‘Carpeaux Recast’: A Sculptural Gem With a Knotty Back Story
Traditional museums are literally conservative places. They’re built to freeze objects in…
Tomás Saraceno: Following the Airborne Lives of Spiders
The Shed has gone all out for the multitasking Tomás Saraceno —…
In ‘Charles Ray: Figure Ground,’ a Radical Conservative on Display
The Metropolitan Museum of Art has never looked as sharply contemporary, even…
It’s Gold, Baby. But Niclas Castello’s Cube Is Nothing New in Art.
The fun thing about conceptual art is that it’s totally easy to…
Charles Ray Is Pushing Sculpture to Its Limit
“When you get to the more volatile social subject matter, I often…
Damien Hirst’s Medium is the Art Market
Hirst joining in the mania for NFTs was certainly smart business. He…
Hugh Hayden, Surrealist Sculptor, Addresses the Education Debate
“Just watch your eyes,” the sculptor Hugh Hayden warned as he circumnavigated…
In ‘African Origin’ Show at Met, New Points of Light Across Cultures
Object for object, there isn’t an exhibition in town more beautiful than…
Rodin Bronze From Family Plot Is Heading to Auction
Raphaël Chatroux, a specialist at Freeman’s, when informed of scholars’ reactions to…
