‘The Automat’ Review: Put a Nickel in the Slot for Nostalgia
Whatever nostalgia is — homesickness, fantasy, delusion — it’s flooding “The Automat.”…
Kanye West Always Wanted You to Watch
Cameras are not neutral — they change their subject. But while everyone…
‘Somewhere With No Bridges’ Review: Of Men and Memories
In the compact documentary “Somewhere With No Bridges,” the director Charles Frank…
‘We Need to Talk About Cosby.’ (Among Others.)
So it’s tempting to believe that only good people create good art…
‘The Exiles’ and ‘Nanny’ Win Top Prizes at Sundance
The horror/drama “Nanny” from the first-time feature filmmaker Nikyatu Jusu nabbed the…
Sundance Film Festival: ‘Nanny’ Leads a Parade of Scares
When a character took a severed human leg out of a fridge…
At Sundance, Two Films Look at Abortion and the Jane Collective
Judith Arcana was 27 and recently separated from her husband when she…
For Pop Music, 2021 Was the Year of the Deep Dive
The pandemic, it seems, sent certain enterprising music lovers into editing rooms.…
The Sublime Spectacle of Yoko Ono Disrupting the Beatles
To hear more audio stories from publications like The New York Times,…
