The End Continues” was not notably effectively obtained, the legacy of the unique, nonetheless among the many most quotable comedies ever made, stays untouchable. — Mark Olsen

‘The Sure Thing’ (1985)

Made amid the teenager intercourse comedy craze of the Eighties, Reiner’s second movie, about two school college students sharing a cross-country automobile journey collectively, had one thing particular and completely different about it — particularly the performances of John Cusack and Daphne Zuniga, who each introduced an openhearted tenderness to a narrative which may have toppled into cynicism. The emotional earnestness that may typically come via in Reiner’s work first emerged right here, making what might have been a run-of-the-mill train into one thing extra. — M.O.

‘Stand by Me’ (1986) Four boys stand in the woods, noticing something.

Wil Wheaton, left, River Phoenix, Jerry O’Connell and Corey Feldman within the film “Stand by Me.”

(Columbia Footage)

Primarily based on a novella by Stephen King, “Stand by Me” is about 4 boys — performed by Wil Wheaton, Corey Feldman, Jerry O’Connell and River Phoenix — who discover their friendship examined throughout a very eventful Labor Day weekend of 1959. Approaching the story with a mixture of dewy nostalgia and incisive readability, the movie earned Reiner the primary of three nominations from the Administrators Guild of America. — M.O.

‘The Princess Bride’ (1987) A man passionately embraces a woman in red on the grass.

Robin Wright and Cary Elwes within the film “The Princess Bride.”

(twentieth Century Fox / Kobal / REX / Shutterstock)

It will be inconceivable to not embody “The Princess Bride” in any consideration of Reiner’s finest, because the swashbuckling fantasy romance embodies a way of playful inventiveness and anything-can-happen ethos. An aged man reads a narrative to his grandson because the motion involves life within the story of a farm boy and a princess who’re fated to be collectively, if solely they’ll overcome all method of trials and challenges. The film has now enchanted a number of generations of kids and adults alike. — M.O.

‘When Harry Met Sally…’ (1989) A woman in a hat and a man have a conversation in a New York City park.

Meg Ryan and Billy Crystal within the film “When Harry Met Sally…”

(Fort Rock Leisure)

As a lot as another film, “When Harry Met Sally…” (scripted by Nora Ephron) has come to embody the fashionable romantic comedy with its will they-won’t-they story of two good buddies who come to appreciate they might additionally work as one thing extra. Grounded by the charming performances of Meg Ryan and Billy Crystal, in addition to a robust supporting forged together with Carrie Fisher and Bruno Kirby, the movie has a uncommon heat. It was Reiner’s mom Estelle who delivered the unforgettable punchline, “I’ll have what she’s having.” — M.O.

‘Misery’ (1990) Kathy Bates and James Caan in "Misery."

Kathy Bates and James Caan in “Misery.”

(Archive Pictures / Getty Photographs)

Reiner named his manufacturing firm Fort Rock Leisure in honor of his deep love for Stephen King’s fiction and after making a splash with “Stand by Me,” there was no approach he wasn’t going do one thing scarier as a comply with up. (You get a touch in “When Harry Met Sally” — have a look at the hardcover Crystal is skimming.) King’s captive-author nightmare will get classed up by two knockout performances calibrated in good concord: Kathy Bates’ psycho fan, a flip that earned her an Oscar, and James Caan because the bedbound author. On the time, Caan was an actor in want of a second probability. Reiner was it. — Joshua Rothkopf

‘A Few Good Men’ (1992) Two Navy officer have a showdown in a courtroom.

Jack Nicholson, left, and Tom Cruise within the film “A Few Good Men.”

(Mondadori Portfolio / Mondadori through Getty Photographs)

Reiner seemingly conquered one more film style with this tightly wound army courtroom thriller and obtained his solely Academy Award nomination, for finest image. Reiner was additionally acknowledged with nominations from the Administrators Guild, Producers Guild and Golden Globes for the movie. Written by Aaron Sorkin and that includes a forged that features Tom Cruise and Demi Moore, this has Jack Nicholson’s volcanic supply of the now-legendary line, “You can’t handle the truth!” — M.O.

‘The American President’ (1995) Michael Douglas and director Rob Reiner on the set of "The American President."

Michael Douglas and director Rob Reiner on the set of “The American President.”

(Archive Pictures / Getty Photographs)

A president as a romantic lead? Such issues really occurred throughout the Clinton period. Reiner injects heat and realism to Sorkin’s swaggering unique script, loaded with wonky dialogue and walk-and-talks. However it’s the cautious steering of Michael Douglas as a widowed U.S. chief and rising star Annette Bening as an extra-persuasive eco-lobbyist that distinguish this mild comedy, one which appears positively alien to our present local weather. Extensively identified for his vigilant activism in later years, Reiner’s on-screen politics had been no much less optimistic. — J.R.

‘Rumor Has It’ (2005) A woman and a man share a pitcher of beer.

Jennifer Aniston and Kevin Costner within the film “Rumor Has It.”

(Melissa Moseley / Warner Bros. Footage)

Not many would dare to tackle a sort-of sequel to a film as beloved as “The Graduate,” however Reiner introduced an off-the-cuff ease to the story of a girl, performed by Jennifer Aniston, who believes her mom and grandmother had been the inspiration for Charles Webb’s unique supply novel. Although opinions on the time largely savaged the film, it now appears simply the sort of confident studio comedy audiences yearn for, buoyed by Shirley MacLaine’s outrageous efficiency as a girl who could also be the true Mrs. Robinson. — M.O.

‘Albert Brooks: Defending My Life’ (2023) Two men sit across a restaurant table.

Albert Brooks, left, and Rob Reiner within the documentary “Albert Brooks: Defending My Life.”

(HBO)

Reiner obtained two Emmy nominations for this documentary tribute to comic, actor and filmmaker Albert Brooks, a pal of Reiner’s because the two met as youngsters at Beverly Hills Excessive. It’s captured as an expansive dialog with the 2 sharing a meal in a restaurant. As a lot because the movie is a portrait of Brooks, it additionally displays Reiner’s personal distinctive place as somebody who knew present enterprise and its ups and downs with a uncommon intimacy. — M.O.

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