If there’s a scene that finest encapsulates the tragically abbreviated profession of John Sweet, it’s not essentially from his time on the sketch-comedy sequence “SCTV” or from motion pictures like “Stripes” or “Uncle Buck.” It’s a second within the 1987 comedy-drama “Planes, Trains and Automobiles,” when his reluctant roommate Neal Web page (performed by Steve Martin) has spent a number of minutes berating him for his relentless storytelling.
With a lump in his throat, Sweet’s wounded character Del Griffith replies that he’s pleased with who he’s. “I like me,” he says. “My wife likes me. My customers like me. Because I’m the real article — what you see is what you get.”
That second proves pivotal to 2 new initiatives that retrace Sweet’s life and work some 31 years after the actor died from a coronary heart assault on the age of 43. The actor would have turned 75 this month.
A biography, “John Candy: A Life in Comedy,” written by Paul Myers (launched by Home of Anansi Press on Tuesday), and a documentary, “John Candy: I Like Me,” directed by Colin Hanks (launched Friday on Prime Video), each depend on Sweet’s associates, members of the family and colleagues to assist inform the story of his ascent, his success and the void left by his dying.
In their very own methods, each the e-book and the movie present how Sweet — whereas not with out his demons — was beloved by audiences for his elementary and genuine likability, and why he’s nonetheless mourned as we speak for the potential he by no means obtained to fully fulfill.
A household picture of John Sweet and his son, Chris, seen in “John Candy: I Like Me.” (Prime Video)
John Sweet, left, and Steve Martin in “Planes, Trains and Automobiles.” (Paramount Footage)
Explaining why it was nonetheless vital to memorialize Sweet all these years later, Ryan Reynolds, the “Deadpool” star and a producer of the documentary, mentioned, “When it’s something people desperately miss, but they don’t know they miss it, it’s a beautiful and rare thing. John Candy is a person that they missed desperately.”
Since his dying, Sweet’s instant survivors — his widow, Rosemary; daughter, Jennifer Sweet-Sullivan; and son, Chris Sweet — have weighed the pluses and minuses of sharing his life with audiences and the affect it might need on them (the three are co-executive producers on the movie). “It’s a balancing act,” mentioned Chris Sweet. “You want to live your life and you also want to honor theirs.”
Lately, Sweet’s youngsters mentioned they had been inspired by documentaries like Morgan Neville’s “Won’t You Be My Neighbor?,” concerning the youngsters’s TV broadcaster Fred Rogers, in addition to Hanks’ movie “All Things Must Pass,” concerning the Tower Information retail chain.
Hanks, whose father, Tom, acted with Sweet in movies like “Splash” and “Volunteers,” mentioned he struggled at first to discover a compelling method to inform the story of Sweet, who had a seemingly charmed and uncontroversial appearing profession, first in his native Toronto after which in Hollywood.
However Hanks mentioned he was drawn into Sweet’s story by a specific element: the truth that Sweet’s personal father, Sidney, had died from coronary heart illness on the age of 35, proper earlier than John turned 5. “It doesn’t take much to think about how traumatic that could be for anyone at any age,” Hanks mentioned.
Chris Sweet, from left, Jennifer Sweet-Sullivan and Colin Hanks, who directed the Prime Video documentary “John Candy: I Like Me.”
(Christina Home / Los Angeles Instances)
Myers, a musician and journalist who has written books concerning the band Barenaked Women and comedy troupe the Youngsters within the Corridor, mentioned he was drawn to Sweet as a fellow Canadian and an embodiment of the nationwide comedic spirit.
“If you’re Canadian like I am, you never stop thinking about John Candy,” Myers mentioned. Rising up within the Toronto space, Myers mentioned he and his siblings — together with his brother Mike, the longer term “Shrek” and “Austin Powers” star — had been avid followers of sketch comedy exhibits like “Monty Python’s Flying Circus” and “Saturday Night Live.”
However “SCTV,” which launched stars like Sweet, Catherine O’Hara and Eugene Levy, meant much more to them. “We watched it from Day 1 and we cheered a little bit harder for them because it was like they were shooting the show blocks away from our house,” Myers mentioned.
Reynolds, who was born and raised in Vancouver, mentioned that Sweet’s important Canadian spirit was essential to his success as a comic book actor.
“In comedy, Canadians typically don’t punch down,” Reynolds mentioned. “It’s more of a self-effacing humor. Their favorite target is themselves. And John did that. On screen, I felt his willingness and joy in self-effacing humor that never really veered into self-loathing humor.”
