Anna (TV Program)

Review: In ‘Anna,’ the End of Adults, but Not the World

Working with the cinematographer Gogò Bianchi and the production designer Mauro Vanzati, Ammaniti turns Sicily into an abandoned wonderland seen from a child’s point of view: a mix of carnival, reverie and limitless rubbish pile. “Anna” evokes a tradition of the fantastical in Italian cinema, from Fellini to Paolo Sorrentino, while remaining tied to its […]