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Reading: Web Misinformation Is the New Medieval Magical Considering
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NEW YORK DAWN™ > Blog > Art > Web Misinformation Is the New Medieval Magical Considering
Web Misinformation Is the New Medieval Magical Considering
Art

Web Misinformation Is the New Medieval Magical Considering

Last updated: May 8, 2025 11:22 pm
Editorial Board Published May 8, 2025
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Iconophages: A Historical past of Ingesting Photographs by Jérémie Koering is a dense, well-researched e-book on what appears, at first look, a airtight subject material. It charts the historical past of rituals involving the consuming and consuming of icons, or non secular artistic endeavors, starting in Historic Egypt and persevering with by means of the Byzantine Empire, Center Ages, and even the twentieth century. Dousing the Met Museum’s “Magical Stela (Cippus of Horus)” (360–343 BCE) and consuming the water that handed over it, as an example, supposedly cured venomous snake bites. (It didn’t.) However hidden beneath entertaining however obscure references to licking, bathing non secular icons (and consuming the bathwater), grinding relics into powder and consuming them, and different enjoyable esophageal tales, is a narrative concerning the cultural evolution of the mind-body advanced. 

A big a part of Koering’s thesis is that within the pre-Christian period, corresponding to within the historical metropolis of Byzantium, magic and faith had been one and the identical. In keeping with this logic, the icon made seen the holy being, and ingesting it established a relationship between the buyer and the divine energy, in addition to membership in a cult of shared perception. Then, this consumption grew to become symbolic. On the 1551 Council of Trent, the Catholic church adopted the ritual of consuming a cracker as an emblem for the physique of Christ, and the consuming of purple wine because the blood of Christ.

This appears easy sufficient, however Iconophages shouldn’t be a simple learn. It’s stuffed with major documentation so detailed that it appears to lack an even bigger image — scores of pages delineating how the bloodstained shirt of Thomas Becket was soaked in water that was then used to treatment a lady affected by paralysis in 1170 Canterbury, or how small woodcuts illustrating the miracles by the Medieval jurist Giuliano di Francisco Guizzelmi had been recurrently positioned within the mouths of the deceased to deliver them again to life. The e-book is actually a protracted, detailed listing of such instances, and I discovered myself questioning what precisely all of this was meant to inform me about human want. Are we simply ruled by the worry of dying, and looking for a simple repair, even it clearly doesn’t work? Or are we merely a tradition of simpletons? Nonetheless, readers may, like me, benefit from the gross and gory fairy-tale high quality of all of it.

Essentially the most related factor about Iconophages, nevertheless, is how a model of this ritualistic consumption has continued into our century. After Trump and his gang of irrational fundamentalists took command, I couldn’t assist however learn this e-book as a parable about his specific sphere of the web, one other website of fetishistic consumption stuffed with icons, in addition to logos, emojis, memes — and fueled by the irrational and its symbolic transubstantiation into misinformation and lies. There, we discover conspiracy theories about vaccines, local weather science, harmful “others”; there, the cult-like Make America Nice Once more motion assigns supernatural powers to Trump; there, a unique type of consumption, such because the buying of iconic meme cash, guarantees a treatment. Web misinformation is a brand new type of medieval magical considering, a populist model of dogma meant to assuage modern fears. If we’re to be taught from Koering’s historic examples, this type of magic by no means did delay life or remove the plague. Fairly, Ideological polemics — the Reformation and the Counter-Reformation — resulted in centuries of hostile feuding tribes. And right here we go once more.

5cGcGJames Gillray, “Tiddy Doll: The Great French-Gingerbread-Baker” (1806), hand-colored etching (© The Trustees of the British Museum)7n2YqCrucifixion (1587), plaster solid after a mannequin in wooden

Iconophages: A Historical past of Ingesting Photographs (2024), written by Jérémie Koering, translated by Nicholas Huckle, and revealed by Princeton College Press, is obtainable for buy on-line and in bookstores.

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