Ryan Reynolds on the Los Angeles screening of “I Like Me” earlier this month. The actor was a producer on the movie.
(Todd Williamson / January Pictures)
Sweet parlayed his repertoire of “SCTV” characters — satirical media personalities like Johnny LaRue and real-life celebrities like Orson Welles — into supporting elements in hit movies like “National Lampoon’s Vacation,” “The Blues Brothers,” “Brewster’s Millions” and “Spaceballs.”
His penchants for consuming and smoking had been well-known and hardly out of the strange for that period; they not often impeded Sweet’s work and, in at the very least one notable occasion, appear to have enhanced it: Each the documentary and the biography recount how Sweet indulged in a late-night bender with Jack Nicholson earlier than rising the subsequent morning to shoot a scene in “Splash” the place his character fumbles, flails and smokes his manner by way of a spherical of racquetball.
“That’s his work ethic, right there,” mentioned Sweet-Sullivan. “He showed up and he did the scene.”
Sweet graduated to guide roles in comedies like “Summer Rental,” “The Great Outdoors” and “Who’s Harry Crumb?,” and he discovered a kindred spirit within the author and director John Hughes, who helped present Sweet with a few of his most enduring roles in motion pictures like “Planes, Trains and Automobiles,” “Uncle Buck” and “Home Alone.”
However offscreen, Sweet was contending with anxiousness and he was delicate to folks’s judgments about his dimension — remarks which regularly got here instantly from TV interviewers who thought nothing of asking him point-blank whether or not Sweet was planning to shed extra pounds.
When he and his sister watched archival footage of those interviews within the documentary, Chris Sweet mentioned, “It was, for both of us, uncomfortable. I wasn’t familiar with what he was putting up with and how he would mentally jujitsu in and out of those conversations. He got more and more curt about it as time goes on, and you can see it in the interviews.”
However these psychic wounds didn’t make Sweet a merciless or nasty particular person; he merely absorbed the harm and redoubled his efforts to be a genial performer.
“If you’re looking for darkness in the story of John Candy, a lot of it’s just internalized pain,” Myers mentioned. “His own coping mechanism was radical niceness to everybody — making human connections so that he would have community and feel like he’s making things better.”
Within the early Nineteen Nineties, Sweet gave the impression to be working nonstop. He appeared in 5 totally different characteristic movies in 1991 alone, a 12 months that included duds like “Nothing But Trouble” in addition to a small however probably transformative position in Oliver Stone’s drama “JFK,” the place he performed the flamboyant lawyer Dean Andrews Jr. He was making ready his personal directorial debut, a TV movie referred to as “Hostage For a Day” by which he starred with George Wendt. Sweet additionally grew to become a co-owner and one-man pep squad for the Toronto Argonauts, the Canadian Soccer League group.
Ultimately, the various calls for and stresses in his life got here to a head. Amid a grueling shoot for the western comedy “Wagons East” in Durango, Mexico, Sweet died on March 4, 1994. He had a non-public funeral within the Los Angeles space, adopted by a public memorial in Toronto that prompted a nationwide outpouring of grief in Canada.
“He represented the best of us,” Myers mentioned. “He was a humanity-centric person. He brought vulnerability and humility to his characters, which is not something you usually see in broad comedy.”
Sweet’s movies proceed to play on tv and streaming — each “Planes, Trains and Automobiles” and “Home Alone” have turn out to be year-end vacation staples. However for the folks concerned in chronicling Sweet’s life, there’s a creeping sense that the actor’s legacy is not going to are likely to itself, and that the generations who didn’t develop up with Sweet may want reminders of what made him price remembering.
Hanks recalled a narrative from the making of “I Like Me” the place he and a few colleagues had been eating at a restaurant the place the hostess requested them what they had been engaged on.
“We said we’re making a documentary,” Hanks mentioned. “ ‘Oh, really?’ she goes. ‘Who’s it about?’ It’s about John Candy. She goes, ‘Oh, who’s that?’ No idea who it was. I said, well, have you seen ‘Home Alone’? Remember the polka guy that picks up the mom and takes her in the van? ‘Oh, I loved him. He’s great.’”
A part of his curiosity in making a movie about Sweet, Hanks mentioned, is “wanting to showcase the man that people love and remind them why they loved them.”
However there’s additionally the straightforward pleasure in introducing Sweet’s work to individuals who haven’t seen it earlier than. “If you’re lucky,” Hanks mentioned, “you get to hopefully have them go, ‘God, I want to see those movies. I want to go watch ‘SCTV.’”
